“There are lots of women who are attracted to tyrannical men. Like moths to a flame. And there are some women who do not need a hero or even a stormy lover but a friend. Just remember that when you grow up. Steer clear of the tryant lovers, and try to locate the ones who are looking for a man as a friend, not because they are feeling empty themselves but because they enjoy making you full too. And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.”
“If you steal from one book you are condemned as a plagiarist, but if you steal from ten books you are considered a scholar, and if you steal from thirty or forty books, a distinguished scholar.”
“When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will survive and continue to enjoy a shelf-life in some corner on an out-of-the-way library somehwere in Reykjavik, Valladolid or Vancouver.”
“… that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each other’s company again.”
“Love is a curious mixture of opposites, a blend of extreme selfishness and total devotion. A paradox! Besides which, love, everybody is always talking about love, love, but love isn't something you choose, you catch it like a disease, you get trapped in it, like a disaster.”
“Facts have a tendency to obscure the truth.”
“عندما كنت صغيراً راودني أمل أن أكبر و أن أكون كتاباً لا كاتباً. اذ أن الانسان يمكن أن يُقتل مثل النمل، كذلك الكُتّاب ليس من الصعب قتلهم. أما الكتاب وحتى و ان أبادوه بطريقة منهجية، هناك احتمال لأن تنجو نسخة منه وتبقى حيّة حياة أبدية صامتة على أحد الرفوف المنسية في مكتبة ما نائية .”
“There is no freedom about this: the world gives, and you just take what you're given, with no opportunity to choose.”
“while it was true that books could change with the years just as much as people could, the difference was that whereas people would always drop you when they could no longer get any advantage or pleasure or interest or at least a good feeling from you, a book would never abandon you. Naturally you sometimes dropped them, maybe for several years, or even forever. But they, even if you betrayed them, would never turn their backs on you: they would go on waiting for you silently and humbly on their shelf. They would wait for ten years. They wouldn't complain. One night, when you suddenly needed a book, even at three in the morning, even if it was a book you had abandoned and erased from your heart for years and years, it would never disappoint you, it would come down from its shelf and keep you company in your moment of need. It would not try to get its own back or make excuses or ask itself if it was worth its while or if you deserved it or if you still suited each other, it would come at once as soon as you asked. A book would never let you down.”
“عملياً هذا الدافع الغريب الذي لازمني عندما كنت صغيراً - الرغبة أن أمنح فرصة أخرى لمن لا توجد و لن تكون لهم فرصة ثانية - هو أحد الدوافع التي مازالت تحركني حتى الآن كلما جلست لكتابة قصة”
“The whole of reality was just a vain attempt to imitate the world of words.”
“I now believe that all journeys are ridiculous: the only journey from which you don't always come back empty-handed is the journey inside yourself.”
“And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.”
“ذلك أننّنى أعتقد اليوم أن كل سفر فى رحلة ما هو إلا حماقة كبيرة : الرحلة الوحيدة التى لا نعود منها دائما صفر اليدين هى الرحلة الداخلية, فى الداخل لا توجد حدود ولا جمارك, يمكن الوصول حتى إلى أبعد النجوم أو التمشّى فى أماكن لم تعد موجودة , وزيارة أشخاص لم يعودوا على ظهر الأرض. وحتى الدخول إلى أماكن لم تكن موجودة فى يوم من الأيام وربما ما كان وجودها ممكنا ولكنى أرتاح فيها أو على الأقل ليس سيئا .”
“كل هذا كان تشيخوفياً- وكذلك كان الشعور بالنأي \العزلة : هناك في العالم أماكن تتحقق فيها الحياة الحقيقية، بعيداً من هنا، في أوروبا ما قبل هتلر، في كل مساء تضاء مصابيح كثيرة، والسيدات و السادة يلتقون لشرب فنجان قهوة مع الكريما في قاعات مسقوفة بالخشب، يجلسون مرتاحين في مقاهٍ فاخرة تحت نجفات مذهبة، و يذهبون و هم يمسكون بأذرع بعض الى أوبرا او باليه، يرون عن كثب حياة الفنانين الكبار، وقصص الحب المستعر، و انكسارات القلوب، حبيبة الرسام التي عشقت فجاة أقرب أصدقائه،الملحن، و في منتصف الليل ذهبت حاسرة الرأس تحت زخّات المطر لتقف وحيدة على الجسر العتيق الذي يرتجف خياله في ماء النهر.”
“Feelings are just a fire in a field of stubble: it burns for a moment, and then all that’s left is soot and ashes. Do you know what the main thing is—the thing a woman should look for in her man? She should look for a quality that’s not at all exciting but that’s rarer than gold: decency.”
“there are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter’s girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. *”
“If you have no more tears left to weep, then don’t weep. Laugh.”
“But there's also an upside-down sort of happiness, a black happiness, that comes from doing evil to others.”
