Arcadia
Quotes from the Book
It's where we're nearest to our humanness. Useless knowledge for its own sake. Useful knowledge is good, too, but it's for the faint-hearted, an elaboration of the real thing, which is only to shine some light, it doesn't matter where on what, it's the light itself, against the darkness, it's what's left of God's purpose when you take away God.
25
They loved, and quarreled, and made up, and loved, and fought, and were true to each other and untrue. She made him the happiest man in the whole world and the most wretched, and after a few years she died, and then, when he was thirty, he died, too. But by that time Catullus had invented the love poem.
23
A scholar's business is to add to what is known. That is all. But it is capable of giving the very greatest satisfaction, because knowledge is good. It does not have to look good or even sound good or even do good. It is good just by being knowledge. And the only thing that makes it knowledge is that it is true. You can't have too much of it and there is no little too little to be worth having. There is truth and falsehood in a comma.
23
I will take his secret to the grave, telling people I meet on the way.
22
Success in life is to maintain this ecstasy, to burn always with this hard gemlike flame.
22
What do I want? Nothing which you'd call indecent, though I don't see what's wrong with it myself. You want to be brothers-in-arms, to have him to yourself... to be shipwrecked together, (to) perform valiant deeds to earn his admiration, to save him from certain death, to die for him - to die in his arms, like a Spartan, kissed once on the lips... or just run his errands in the meanwhile. You want him to know what cannot be spoken, and to make the perfect reply, in the same language.
20
Before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself.
17
I would join Sisyphus in Hades and gladly push my boulder up the slope if only, each time it rolled back down, I were given a line of Aeschylus.
16
Confession is an act of violence against the unoffending.
15
Poetical feelings are a peril to scholarship. There are always poetical people ready to protest that a corrupt line is exquisite. Exquisite to whom? The Romans were foreigners writing for foreigners two millenniums ago; and for people whose gods we find quaint, whose savagery we abominate, whose private habits we don't like to talk about, but whose idea of what is exquisite is, we flatter ourselves, mysteriously identical to ours.
14
Kissing girls is not like science, nor is it like sport. It is the third thing when you thought there were only two.
13
WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)
4
By why, Ligurinus, alas why this unaccustomed tear trickling down my cheek? – why does my glib tongue stumble to silence as I speak? At night I hold you fast in my dreams, I run after you across the Field of Mars, I follow you into the tumbling waters, and you show no pity.
3
No tengo lo que quería, eso es verdad, pero quiero lo que tengo.
2
...anyone with a secretary knows that what Catullus really wrote was already corrupt by the time it was copied twice...
2
Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
2
To be morally educated is to realize that such would be a terrible price. Mechanical advance is the slack taken up of Our failing humanity. Hell is very likely to be modernization infinitely extended.
1
The future perfect I have always regarded as an oxymoron.
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About Tom Stoppard
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About the book
It is 1936 and A. E. Housman is being ferried across the river Styx, glad to be dead at last. The river that flows through Tom Stoppard’s The Invention of Love connects Hades with the Oxford of Housman’s High Victorian morality is under siege from the Aesthetic movement, and an Irish student named Wilde is preparing to burst onto the London scene. On his journey the elder Housman confronts the younger version of himself and his memories of the man he loved his entire life, Moses Jackson –– the handsome athlete who could not return his feelings.
Book details
- First published
- 1997
- Author
- Tom Stoppard
- Genre
- Fiction
- Goodreads rating
- 4.00 (2k ratings)
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