Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered

Make stuff you love and talk about stuff you love and you’ll attract people who love that kind of stuff. It’s that simple.

But now I realize that the only way to find your voice is to use it. It’s hardwired, built into you. Talk about the things you love. Your voice will follow.

We all love things that other people think are garbage. You have to have the courage to keep loving your garbage, because what makes us unique is the diversity and breadth of our influences, the unique ways in which we mix up the parts of culture others have deemed “high” and the “low.” When you find things you genuinely enjoy, don’t let anyone else make you feel bad about it. Don’t feel guilty about the pleasure you take in the things you enjoy. Celebrate them.

the worst troll is the one that lives in your head.

You can’t be content with mastery; you have to push yourself to become a student again.

Don’t try to be hip or cool. Being open and honest about what you like is the best way to connect with people who like those things, too.

The world is changing at such a rapid rate that it’s turning us all into amateurs.

The trouble with imaginative people is that we're good at picturing the worst that could happen to us. Fear is often just the imagination taking a wrong turn.

Become a documentarian of what you do.

The real gap is between doing nothing and doing something.

Teaching people doesn’t subtract value from what you do, it actually adds to it. When you teach someone how to do your work, you are, in effect, generating more interest in your work. People feel closer to your work because you’re letting them in on what you know.

Once a day, after you’ve done your day’s work, go back to your documentation and find one little piece of your process that you can share.

The people who get what they're after are very often the ones who just stick around long enough.

Everybody loves a good story, but good storytelling doesn't come easy to everybody. It's a skill that takes a lifetime to master. So study the great stories and then go find some of your own. Your stories will get better the more you tell them.

Part of the art of creating is in discovering your own kind. They are everywhere. But don't look for them in the wrong places" Henry Miller As you put yourself and your work out there, you will run into your fellow knuckleballers. These are your real peers-the people who share your obsessions, the people who share a similar mission to your own, the people with whom you share a mutual respect. There will only be a handful or so of them, but they're so, so important. Do what you can to nurture your relationships with these people. Show them work before you show anybody else. Keep them as close as you can.

Your influences are all worth sharing because they clue people in to who you are and what you do—sometimes even more than your own work.

it’s not enough to be good. In order to be found, you have to be findable.

Colin Marshall says: “Compulsive avoidance of embarrassment is a form of suicide.” If you spend your life avoiding vulnerability, you and your work will never truly connect with other people.

Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything—all external expectations, all pride, all fear of embarrassment or failure—these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked.” —Steve Jobs

Be ambitious. Keep yourself busy. Think bigger. Expand your audience. Don't hobble yourself in the name of "keeping it real," or "not selling out." Try new things. If an opportunity comes along that will allow you to do more of the kind of work you want to do, say Yes. If an opportunity comes long that would mean more money, but less of the kind of work you want to do, say No.

Don’t talk to people you don’t want to talk to, and don’t talk about stuff you don’t want to talk about.

If you want people to know about what you do and the things you care about, you have to share.

to be “interest-ing” is to be curious and attentive, and to practice “the continual projection of interest.” To put it more simply: If you want to be interesting, you have to be interested.

It sounds a little extreme, but in this day and age, if your work isn’t online, it doesn’t exist.

Human beings want to know where things came from, how they were made, and who made them. The stories you tell about the work you do have a huge effect on how people feel and what they understand about your work, and how people feel an what they understand about your work effects how they value it.

Make stuff you love and talk about stuff you love and you'll attract people who love that kind of stuff. It's that simple.

Don't talk to people you don't want to talk to, and don't talk about stuff you don't want to talk about.

In the beginner’s mind, there are many possibilities,” said Zen monk Shunryu Suzuki. “In the expert’s mind, there are few.

To all viewers but yourself, what matters is the product: the finished artwork. To you, and you alone, what matters is the process: the experience of shaping the artwork.

If you believe in the lone genius myth, creativity is an antisocial act, performed by only a few great figures — mostly dead men with names like Mozart, Einstein, or Picasso. The rest of us are left to stand around and gawk in awe at their achievements. Under the "scenius" model, great ideas are often birthed by a group of creative individuals — artists, curators, thinkers, theorists, and other tastemakers — who make up an “ecology of talent.” Being a valuable part of a scenius is not necessarily about how smart or talented you are, but about what you have to contribute—the ideas you share, the quality of the connections you make, and the conversations you start. If we forget about genius and think more about how we can nurture and contribute to a scenius, we can adjust our own expectations and the expectations of the worlds we want to accept us. We can stop asking what others can do for us, and start asking what we can do for others. Think about what you want to learn, and make a commitment to learning it in front of others. Find a scenius, pay attention to what others are sharing, and then start taking note of what they’re not sharing. Be on the lookout for voids that you can fill with your own efforts, no matter how bad they are at first. . . . Share what you love, and the people who love the same things will find you.