Appalachian Elegy: Poetry and Place
Quotes from the Book
Often their rage erupts because they believe that all ways of looking that highlight difference subvert the liberal belief in a universal subjectivity (we are all just people) that they think will make racism disappear. They have a deep emotional investment in the myth of sameness even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think.
8
The whiteness celebrated in Paris is Burning is not just any old brand of whiteness but rather that brutal imperial ruling-class capitalist patriarchal whiteness that presents itself -its way of life- as the only meaningful life there is. What could be more reassuring to a white public fearful that marginalized disenfranchised black folks might rise any day now make revolutionary black liberation struggle a reality than a documentary affirming that colonized, victimized, exploited black folks, are all too willing to be complicit in perpetuating the fantasy that ruling-class white culture is the quintessential site of unrestricted joy, freedom, power and pleasure.
7
Watching Paris is Burning, I began to think that the many yuppie-looking, straight -acting, pushy, predominantly white folks in the audience were there because the film in no way interrogates “whiteness.” These folks left the film saying it was “amazing,” “marvellous,” incredibly funny,” worthy of statements like, “Didn’t you just love it?” And no, I didn’t love it. For in many ways the film was a graphic documentary portrait of the way in which colonized black people (in this case black gay brothers, some of whom were drag queens) worship at the throne of whiteness, even when such worship demands that we live in perpetual self-hate, steal, go hungry, and even die in its pursuit. The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves, that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.
7
The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.
7
...consider the possibility that to love blackness is dangerous in a white supremacist culture- so threatening, so serious a breach in the fabric of the social order, that death is the punishment.
4
Many unlearning racism workshops focus on helping white individuals to see that they too are wounded by racism and as a consequence have something to gain from participating in anti-racist struggle. While in some ways true, a construction of political solidarity that is rooted in a narrative of shared victimization not only acts to recenter whites, it risks obscuring the particular ways racist domination impacts on the lives of marginalized groups. Implicit in the assumption that even those who are privileged via racist hierarchy suffer is the notion that it is only when those in power get in touch with how they too are victimized will they rebel against structures of domination. The truth is that many folks benefit greatly from dominating others and are not suffering a wound that is in any way similar to the condition of the exploited and oppressed. Anti-racist work that tries to get these individuals to see themselves as "victimized" by racism in the hopes that this will act as an intervention is a misguided strategy. And indeed we must be willing to acknowledge that individuals of great privilege who are in no way victimized are capable, via their political choices, of working on behalf of the oppressed. Such solidarity does not need to be rooted in shared experience. It can be based on one's political and ethical understanding of racism and one's rejection of domination.
2
If black men and women take seriously Malcolm’s charge that we must work for our liberation “by any means necessary,” then we must be willing to explore the way feminism as a critique of sexism, as a movement to end sexism and sexist oppression, could aid our struggle to be self-determining.
As long as black people foolishly cling to the rather politically naive and dangerous assumption that it is in the interests of black liberation to support sexism and male domination, all our efforts to decolonize our minds and transform society will fail.
positive recognition and acceptance of difference is a necessary starting point as we work to eradicate white supremacy.
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About bell hooks
More by bell hooks
Appalachian Elegy: Poetry and Place
We Real Cool: Black Men and Masculinity
All About Love: New Visions
Communion: The Female Search for Love
About the book
In these twelve essays, bell hooks digs ever deeper into the personal and political consequences of contemporary representations of race and ethnicity within a white supremacist culture.
Book details
- First published
- 1992
- Author
- bell hooks
- Genre
- Nonfiction
- Goodreads rating
- 4.36 (2k ratings)
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