“What I really fear is time. That's the devil: whipping us on when we'd rather loll, so the present sprints by, impossible to grasp, and all is suddenly past, a past that won't hold still, that slides into these inauthentic tales. My past- it doesn't feel real in the slightest. The person who inhabited it is not me. It's as if the present me is constantly dissolving. There's that line from Heraclitus: 'No man steps in the same river twice, for it is not the same river and he is not the same man.' That's quite right. We enjoy this illusion of continuity, and we call it memory. Which explains, perhaps, why our worst fear isn't the end of life but the end of memories.”
“You know, there's that silly saying 'We're born alone and we die alone' -it's nonsense. We're surrounded at birth and surrounded at death. It is in between that we're alone.”
“You can’t dread what you can’t experience. The only death we experience is that of other people. That’s as bad as it gets. And that’s bad enough, surely.”
“If history has taught us anything, Arthur muses, it is that men with mustaches must never achieve positions of power.”
“literally: This word should be deleted. All too often, actions described as “literally” did not happen at all. As in, “He literally jumped out of his skin.” No, he did not. Though if he literally had, I’d suggest raising the element and proposing the piece for page one. Inserting “literally” willy-nilly reinforces the notion that breathless nitwits lurk within this newsroom. Eliminate on sight—the usage, not the nitwits. The nitwits are to be captured”
“She is a wonderful nerd, and he hopes this won't change.”
“I have to wonder if you're not being slightly naive here. I mean, are you saying that you want nothing for people? You have no motives? Everybody has motives. Name the person, the circumstances, I'll name the motive. Even saints have motives -- to feel like saints, probably. ... But still, the point of any relationship is obtaining something from another person.”
“...looking back, has this journalism experience been a nightmare for you?'
'Not entirely.'
'Did you enjoy any of it?'
'I liked going to the library,' he says. 'I think I prefer books to people -- primary sources scare me.”
“Here is a fact: nothing in all civilization has been as productive as ludicrous ambition. Whatever its ills, nothing has created more. Cathedrals, sonatas, encyclopedias: love of God was not behind them, nor love of life. But the love of man to be worshiped by man.”
“They had holes to fill on every page and jammed in any vaguely newsworthy string of words provided it didn't include expletives, which they were apparently saving for their own use around the office.”
“Journalism is a bunch of dorks pretending to be alpha males.”
“Nothing epitomizes the futility of human striving quite like aspartame.”
“She doesn't remember the twentieth century. Isn't that terrifying?”
“As touchy as cabaret performers and as stubborn as factory machinists....”
“I got myself into a tangle. I tied myself in knots. I built and I built–heaven knows I have done that well. Those skyscrapers, full of tenants, floor after floor, and not a single room containing you.”
“One becomes more of a shit as one gets older.”
“...news' is often a polite way of saying 'editor's whim.”
“Good reporting and good behavior are mutually exclusive.”
“She has been dreading tomorrow ever since it happened the first time.”
“Anything that's worth anything is complicated.”
“So why do you kiss someone?" she asks. "To give pleasure or to take it?”
“There's a line from Heraclitus: No man steps in the same river twice, for it is not the same river and he is not the same man.”
“Basically, financial reporting is this sinking hole at the centre of journalism. You start by swimming around it until finally, reluctantly, you can't fight the pull anymore and you get sucked down the drain into the biz pages.”
“You have to understand, Annika, that I have pretty much resigned myself to spinsterhood since, I don't know, since approximately my entire life. But just because I act chirpy about it doesn't mean that I'm chirpy about it. You have Menzies. Me? I dread weekends. How depressing is that? I wish I didn't have vacation time-I have no idea what to do with it. I don't have anyone to go anywhere with. Look at me-I'm practically forty and I still resemble Pippi Longstocking.”
“Don't people drown their sorrows in things like scotch? Not strawberry whatever-it's-called.”
“She hasn't known many Southerners. That twang and aw-shucks about him--it's sort of exotic.”
“She is a wonderful nerd, and he hopes this won't change. He'd be distressed if she were cool-- it'd be as if his flesh and blood had grown up to be purple...
...She has been looking for a pseudonym, not for any purpose but because it took her fancy. "What about Zeus?" she asks.
"Taken, I'm afraid. Though he's been gone long enough that there'd be little room for confusion..."
...Then she swoops back, plunges her fingers into his, and looks up, nostrils swelling with mischief.
"What?"
"Frog."
"I forbid it," he says. "Frog is a boy's name.”
“The greatest influence over content was necessity--they had holes to fill on every page and jammed in any vaguely newsworthy string of words, provided it didn't include expletives, which they were apparently saving for their own use around the office.”
“But before I could come up with an answer, Tod appeared in the desk chair, where I'd sat minutes earlier. 'Hey. Am I interrupting something?'
'Yes,' Nash said. 'Get out.'
But Tod was watching me, and I could tell from the angry line of his jaw that he'd been listening long before he showed himself. He'd heard what Avari had done to me. What Nash had let him do.
'You want me to go?' Tod asked me, his back to his brother.
Nash implores me silently to say yes. Tod waited patiently.
'No,' I said, looking right at Nash. He scowled, and his shoulders sagged.
'Good.' Tod stood and kicked the rolling chair out of his way. 'I just checked on your friend in the straitjacket. But first...' The reaper swung before either of us realized what he intended to do.
Tod's very sold first slammed into Nash's jaw. Nash's head snapped back. He stumbled into the wall. Tod shook his hand like it hurt. 'That's for what you let him do to Kaylee.”
“He was not great; he was, in fact, very small. At the same moment, though, he was important, just as any point of light in a dark sky might be the star that led a mariner to safety, or the star watched by a lonely child during a sleepless night. . . .”
“I'll put a bullet through my own brain. Let alone wait for stark to do it. Your sister will drive me to it, Howard. No offense.”
“Defenestration,” I said. “‘The act of throwing someone through a window.”
“Não mostra quanto pode; e, com razão:
Que é fraqueza entre ovelhas ser leão.”
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