Prometheus Bound
Quotes from the Book
Unanimous hatred is the greatest medicine for a human community.
ATHENA: There are two sides to this dispute. I've heard only one half the argument. (...) So you two parties, summon your witnesses, set out your proofs, with sworn evidence to back your stories. Once I've picked the finest men in Athens, I'll return. They'll rule fairly in this case, bound by a sworn oath to act with justice.
My heart's a dance of fear.
Crouched on the altar-steps, a grisly band Of women slumbers—not like women they, But Gorgons rather; nay, that word is weak, Nor may I match the Gorgons’ shape with theirs! Such have I seen in painted semblance erst— Winged Harpies, snatching food from Phineus’ board,— But these are wingless, black, and all their shape The eye’s abomination to behold. Fell is the breath—let none draw nigh to it— Wherewith they snort in slumber; from their eyes Exude the damnèd drops of poisonous ire: And such their garb as none should dare to bring To statues of the gods or homes of men.
I will speak in defense of reason: for the very child of vanity is violence.
Give me an answer which is plain to understand.
The sleeping brain has eyes that give us light; we can never see our destiny by day.
I have not need to promise what I cannot do.
Neither anarchy, nor tyranny, my people. Worship the Mean, I urge you, shore it up with reverence and never banish terror from the gates, not outright.
ATHENA: You wish to be called righteous rather than act right.
I say, wrong must not win by technicalities.
Time refines all things that age with time.
If bright water you stain with mud, you nevermore will find it fit to drink.
Time in his aging overtakes all things alike.
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About Aeschylus
More by Aeschylus
About the book
Sommerstein presents a freshly constituted text, with introduction and commentary, of Eumenides, the climactic play of the only surviving complete Greek tragic trilogy, the Oresteia of Aeschylus. Of all Athenian tragic dramas, Eumenides is most consciously designed to be relevant to the situation of the Athenian state at the time of its performance (458 B.C.) and seems to have contained daring innovations both in technique and in ideas. The introduction and commentary to this edition seek to bring out how Aeschylus shaped to his purpose the legends he inherited, and ended the tragic story of Agamemnon's family in a celebration of Athenian civic unity and justice. The commentary also pays attention to the linguistic, metrical and textual problems to be encountered by the reader.
Keep reading
The Oresteia
Agamemnon
The Oedipus Cycle: Oedipus Rex/Oedipus at Colonus/Antigone
Antigone
Medea
Toll the Hounds
The Curse of Chalion
The Dinosaur Lords
Midnight Tides
Empire of Silence
Selected Poems
The Blinding Knife
Prometheus Bound
Forge of Darkness
The Burial at Thebes: A Version of Sophocles' Antigone
Shōgun
Apology
Fragments
The Lost Sisterhood
The Left Hand of Darkness
The Broken Eye
Orb Sceptre Throne
Don Quixote
King Lear
Complete Poems
That Hideous Strength
The Hod King
The Gadfly
Ninety-Three
Faith of the Fallen
Hyperion
Anthills of the Savannah
Dark Age
Hamlet
Complete Works of Oscar Wilde
Oedipus Rex
A Canticle for Leibowitz
The Iliad
UnSouled
Daniel Deronda
Eldest
The Burning White
Sword & Citadel
Moby-Dick
Julian
The Complete Essays
Beyond Good and Evil
The Grace of Kings
Endymion
The Mirror & the Light
Emperor of Thorns
The Way of Kings
Time Enough for Love
Faust
The Poisonwood Bible
Troilus and Cressida
Atlas Shrugged
The Claw of the Conciliator
Murder in the Cathedral
The Instructions

