The Water Dancer
Quotes from the Book
The classroom was a jail of other people’s interests. The library was open, unending, free.
But race is the child of racism, not the father. And the process of naming “the people” has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But the belief in the preeminence of hue and hair, the notion that these factors can correctly organize a society and that they signify deeper attributes, which are indelible—this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, deceitfully, to believe that they are white.
I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.
You are growing into consciousness, and my wish for you is that you feel no need to constrict yourself to make other people comfortable.
But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth. You must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.
I was made for the library, not the classroom. The classroom was a jail of other people’s interests. The library was open, unending, free.
You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this.
The point of this language of “intention” and “personal responsibility” is broad exoneration. Mistakes were made. Bodies were broken. People were enslaved. We meant well. We tried our best. “Good intention” is a hall pass through history, a sleeping pill that ensures the Dream.
One cannot, at once, claim to be superhuman and then plead mortal error. I propose to take our countrymen’s claims of American exceptionalism seriously, which is to say I propose subjecting our country to an exceptional moral standard.
But race is the child of racism, not the father.
The question is not whether Lincoln truly meant “government of the people” but what our country has, throughout its history, taken the political term “people” to actually mean.
Black people love their children with a kind of obsession. You are all we have, and you come to us endangered.
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
To yell “black-on-black crime” is to shoot a man and then shame him for bleeding.
Hate gives identity. The nigger, the fag, the bitch illuminate the border, illuminate what we ostensibly are not, illuminate the Dream of being white, of being a Man. We name the hated strangers and are thus confirmed in the tribe.
So you must wake up every morning knowing that no promise is unbreakable, least of all the promise of waking up at all. This is not despair. These are the preferences of the universe itself: verbs over nouns, actions over states, struggle over hope.
I believed, and still do, that our bodies are our selves, that my soul is the voltage conducted through neurons and nerves, and that my spirit is my flesh.
It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.
The destroyers will rarely be held accountable. Mostly they will receive pensions.
You may have heard the talk of diversity, sensitivity training, and body cameras. These are all fine and applicable, but they understate the task and allow the citizens of this country to pretend that there is real distance between their own attitudes and those of the ones appointed to protect them. The truth is that the police reflect America in all of its will and fear, and whatever we might make of this country’s criminal justice policy, it cannot be said that it was imposed by a repressive minority. The abuses that have followed from these policies—the sprawling carceral state, the random detention of black people, the torture of suspects—are the product of democratic will. And so to challenge the police is to challenge the American people who send them into the ghettos armed with the same self-generated fears that compelled the people who think they are white to flee the cities and into the Dream. The problem with the police is not that they are fascist pigs but that our country is ruled by majoritarian pigs.
The forgetting is habit, is yet another necessary component of the Dream. They have forgotten the scale of theft that enriched them in slavery; the terror that allowed them, for a century, to pilfer the vote; the segregationist policy that gave them their suburbs. They have forgotten, because to remember would tumble them out of the beautiful Dream and force them to live down here with us, down here in the world. I am convinced that the Dreamers, at least the Dreamers of today, would rather live white than live free. In the Dream they are Buck Rogers, Prince Aragorn, an entire race of Skywalkers. To awaken them is to reveal that they are an empire of humans and, like all empires of humans, are built on the destruction of the body. It is to stain their nobility, to make them vulnerable, fallible, breakable humans.
And they are torturing Muslims, and their drones are bombing wedding parties (by accident!), and the Dreamers are quoting Martin Luther King and exulting nonviolence for the weak and the biggest guns for the strong.
I was learning the craft of poetry, which really was an intensive version of what my mother had taught me all those years ago—the craft of writing as the art of thinking. Poetry aims for an economy of truth—loose and useless words must be discarded, and I found that these loose and useless words were not separate from loose and useless thoughts.
Then the mother of the murdered boy rose, turned to you, and said, “You exist. You matter. You have value. You have every right to wear your hoodie, to play your music as loud as you want. You have every right to be you. And no one should deter you from being you. You have to be you. And you can never be afraid to be you.
My mother and father were always pushing me away from secondhand answers—even the answers they themselves believed. I don’t know that I have ever found any satisfactory answers of my own. But every time I ask it, the question is refined. That is the best of what the old heads meant when they spoke of being “politically conscious”—as much a series of actions as a state of being, a constant questioning, questioning as ritual, questioning as exploration rather than the search for certainty.
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear.
And still I urge you to struggle. Struggle for the memory of your ancestors. Struggle for wisdom. Struggle for the warmth of The Mecca. Struggle for your grandmother and grandfather, for your name. But do not struggle for the Dreamers. Hope for them. Pray for them, if you are so moved. But do not pin your struggle on their conversion. The Dreamers will have to learn to struggle themselves, to understand that the field for their Dream, the stage where they have painted themselves white, is the deathbed of us all.
The problem with the police is not that they are fascist pigs but that our country is ruled by majoritarian pigs.
I was a curious boy, but the schools were not concerned with curiosity. They were concerned with compliance. I loved a few of my teachers. But I cannot say that I truly believed any of them.
The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine.
Did you know?
- The book is written as a letter from Coates to his teenage son, Samori.
- It is modeled on James Baldwin's 1963 book "The Fire Next Time."
- It won the 2015 National Book Award for Nonfiction.
- Toni Morrison wrote that Coates filled the intellectual void left after James Baldwin's death.
- The death of Coates's Howard University friend Prince Jones, killed by a police officer, is central to the book.
- It reached number one on the New York Times nonfiction bestseller list.
About Ta-Nehisi Coates
More by Ta-Nehisi Coates
About the book
"Between the World and Me" is a book-length letter Ta-Nehisi Coates writes to his teenage son, reckoning with what it means to inhabit a Black body in America. Moving from his childhood in Baltimore through his years at Howard University and out into the wider world, Coates argues that American life has been built on the idea of "race"—a falsehood whose weight falls most heavily on Black bodies, historically through slavery and segregation and today through policing, incarceration, and violence. Rather than offering easy consolation, he tries to prepare his son for a country in which his physical safety can never be taken for granted.
Coates writes in the tradition of James Baldwin's "The Fire Next Time," using the intimate form of a father's letter to carry a larger historical and political argument. He returns repeatedly to the vulnerability of the body and to what he calls "the Dream"—the comfortable, suburban American fantasy that depends on ignoring the history that made it possible. The killing of his college friend Prince Jones by a police officer anchors the book's central claim that racism cuts across class and status, and that no amount of respectability guarantees protection.
Published in 2015, the book became a number-one New York Times bestseller and won the National Book Award for Nonfiction, and it has since been widely assigned in schools and universities. Toni Morrison praised Coates as filling the intellectual void left by Baldwin's death, while other critics called it essential reading on race in contemporary America. Its blend of memoir, history, and reportage helped make it one of the most discussed works of nonfiction of the decade.
Book details
- First published
- 2015
- Length
- 176 pages
- Reading time
- 1 hour
- Author
- Ta-Nehisi Coates
- Genre
- Nonfiction
- Goodreads rating
- 4.40 (374k ratings) →
- First line
- “Son, Last Sunday the host of a popular news show asked me what it meant to lose my body.”
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1The Fire Next TimeJames Baldwin's letter-form reckoning with race in America that directly inspired Coates.
- 2Just MercyBryan Stevenson's account of racial injustice and the criminal legal system in America.
- 3The New Jim CrowMichelle Alexander's analysis of mass incarceration as a racial caste system.
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