The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess

The Goddess falls in love with Herself, drawing forth her own emanation, which takes on a life of its own. Love of self for self is the creative force of the universe. Desire is the primal energy, and that energy is erotic: the attraction of lover to beloved, of planet to star, the lust of electron for proton. Love is the glue that holds the world together.

But the final price of freedom is the willingness to face that most frightening of all beings, one’s own self. Starlight vision, the “other way of knowing,” is the mode of perception of the unconscious, rather than the conscious mind. The depths of our own beings are not all sunlit; to see clearly, we must be willing to dive into the dark, inner abyss and acknowledge the creatures we may find there. For, as Jungian analyst M. Esther Harding explains in Woman’s Mysteries, “These subjective factors … are potent psychical entities, they belong to the totality of our being, they cannot be destroyed. So long as they are unrecognized outcasts from our conscious life, they will come between us and all the objects we view, and our whole world will be either distorted or illuminated.

The God is wild, but his is the wildness of connection, not of domination and violence. Wildness is not the same as violence. Gentleness and tenderness do no translate into wimpiness. When men -- or women, for that matter -- begin to unleash what is untamed in us, we need to remember that the first images and impulses we encounter will often be the stereotyped paths of power we have learned in a culture of domination. To become truly wild, we must not be sidetracked by the dramas of power-over, the seduction of addictions, or the thrill of control. We must go deeper.

Amory Lovins says the primary design criteria he uses is the question “How do we love all the children?” Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.

A defense strategy favored by many “spiritual” people is an elaborate form of denial, an assertion that the individual has “gone beyond” the shadow qualities of sexuality, anger, passion, desire, and self-interest. Many religions cater exclusively to this strategy. Priests, ministers, gurus, and “enlightened masters” who adopt a posture of transcendent superiority have great appeal to people with similar defense systems, who are able to escape their personal confrontations by identifying as members of an elite, 'enlightened' group.

Mary Daly, author of Beyond God the Father, points out that the model of the universe in which a male God rules the cosmos from outside serves to legitimize male control of social institutions.

Props may be useful, but it is the mind that works magic.

Decide what is sacred to you, and put your best life energies at its service. Make that the focus of your studies, your work, the test for your pleasures and your relationships. Don’t ever let fear or craving for security turn you aside.” When you serve your passion, when you are willing to risk yourself for something, your greatest creative energies are released. Hard work is required, but nothing is more joyful

Witchcraft is fun. It offers us a chance to play, to act silly, to let the inner child come out. Out of foolishness and play, creativity is born.

The Judeo-Christian heritage has left us with the view of a universe composed of warring opposites, which are valued as either good or evil. They cannot coexist.

An initiation is a symbolic death and rebirth, a rite of passage that transforms each person who experiences it.

The three core principles of Goddess religion are immanence, interconnection, and community.

Aspects of Witchcraft rituals may sometimes seem silly to very serious-minded people, who fail to realize that ritual is aimed at Younger Self. The sense of humor, of play, is often the key to opening the deepest states of consciousness. Part of the “price of freedom,” then, is the willingness to play, to let go of our adult dignity, to look foolish, to laugh at nothing. A child makes believe that she is a queen; her chair becomes a throne. A Witch makes believe that her wand has magic power, and it becomes a channel for energy.

The practice of magic also demands the development of what is called the magical will. Will is very much akin to what Victorian schoolmasters called "character": honesty, self-discipline, commitment, and conviction. Those who would practice magic must be scrupulously honest in their personal lives. In one sense, magic works on the principle that "it is so because I say it is so." A bag of herbs acquires the power to heal because I say it does. For my word to take on such force, I must be deeply and completely convinced that it is identified with truth as I know it. If I habitually lie to my lovers, steal from my boss, pilfer from supermarkets, or simply renege on my promises, I cannot have that conviction. Unless I have enough personal power to keep commitments in my daily life, I will be unable to wield magical power. To work magic, I need a basic belief in my ability to do things and cause things to happen. That belief is generated and sustained by my daily actions. If I say I will finish a report by Thursday and I do so, I have strengthened my knowledge that I am a person who can do what I say I will do. If I let the report go until a week from next Monday, I have undermined that belief. If course, life is full of mistakes and miscalculations. But to a person who practices honesty and keeps commitments, "As I will, so mote it be" is not just a pretty phrase; it is a statement of fact.

Finally we learn the Mystery—that unless we find the Goddess within ourselves we will never find Her without. She is both internal and external; as solid as a rock, as changeable as our own internal image of Her.

In the Craft, we do not believe in the Goddess—we connect with Her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves.

And so we learn the Mystery: the feared Shadow, the Guardian of the Threshold, is none other than the God, who is named Guardian of the Gates, in his aspect of Death.

The Mysteries are teachings that cannot be grasped by the intellect alone, but only by the deep mind made accessible in trance. They may be conveyed by an object—a shaft of wheat, as in the Eleusinian Mysteries—by a key phrase, or symbol. The secret itself may be meaningless when out of context: only within the framework of the ritual does it take on its illuminating power.

There are many methods of trance induction, but all seem to function on one or more of four related principles: relaxation, sensory restriction, rhythm, and boredom.

If thoughts and emotions alone could cause things to happen, thousands of my contemporaries would have married the Beatles in 1964.

A spell is a symbolic act done in an altered state of consciousness, in order to cause a desired change.

His image is poemagogic: It both symbolizes and sparks the creative process, which is itself a Quest.

The Horned God, however, is born of a Virgin mother. He is a model of male power that is free from father-son rivalry or oedipal conflicts. He has no father; He is his own father.*

The love of the Goddess is unconditional. She does not ask for sacrifice—whether human or animal—nor does She want us to sacrifice our normal human needs and desires. Witchcraft is a religion of self-celebration, not self-abnegation.

When we cast a circle, we create an energy form, a boundary that limits and contains the movements of subtle forces.

Love is not only an energizing force, but an individualizing force. It dissolves separation and yet creates individuality. It is, again, the primal paradox.

The symbolism of the Goddess is not a parallel structure to the symbolism of God the Father. The Goddess does not rule the world; She is the world. Manifest in each of us, She can be known internally by every individual, in all her magnificent diversity.

As feminist scholar Carol Christ points out, “Symbol systems cannot simply be rejected, they must be replaced. Where there is no replacement, the mind will revert to familiar structures at times of crisis, bafflement, or defeat.

Witchcraft has always been a religion of poetry, not theology. The myths, legends, and teachings are recognized as metaphors for “That-Which-Cannot-Be-Told,” the absolute reality our limited minds can never completely know.

When young people ask me for advice today, I generally say, “Decide what is sacred to you, and put your best life energies at its service. Make that the focus of your studies, your work, the test for your pleasures and your relationships. Don’t ever let fear or craving for security turn you aside.