Shrill: Notes from a Loud Woman
Quotes from the Book
The reality is that there's no such thing as political correctness; it's a rhetorical device to depersonalize oppression. Being cognizant of and careful with historic trauma of others is what "political correctness" means. It means that the powerful should never attack the disempowered--not because it "offends" them or hurts their "feelings" but because it perpetuates toxic, oppressive systems.
There's a type of person who thinks he's getting away with something by not believing in anything. But not believing in anything IS believing in something. It's active, not passive. To believe in nothing is to change nothing. It means you're endorsing the present, and the present is a horror[...] Irreverence is the ultimate luxury item.
Someone will always pop up to say, "You would be more effective if you were nicer." "You would have a more receptive audience if you adjusted your tone." "You catch more flies with honey." Well, I don't want flies. The most likable woman in the world is crawling with fucking flies.
So fine, if you insist. This is a witch hunt. We're witches, and we're hunting you.
Likability is a con, and we're falling for it[...] Is there such a thing as a likable woman? Can you think of one? And if she exists, could she be anything but the ultimate manifestation of everything we hate about the water we swim in, everything we're forced to be? Likability in a sexist, racist culture is not objective - it's compulsory femininity, the gender binary, invisible labor, whiteness, smallness, sweetness. It's letting them do it. If someone is universally likable, I don't trust that person.
I think we can all agree that this fully checks out and that indeed it is men who are the true victims of witch hunts. Which they invented. To kill women.
Not only are women expected to weather sexual violence, intimate partner violence, workplace discrimination, institutional subordination, the expectation of free domestic labor, the blame for our own victimization, and all the subtler, invisible cuts that undermine us daily, we are not even allowed to be angry about it.
If you are one of those people who believes that racism is a thing of the past, never existed at all, or is defined simply as one person being mean to another person, you are claiming that white people genuinely earn—through ability alone, because anything else would be a systemic advantage—twenty times as much as black people.
We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form-like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'-white American voters shoved an incompetent, racist con man into the White House.
It seems that a lot of men are confusing being asked not to violate other people's sexual boundaries with being forbidden to participate in basic human activities such as dancing, dating, chatting, walking around, going to work. and telling jokes.
Being cognizant of and careful with the historic trauma of others is what “political correctness” means. It means that the powerful should never attack the disempowered—not because it “offends” them or hurts their “feelings” but because it perpetuates toxic, oppressive systems. Or, in plainer language, because it makes people’s lives worse. In tangible ways. For generations.
Common Sense" without growth, curiosity, or perspective eventually becomes conservatism and bitterness.
So no, excuse me, we will not play likability anymore. It's an endless runner—a game with no progress and no finish line—that women are expected to chase, that keeps us from doing the real work, accruing the real power. Chasing likability has been one of women's biggest setbacks, by design. I don't know that rejecting likability will get us anywhere, but I know that embracing it has gotten us nowhere.
What we could really use is some loud, unequivocal backup. Or, I guess, front-up. And not just in public, when the tide of opinion has already turned and a little “woke”-ness might benefit you—but in private, when it can hurt.
Ever notice how men’s idea of Hell is always rape? (Man, wait till they hear about Earth!)
Americans are addicted to plausible deniability. If we can't even think critically about something as relatively insignificant as an internet cat or admit that a person might give a pet an offensive name or apologize honestly for small, careless slights, how are we ever going to reckon with the fact that our country was built by slaves on land stolen from people on whom we perpetrated a genocide? What the f*ck are we going to do? Our propensity for always, always, always choosing what is comfortable over what is right helped pave the road to this low and surreal moment in US history.
Sexism is a male invention. White supremacy is a white invention. Transphobia is a cisgender invention. So far, men have treated #MeToo like a bumbling dad in a detergent commercial: well intentioned but floundering, as though they are not the experts. You are the experts.
Trust your instincts. Believe your eyes.
Is it any wonder, after years of being told “Don’t feed the trolls,” American society has no idea whatsoever how to deal with Trumpism? The necessary response is social ostracism. The necessary response is to set firm institutional boundaries. The necessary response is not to reopen closed debates. The necessary response is to block and report, and by report I mean say the truth, over and over, until it sticks.
Is there a woman who has lost her temper in public and didn’t face ridicule, temporary ruin, or both? Can you think of one?
We gobble up cable news' insistence that both sides of an argument are equally valid and South Park's insistence that both sides are equally stupid, because taking a firm stand on anything opens us up to criticism.
America loves to lie about itself, and Americans love to eat those lies up--anything that obliterates our sins, that tells us everything will be okay, that makes us the infallible, gallant protagonist in the story of Earth. We must root out the assumptions we swallow as fact and the facts we deny.
The problem is people weaseling out of the growth. We are addicted to not being inconvenienced by reality. Even in mundane circumstances.
But the reality is that there’s no such thing as political correctness; it’s a rhetorical device to depersonalize oppression.
It costs you nothing to err on the side of "care".
By 2019, the far Right's unflagging message...has come to full fruition, its ultimate purpose revealed: to justify the stigmatization of care itself. It's not just caring about the environment that's effeminate and therefore despicable, it's caring about anything. It's care.
We have to be the witches they've always said we are, and counter their magic with our own.
Art has no obligation to evolve but it has a powerful incentive to do so. Art that is static, that captures a dead moment, is nothing. It is, at best, nostalgia; at worst, it can be a blight on our sense of who we are, a shame we pack away. Artists who refuse to listen, participate, and change along with the world around them are not being silenced or punished by censorious college sophomores, they are letting obsolescence devour them voluntarily. Political correctness is just the inexorable turn of the gear. Falling behind is preventable.
My dad is gone now and so is that Seattle, but walking in the places he walked, puffing up the same hills, turning the same corners, I feel him in the ridges and grooves of my city--we are close, superimposed, separated only by time, and what's that? This is the only religion that I can relate to.
Whatever your sphere is, however big or small, you get to make choices within it, and if you care about healing the wounds of the world I hope you become a real demon bitch about diversity and never let anyone sleep. Think radical thoughts and let yourself imagine they're true. Then ask yourself why it's considered radical to make art that accurately reflects reality, to build a society that takes care of its members, to demand a better world.
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About Lindy West
More by Lindy West
Shrill: Notes from a Loud Woman
About the book
In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era.
THIS IS A WITCH HUNT.WE’RE WITCHES,AND WE’RE HUNTING YOU.
From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one.
In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first cent
Book details
- First published
- 2019
- Author
- Lindy West
- Genre
- Nonfiction
- Goodreads rating
- 4.09 (27k ratings)
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