Quotes from Sweet Venom

Tera Lynn Childs ·  345 pages

Rating: (11.7K votes)


“Authorities tend to frown on things they can't fit into a neat little box.”
― Tera Lynn Childs, quote from Sweet Venom


“Horror stories? Absolutely. To share? Not on your life.”
― Tera Lynn Childs, quote from Sweet Venom


“Trying to will yourself bigger boobs?”
― Tera Lynn Childs, quote from Sweet Venom


“For the first time, I want to let people in. I didn't want to hang up on Nick. I had to. Because, for the first time, I wanted to say yes.”
― Tera Lynn Childs, quote from Sweet Venom


“Monsters have the worst taste in women.”
― Tera Lynn Childs, quote from Sweet Venom



“Kevlar wrist cuffs in place, smoke bombs in left cargo pocket, zip ties in the right, and my handy-dandy, military-grade, metal detector-defying, twin APS daggers snug in their sheaths and hidden inside my steel-toe Doc Martens. Nothing like a well-stocked pair of black cargoes to make me feel girly.”
― Tera Lynn Childs, quote from Sweet Venom


“From the necks up... well, whoever said two heads are better than one never met a hydra.”
― Tera Lynn Childs, quote from Sweet Venom


“So sweet and innocent and just... beautiful. I know it's not a typical word to describe a guy, but there is something about the smooth texture of his skin, long blond eyelashes, and the chiseled cheekbones that brings the adjective to mind.”
― Tera Lynn Childs, quote from Sweet Venom


About the author

Tera Lynn Childs
Born place: Anoka, MN, The United States
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Popular quotes

“the ability to love; the courage and strength it takes to love a person, no matter how different they are. Forgiving that they have flaws and appreciating their imperfections. Knowing those are the things that define them, forming them into something that cannot be defined and shelved into a category. Understanding that's what makes them so remarkable.”
― quote from Becoming Noah Baxter


“In the centre of Bond was a hurricane-room, the kind of citadel found in old-fashioned houses in the tropics. These rooms are small, strongly built cells in the heart of the house, in the middle of the ground floor and sometimes dug down into its foundations. To this cell the owner and his family retire if the storm threatens to destroy the house, and they stay there until the danger is past. Bond went to his hurricane room only when the situation was beyond his control and no other possible action could be taken. Now he retired to this citadel, closed his mind to the hell of noise and violent movement, and focused on a single stitch in the back of the seat in front of him, waiting with slackened nerves for whatever fate had decided for B. E. A. Flight No. 130.”
― Ian Fleming, quote from From Russia With Love


“Everybody was sorry. Sorry was easy. Sorry was for suckers.”
― Gretchen McNeil, quote from Possess


“Thus 2t Grams confronts us with the same interpretive dilemma as the one in The Wings of the Dove: is the suicidal sacrificial gesture a true ethical act or not? In contrast to Wings, the answer here is yes: there is no narcissistic staging of one's death at work when Paul shoots himself, no manipulative strategy of using one's death as a gift destined to secretly sabotage what it appears to make possible.”
― Slavoj Žižek, quote from The Parallax View


“his face. Fenton was never one to like a slow day. The look was enough to tell Barnaby that something big had just come down. “Hutch?” “Hmmm?” Fenton went on, breathlessly. “The Broadbent place was robbed. I got one of the sons on the phone now.” Hutch Barnaby didn’t move a muscle. “Robbed of what?” “Everything.” Fenton’s black eyes glittered with relish. Barnaby sipped his coffee, sipped again, and then lowered his chair to the floor with a small clunk. Damn. As Barnaby and Fenton drove out the Old Santa Fe Trail, Fenton talked about the robbery. The collection, he’d heard, was worth half a billion. If the truth were anything close to that, Fenton said, it would be front-page-New-York-Times. He, Fenton, on the front page of the Times. Can you imagine”
― Douglas Preston, quote from The Codex


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