Slouching Towards Bethlehem
Quotes from the Book
It occurred to me almost constantly in the South that had I lived there I would have been an eccentric and full of anger, and I wondered what form the anger would have taken. Would I have taken up causes, or would I have simply knifed somebody?
In the South they are convinced that they have bloodied their place with history. In the West we do not believe that anything we do can bloody the land, or change it, or touch it.
It was the kind of Sunday to make one ache for Monday morning.
Part of it is simply what looks right to the eye, sounds right to the ear. I am at home in the West. The hills of the coastal ranges look "right" to me, the particular flat expanse of the Central Valley comforts my eye. The place names have the ring of real places to me. I can pronounce the names of the rivers, and recognize the common trees and snakes. I am easy here in a way that I am not easy in other places.
In New Orleans the wilderness is sensed as very near, not the redemptive wilderness of the western imagination but something rank and old and malevolent, the idea of wilderness not as an escape from civilization and its discontents but as a mortal threat to a community precarious and colonial in its deepest aspect. The effect is lively and avaricious and intensely self-absorbed, a tone not uncommon in colonial cities, and the principal reason I find such cities invigorating.
I am easy here in a way that I am not easy in other places.
To be a white middle-class child in a small southern town must be on certain levels the most golden way for a child to live in the United States.
I have been looking all my life for history and have yet to find it.
I am trying to place myself in history. I have been looking all my life for history and have yet to find it.
The time warp: the Civil War was yesterday, but 1960 is spoken of as if it were about three hundred years ago.
I had only some dim and unformed sense, a sense which struck me now and then, and which I could not explain coherently, that for some years the South and particularly the Gulf Coast had been for America what people were still saying California was, and what California seemed to me not to be: the future, the secret source of malevolent and benevolent energy, the psychic center.
At the center of this story there is a terrible secret, a kernel of cyanide, and the secret is that the story doesn’t matter, doesn’t make any difference, doesn’t figure.
A somnolence so dense it seemed to inhibit breathing…
It was a fatalism I would come to recognize as endemic to the particular tone of New Orleans life. Bananas would rot, and harbor tarantulas. Weather would come in on the radar, and be bad. Children would take fever and die, domestic arguments would end in knifings, the construction of highways would lead to graft and cracked pavement where the vines would shoot back. Affairs of state would turn on sexual jealousy, in New Orleans as if in Port-au-Prince, and all the king's men would turn on the king. The temporality of the place is operatic, childlike, the fatalism that of a culture dominated by wilderness.
I've never been any place I wanted to go.
The devastation along the Gulf had an inevitability about it: the coast was reverting to its natural state.
About the cathouse: the notion that an accepted element in the social order is a whorehouse goes hand in hand with the woman on a pedestal.
In Coffeeville, Miss., at 6 p.m., there was a golden light and a child swinging in it, swinging from a big tree, over a big lawn, back and forth in front of a big airy house. To be a white middle-class child in a small southern town must be on certain levels the most golden way for a child to live in the United States.
In New Orleans they have mastered the art of the motionless. In
We lived together for some years, and I think we most fully understood each other when once I tried to kill him with a kitchen knife.
What I saw that night was a world so rich and complex I was disorientated, a world complete unto itself, a world of smooth surfaces broken occasionally by a flash of eccentricity so deep that it numbed any attempt at interpretation.
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About Joan Didion
More by Joan Didion
All books by Joan Didion →About the book
From the best-selling author of the National Book Award-winning The Year of Magical Thinking two extended excerpts from her never-before-seen notebooks--writings that offer an illuminating glimpse into the mind and process of a legendary writer.
Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles--and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through.
Book details
- First published
- 2017
- Author
- Joan Didion
- Genre
- Nonfiction
- Goodreads rating
- 3.68 (16k ratings)
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