The Year of Reading Dangerously
Quotes from the Book
It's not that I don't like people. It's just that when I'm in the company of others - even my nearest and dearest - there always comes a moment when I'd rather be reading a book.
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I think, consciously or not, what we readers do each time we open a book is to set off a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies." pg. xvi
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We read literature for a number of reasons, but two of the most compelling ones are to get out of ourselves and our own life stories and - especially important - to find ourselves by understanding our own life stories more clearly in the context of others.
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In our daily lives, where we're bombarded by the fake and the trivial, reading serves as a way to stop, shut out the noise of the world, and try to grab hold of something real, no matter how small.
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According to a Wall Street Journal article some 59 percent of Americans don t own a single book. Not a cookbook or even the Bible.
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Readers, professional or casual, are alert to passages in a book that illuminate what was previously shadowy and formless.
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Like a lot of other bashful introverts, I discovered that I like teaching a lot because it's like acting. When I stepped into the classroom, I stepped into a role, one that allowed me to forget myself.
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Terry Eagleson says his family's aim was to have the words "We Were No Trouble" engraved on their gravestones.
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Whatever (its) virtues, (the) writing explores the culture of work but marginalizes work itself.
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Reading, my earliest refuge in the unknown world, made me want to venture into it.
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It is probably the sturdy influence of the Catholic belief in a Big Plan that accounts for my own enduring faith that you find the books you need when you need them- even if they're not the books you start out thinking you need.
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The danger in reviewing and teaching literature for a living (is) you can develop a kind of knee-jerk superiority to the material you're "decoding
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During the Great Depression, the philosophy of grin-and-bear-it became a national coping mechanism.
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I was assigned to the office of a recently deceased faculty member; the office hadn't been cleaned out yet, and a few days before the fall term began, I unlocked the door to find a dirty room whose bookshelves were crammed with empty bourbon bottles and crucifixes, mute testimony to the limits of literature as a sustaining comfort in life.
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It's a gift of tranquility when your adult desires mesh with your childhood background. I don't quite know why mine didn't, although I think books, again, are partly to blame.
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Edmondson has incisively discussed the ways college campuses have grown akin to upscale retirement homes for the very young, where the promise of intellectually demanding courses ranks far below the lure of new gymnastic facilities.
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One of the many drawbacks of this "I teach what I am" approach is that it stifles classroom discussion. Any disagreement with the professor's expertise comes off as an ad hominem attack.
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Meekly swallowing and assimilating the customs of the more powerful has always been a strategy by which the less powerful have tried to fit in.
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Constant reading pulled me away from the world of my childhood, the world of my parents.
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The child who gets lost in a book can emerge from the experience a changeling.
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Prolonged travel in the alternate world of books can also make a reader more prone to fantasy thinking and estranged from his or her "real" life.
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About Maureen Corrigan
About the book
In this delightful memoir, the book critic for NPR’s Fresh Air reflects on her life as a professional reader. Maureen Corrigan takes us from her unpretentious girlhood in working-class Queens, to her bemused years in an Ivy League Ph.D. program, from the whirl of falling in love and marrying (a fellow bookworm, of course), to the ordeal of adopting a baby overseas, always with a book at her side. Along the way, she reveals which books and authors have shaped her own life—from classic works of English literature to hard-boiled detective novels, and everything in between. And in her explorations of the heroes and heroines throughout literary history, Corrigan’s love for a good story shines.
Book details
- First published
- 2005
- Author
- Maureen Corrigan
- Genre
- Nonfiction
- Goodreads rating
- 3.46 (2k ratings)
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