“The very word ‘disappears’ implies that the universe is, so to speak, finite, and that it is possible to leave it. But no-o-othing” (he deliberately drew the word out) “can ever leave the universe. And nothing can enter it. Not a single speck of dust can appear or disappear. Matter is transformed into energy, and energy into matter,”
“Kad sam bio dijete, nadao sam se da ću kad odrastem postati knjiga. Ne književnik, nego knjiga. Ljude se može pobiti kao mrave, pa ni književnike nije teško ubiti. Ali za knjigu, čak i ako je sustavno unište, postoji šansa da se neki primjerak spasio i da će nastaviti živjeti na polici, živjeti nijemim životom na nekoj od zaboravljenih polica u nekoj zabačenoj knjižnici, u Rejkjaviku, Valladolidu ili Vancouveru.”
“And in fact that selfsame strange urge I had when I was small - the desire to grant a second chance to something that could never have one - is still one of the urges that set me going today whenever I sit down to write a story.”
“assemble and disperse, everything changes and is transformed, but no-o-othing can ever change from being to not-being. Not even the tiniest hair growing on the tail of some virus. The concept of infinity is indeed open, infinitely open, but at the same time it is also closed and hermetically sealed. Nothing leaves and nothing enters.”
“everything, every speck of dust, every drop of water continue to exist eternally, albeit in different forms, except for my soul?”
“once you have lifted your foot, do not be in a hurry to put it down again: who can tell what menacing nest of vipers you might step on.”
“القارىء السيىء يأتي و يطالبني بأن أقشّر من أجله الكتاب الذي كتبته. يجيء إليّ كي يطالبني بأن ألقي أنا بيديّ، من أجله، الى برميل النفايات عنبي و أن أقدم إليه النوى...
عودة الى مجموعة المونولوج القديم، المتآكل، المبتذل، الى مجموعة الكليشيهات الجافة التي يعرفها القارىء السيىء كغيره، منذ أمد بعيد و لذلك فهو يرتاح لها و بها فقط: الشخصيات التي في الكتاب هي بكل تأكيد الكاتب نفسه أو جيرانه، و الكاتب او جيرانه كما يظهر ليسوا " حمائم بيضاء"، وهم فاسدون قذرون مثلنا جميعاً. بعد التقشير حتى العظم يتضح دائماً "أنهم جميعا نفس الشيء". وهذا بالضبط ما يبحث عنه القارىء بتلهف و(يجده) في كل كتاب....
متعة القارىء السيىء تنطوي على أن يكون دستوفيسكي المبجّل و المشهور، هو نفسه متهماً بشكل غامض، بميل دنس لسرقة وقتل العجائز، وليام فوكنر بكل تأكيد كان على هذا االنحو أو ذاك، متورطاً قليلاً بغشيان المحارم، ونابوكوف بمضاجعة القاصرات، وكافكا لا شك ان متهم في الشرطة( اذ لا دخان بلا نار) وأ.ب. يهوشواع بحرق أحراش الكيرن كيمت(يوجد دخان و توجد نار)، ناهيك عما فعله سوفوكليس لوالده وعما فعله هو لأمّه،إذ لولا ذلك كيف نجح في وصف كل ذلك بشكل حيّ، لا ليس حيّاً فحسب بل حيّاً أكثر مما يحدث في الحياة الواقعية.”
“only a woman has the power to choose whether or not to bestow.”
“after two thousand years we've established a state so as to have someone to steal from.”
“I could imagine his sorrow. My father had a sensual relationship with his books. He loved feeling them, stroking them, sniffing them. He took a physical pleasure in books: he could not stop himself, he had to reach out and touch them, even other people's books. And books then really were sexier than books today: they were good to sniff and stroke and fondle. There were books with gold writing on fragrant, slightly rough leather bindings, that gave you gooseflesh when you touched them, as though you were groping something private and inaccessible, something that seemed to tremble at your touch. And there were other books that were bound in cloth-covered cardboard, stuck with a glue that had a wonderful smell. Every book had its own private, provocative scent. Sometimes the cloth came away from the cardboard, like a saucy skirt, and it was hard to resist the temptation to peep into the dark space between body and clothing and sniff those dizzying smells. Father would generally return”
“To be honest, I was sometimes even jealous of those starving children in India, because nobody ever told them to finish up everything on their plate.”
“Maman used to say that you can always find something to be happy about. In my prison, when the sky turned red and a new day slipped into my cell, I found out that she was right.”
“One of us in this very room is in fact the murderer.”
“Margarita was never short of money. She could buy whatever she liked. Her husband had plenty of interesting friends. Margarita never had to cook. Margarita knew nothing of the horrors of living in a shared flat. In short... was she happy? Not for a moment.”
“The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.”
“The best teacher is experience and not through someone's distorted point of view”
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