Becoming
Quotes from the Book
It’s okay, I’ve learned, to love the things that make you, even if they also are the things that unmake you.
When we police a woman's affect, when we privilege it or equate it with her actions, with what she actually does, we're engaging in our most pervasive and yet our most quiet form of sexism, our most quiet form of everyday violence.
When you're going to be called trouble anyway, your life then becomes your own.
You can't teach racists to be less racist by calling them what they are. They remain unbothered by insinuation or even direct accusations of racism but they are not fine with being told their writing is bad.
I love the story like I loved the dance studio, the bar, the hills surrounding the farmhouse. It's okay, I've learned, to love the things that make you, even if they are also the things that unmake you.
Whether a circumstance is acknowledged openly or formally or whether it’s denied, how a situation becomes one worthy of study, is mainly in how it does or does not intersect with or affect the lives of the wealthy. Because it’s a commonly held American belief that those from poverty or any version of its neighborhood deserve to suffer, to overwork, to burn out their minds and health and good hearts early. It’s a shrug-and-move-on situation if it’s a situation at all. It’s a Wednesday. It’s as regular as bright leaves falling off trees in the fall.
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About Toni Jensen
About the book
A powerful, poetic memoir about what it means to exist as an indigenous woman in America, told in snapshots of the author’s encounters with gun violence.
Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of indigenous women, on indigenous land, and the ways it is hidden, ignored, forgotten.
In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school
Book details
- First published
- 2020
- Author
- Toni Jensen
- Genre
- Biography
- Goodreads rating
- 4.22 (3k ratings)
The buzz
- The New York TimesReview in The New York Timesprofessional review (via Book Marks)
- Kirkus ReviewsReview in Kirkus Reviewsprofessional review (via Book Marks)
- ChireviewofbooksReview in Chireviewofbooksprofessional review (via Book Marks)
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