The Mirror Empire
Quotes from the Book
Your voice is powerful. Your voice has meaning. If it didn't, people wouldn't work so hard to silence you. Remember that.
Systems of racism and sexism and oppression are not systems we choose, but they are ones we inherit and are responsible for perpetuating, or not. When I hear so-and-so was "a product of his/her time" as an excuse for bigoted behavior, I remind folks that there have always been people in every time who did not agree with the bigoted systems they were born into and who actively fought them. The question is, which are we?
Asking men to cut away their “feminine” traits asks them to cut away half their humanity, just as asking women to suppress their “masculine” traits asks them to deny their full autonomy. What makes us human is not one or the other—the fist or the open palm—it’s our ability to embrace both, and choose the appropriate action for the situation we’re in. Because to deny one half—to burn down the world or refuse to defend the world from those who would burn it—is to deny our humanity and become something less than human.
If you think there’s a thing—anything—women didn’t do in the past, you’re wrong.
Your haters are not here for a conversation. They are here to keep you from doing your work.
Let's be real: if women were "naturally" anything, societies wouldn't spend so much time trying to police every aspect of their lives
The more women writers I read, from Margaret Atwood and Octavia Butler to Charlotte Perkins Gilman and Toni Morrison, the less alone I felt, and the more I began to see myself as part of something more. It wasn’t about one woman toiling against the universe. It was about all of us moving together, crying out into some black, inhospitable place that we would not be quiet, we would not go silently, we would not stop speaking, we would not give in. *
The world is full of people who write poorly but passionately, and others who can put a sentence together but have no feeling behind it. All they have in common is that they don’t give up when people say they’re talentless hacks. And both of those types of writers have audiences.
All you have to decide, as they say, is what you do with the time given.
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.
Human beings are, if nothing else, dedicated to upholding their narrative of the way the world is supposed to be, whether or not that world ever truly existed.
So long as the people with the power - to hire and fire you, approve or deny your loan, or write up your speeding ticket - look at you through the lens of institutionalized racism, sexism, homophobia or any other -sim they've learned form stories, videos, media and other biased individuals, a single win means nothing. We cannot effect true change alone.
Funny isn't it? The power of story. It's why I picked up a pen. I slay monsters, too.
I spent a great deal of my ilfe trying to be quiet and nice and not piss anyone off. I was misereable. It served no purpose. And they still came for me. It made me even easier to dismiss, to overlook, to assume I was just somebody else everybody could roll over and spout off ridiculously sexist, racist crap without dissent. But nodding and smiling gets old. It makes it easier for people to box you up and ship you off, I'm only really alive when I'm pissing people off anyway
This is why I write. This is why I keep speaking. This is why I endure. Because if I don’t tell my stories, someone else will.
Young white men in the eighteen-to-twenty-four-year-old range are often coming to grips with the fact that life isn't as easy as they were promised. I've been there myself. When you realize that life isn't going to hand you the job you want or the woman you want to fuck, you look around for someone to blame, and feminism becomes an easy target. If only women were subservient objects who stayed at home, there would be more jobs open to young white men and more women with no other option but to have sex with them for sustenance. I realize that white-man utopia sounds really pleasing to these guys, but it's basically everyone else's worst nightmare It's not so great for them either, but they won't get that for a long time, if ever. Suffice to say you won't convince them of this in an online comments section, either.
Stories teach us empathy, and limiting the expression of humanity in our heroes entirely based on sex or gender does us all a disservice. It placess restrictions on what we consider human, which dehumanizes the people we see who do not express traits that fit our narow definition of what's acceptable.
Storytelling instead of info dumping is a fairly well-known life hack, but there are still very few people who tell stories instead of facts.
Your voice is powerful. Your voice has meaning. If it didn’t, people wouldn’t work so hard to try to silence you.
We can pretend all we like that women are equal, ut as long as men and women are continually encouraged to supress the broad aspects of their humanity that we decry as "feminine", we're all screwed. Because it's those things qe celebrate as "other" that make us truly human. It's what we label "soft" or "feminune" that makes civilization possible, It's our empathy, our ability to care and nurtureand connect. It's our ability to come together. To buld. To remake. Asking men to cut away their "feminine" traits asks them to cut away half their humanity, just as asking women to supress ther "masculine" traits asks them to deny their full autonomy.
What are we risking by speaking up? Everything, certainly. But the far riskier business is not speaking up at all.
Why is it all hot pants and back tattoos? Why the symbols of toughness instead of actual dark alley terror? Why do we celebrate “girl power” but sneer at “women power”?
You have to strip all that away to see it for what it is: Sexism is about power. Sexism is about controlling the means of production.
there are many more of us who won’t be silenced, because fuck that.
This is the power and promise of science fiction, this magic of creating and living in every possible future.
I was limited by stories that came before mine. We are so often limited by our own expectations of stories, by the stories that came before, by the heroes who came before.… How is it we can bear to live with ourselves, as readers and storytellers, if we swallow those limitations without questioning them?
I can think of only two movies with women killers we’re meant to sympathize with, and both because they’d been sexually assaulted—Thelma and Louise and Monster. And to be honest, I don’t imagine anyone would call the women in these films heroes. The popular comic book mercenary Red Sonja is, perhaps, a proper hero, but is, once again, motivated by a sexual assault. Male heroes are heroic because of what’s been done to women in their lives, often—the dead child, the dead wife. Women heroes are also heroic for what’s been done to women … to them. We build our heroes, too often, on terrible things done to women, instead of creating, simply, heroes who do things, who persevere in the face of overwhelming odds because it’s the right thing to do.
Reality TV does actually have a message, folks. That message is selling and reinforcing capitalism, ignorance, and the status quo.
But people are not swayed by logic. People use logic to back up their emotional decisions.
Let’s be real: if women were “naturally” anything, societies wouldn’t spend so much time trying to police every aspect of their lives.
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About Kameron Hurley
More by Kameron Hurley
About the book
A powerful collection of essays on feminism, geek culture, and a writer’s journey, from one of the most important new voices in genre.
The Geek Feminist Revolution is a collection of essays by double Hugo Award-winning essayist and science fiction and fantasy novelist Kameron Hurley.
The book collects dozens of Hurley’s essays on feminism, geek culture, and her experiences and insights as a genre writer, including “We Have Always Fought,” which won the 2014 Hugo for Best Related Work. The Geek Feminist Revolution also features several entirely new essays written specifically for this volume.
Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and elsewhere on the rise of women in genre, her passion for science fiction and fantasy, and the diversification of publishing.
Book details
- First published
- 2016
- Author
- Kameron Hurley
- Genre
- Nonfiction
- Goodreads rating
- 3.86 (4k ratings)
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