This Bridge Called My Back: Writings by Radical Women of Color
Quotes from the Book
be a person with knowledge not just opinions
... ageing is nothing to be ashamed of especially when the entire human race is in it together
gender is one of the biggest lies of our civilization
privilege is about context and circumstance
life is an adventure to be embraced with an open mind and loving heart
Ageing is nothing to be ashamed of Especially when the entire race is in it together Although sometimes it seems that she alone among her friends wants to celebrate getting older Because it’s such a privilege to not die prematurely
it’s important to counterbalance the state of being cerebral with the state of being corporeal
she didn’t tell them she’d taken her father for granted and carried her blinkered, self-righteous perspective of him from childhood through to his death, when in fact he’d done nothing wrong except fail to live up to her feminist expectations of him
Let us wonder at how X was just a rare letter until algebra came along and made it something special that can be unravelled to reveal inner value.
women who miraculously spend their working day wearing bondage-tight skirts and vertiginous, destabilizing heels which make their feet look bound the erogenous zones of crushed muscles and cramped bones, encased in upmarket strippers’ heels and if she has to cripple herself to signal her education, talent, intellect, skills and leadership potential then so be it
his bredren and sistren could damned well speak up for themselves why should he carry the burden of representation when it will only hold him back? white people are only required to represent themselves, not an entire race
her morning mantra in the bathroom mirror I am highly presentable, likeable, clubbable, relatable, promotable and successful
there was no such thing as objective truth and if you think something’s good because it speaks to you it is
What matters most to me, is that I know how I feel, and the rest of the world might catch up one day, even if it’ll be a quiet revolution over longer than my lifetime, if it happens at all
People have to share everything they do these days, from meals, to nights out, to selfies of themselves half naked in a mirror The borders between public and private are dissolving
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe? Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that) In five categories, black, Muslim, female, poor, hijab bed She’s the only one Yazz can’t tell to check her privilege Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing? Was this a student outwitting the master moment? #whitegirltrumpsblackgirl
this is not about feeling something or about speaking words this is about being together.
(...) the so-called democratization of reviews means the lowering of standards, and that subject knowledge, history and critical context are at risk of being lost in favour of people who only know how to write in attention-seeking soundbites.
We should celebrate that many more women are reconfiguring feminism and that grassroots activism is spreading like wildfire and millions of women are waking up to the possibility of taking ownership of our world as fully-entitled human beings How’s can we argue with that?
very small children don’t care about skin colour, Rachel, until they’re brainwashed by their parents
which will lead to even more of them despairing at the future and what with the planet about to go to shit with the United Kingdom soon to be disunited from Europe which itself is hurtling down the reactionary road and making fascism fashionable again and it’s so crazy that the disgusting perma-tanned billionaire has set a new intellectual and moral low by being president of America and basically it all means that the older generation has RUINED EVERYTHING and her generation is doooooomed
The Barbies with their stick legs and rocket breasts were another problem Megan had to endure. She was supposed to spend hours dressing up or playing house with them, including the darker ones she was supposed to find more relatable. In a fit she'd once tried to commit Barbicide, defaced them with colored marker pens, chopped off hair, extracted eyes with scissors and de-limbed a few... The Barbie invasion proliferated on birthdays and at Christmas, relatives talked about incredible collection, as if she'd actually chosen to have them in her life.
I’m also wary of walking home late at night on my own, I miss being respectfully called sir when I’m in a shop or restaurant, and I’m definitely taken less seriously when I open my mouth You see, Megan, I learnt first hand how women are discriminated against, which is why I became a feminist after I’d transitioned, an intersectional feminist, because it’s not just about gender but race, sexuality, class and other intersections which we mostly unthinkingly live anyway
I’m not a victim, don’t ever treat me like a victim, my mother didn’t raise me to be a victim.
what it was like when white men opened doors or gave up their seats on public transport for white women (which was sexist), but not for them (which was racist)
you see, Megan, I learnt first hand how women are discriminated against, which is why I became a feminist after I’d transitioned, an intersectional feminist, because it’s not just about gender but race, sexuality, class and other intersections which we mostly unthinkingly live anyway
why should he carry the burden of representation when it will only hold him back? white people are only required to represent themselves, not an entire race
as if she was the kind of woman who'd amputate her aspirations to become one of his decorative appendages
she’s Mum’s emotional caretaker, always has been, always will be it’s the burden of being an only child, especially a girl who will naturally be more caring.
being trans wasn’t about playacting an identity on a whim, it’s about becoming your true self in spite of society’s pressures to be otherwise, most people on the trans spectrum felt different from childhood,
Did you know?
- It shared the 2019 Booker Prize with Margaret Atwood's The Testaments, an unusual joint award by the judges.
- Bernardine Evaristo was the first Black woman to win the Booker Prize.
- The novel follows twelve principal characters whose stories are grouped into four chapters of three interlinked lives each.
- Evaristo writes in a style she calls "fusion fiction," using minimal punctuation and a free-flowing, verse-like prose.
- It was named Fiction Book of the Year at the 2020 British Book Awards.
About Bernardine Evaristo
About the book
Girl, Woman, Other is a polyphonic novel that follows twelve principal characters—mostly Black British women, spanning generations, classes, and sexualities—whose lives interconnect across the United Kingdom. Structured in four chapters that each braid together three linked life stories, the book opens with the playwright Amma on the eve of her production at London's National Theatre and gathers its many threads at the after-party, where the characters' connections come into view. Written in a fluid, lightly punctuated free-verse style Evaristo calls "fusion fiction," it moves between past and present to trace how each woman navigates family, ambition, and identity.
The novel examines race, feminism, gender, sexuality, class, and the politics of belonging through an intersectional lens, giving voice to perspectives Evaristo felt were largely absent from British literature. Its characters range from a nonagenarian Northumbrian farmer to a non-binary social-media activist, and the book resists tidy resolution in favor of showing the contradictions and solidarities among them. Evaristo has said she wanted "to put presence into absence," foregrounding Black British women whose stories had rarely occupied the center of a major novel.
Girl, Woman, Other was a critical landmark, sharing the 2019 Booker Prize with Margaret Atwood's The Testaments and making Evaristo the first Black woman to win the award. It was widely praised for its chorus of distinct voices and its expansive portrait of modern Britain, and went on to win Fiction Book of the Year at the 2020 British Book Awards, becoming a major commercial and word-of-mouth success.
Key characters
- AmmaA playwright staging her production at the National Theatre
- YazzAmma's outspoken university-student daughter
- DominiqueAmma's old friend and former theatre collaborator
- CaroleAn investment banker who escaped a difficult youth through education
- BummiCarole's Nigerian-born mother, a cleaner and entrepreneur
- ShirleyA long-serving schoolteacher and Carole's mentor
- HattieA nonagenarian farmer in Northumberland
Book details
- First published
- 2019
- Length
- 464 pages
- Reading time
- 17 hours
- Author
- Bernardine Evaristo
- Genre
- Fiction
- Goodreads rating
- 4.25 (271k ratings)
Critical reception
- Co-won the 2019 Booker Prize alongside Margaret Atwood's The Testaments.
- Critics praised its polyphony of distinct voices and its panoramic portrait of Black British women's lives.
- It won Fiction Book of the Year at the 2020 British Book Awards.
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