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The Prince of Tides

by Pat Conroy

The Prince of Tides is Pat Conroy's sprawling 1986 family saga, narrated by Tom Wingo, a South Carolina high school teacher and football coach whose own life has come apart. When his twin sister Savannah, an accomplished New… more

First published 1986 · 568 pages · English

30 quotes ★ 4.26 (219,826) Classics

Quotes from the Book

You get a little moody sometimes but I think that's because you like to read. People that like to read are always a little fucked up.
My wound is geography. It is also my anchorage, my port of call.
There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal.
These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.
The only word for goodness is goodness, and it is not enough.
Man wonders but God decides When to kill the Prince of Tides.
Rape is a crime against sleep and memory; it's afterimage imprints itself like an irreversible negative from the camera obscura of dreams.
She was one of those Southerners who knew from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.
A family is one of nature's solubles; it dissolves in time like salt in rainwater.
Teach them the quiet words of kindness, to live beyond themselves. Urge them toward excellence, drive them toward gentleness, pull them deep into yourself, pull them upward toward manhood, but softly like an angel arranging clouds. Let your spirit move through them softly.
But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.
There are no ideas in the South, just barbecue.
Rape is a crime against sleep and memory; it's after image imprints itself like an irreversible negative from the camera obscure of dreams. Though their bodies would heal, their souls had sustained a damage beyond compensation
He was one of those rare men who are capable of being fully in love only once in their lives.
When men talk about the agony of being men, they can never quite get away from the recurrent theme of self-pity. And when women talk about being women, they can never quite get away from the recurrent theme of blaming men.
Her library would have been valuable to a bibliophile except she treated her books execrably. I would rarely open a volume that she had not desecrated by underlining her favorite sections with a ball-point pen. Once I had told her that I would rather see a museum bombed than a book underlined, but she dismissed my argument as mere sentimentality. She marked her books so that stunning images and ideas would not be lost to her.
In families, there are no crimes beyond forgiveness.
I lived with the terrible knowledge that one day I would be an old man still waiting for my real life to start. Already, I pitied that old man.
We children sat transfixed before that moon our mother had called forth from the waters. When the moon had reached its deepest silver, my sister, Savannah, though only three, cried aloud to our mother, to Luke and me, to the river and the moon, "Oh, Mama, do it again!" And I had my earliest memory.
Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
We've pretended too much in our family, Luke, and hidden far too much. I think we're all going to pay a high price for our inability to face the truth.
There was a time when a new deputy tried to teach Mr. Fruit about the difference between a red and a green light, but Mr. Fruit had resisted all efforts to reorder what he had been doing perfectly well for many years. He had not only monitored the comings and goings of the town, his presence softened the ingrained evil that flourished along the invisible margins of the town’s consciousness. Any community can be judged in its humanity or corruption by how it manages to accommodate the Mr. Fruits of the world. Colleton simply adjusted itself to Mr. Fruit’s harmonies and ordinations. He did whatever he felt was needed and he did it with style. “That’s the Southern way” my grandmother said. “That’s the nice way.
I realized early that unless you're willing to kill the innocent, you can't win.
But, as I watch this film, I often think that the boy did not know what he was really running toward, that it was not the end zone which awaited him. Somewhere in that ten second dash the running boy turned to metaphor and the older man could see it where the boy couldn not. He would be good at running, always good at it, and he would always run away from the things that hurt him, from the people who loved him, and from the friends empowered to save him. But where do we run when there are no crowds, no lights, no end zones? Where does a man run? the coach said, studying the films of himself as a boy. Where can a man run when he has lost the excuse of games? Where can a man run or where can he hide when he looks behind him and sees that he is only pursued by himself?
The fruit tasted foreign but indigenous, like sunlight a tree had changed through patience.
There are no verdicts to childhood, only consequences, and the bright freight of memory.
Together they spent their whole lives waiting for their luck to change, as though luck were some fabulous tide that would one day flood and consecrate the marshes of our island, christening us in the iridescent ointments of a charmed destiny.
Comely was the town by the curving river that they dismantled in a year's time. Beautiful was Colleton in her last spring as she flung azaleas like a girl throwing rice at a desperate wedding. In dazzling profusion, Colleton ripened in a gauze of sweet gardens and the town ached beneath a canopy of promissory fragrance.
If your parents disapprove of you and are cunning with their disapproval, there will never come a new dawn when you can become convinced of your own value. There is no fixing a damaged childhood. The best you can hope for is to make the sucker float.

Did you know?

  • The novel is narrated by Tom Wingo, a South Carolina teacher and football coach.
  • Much of the story unfolds through Tom's therapy sessions with his sister's psychiatrist, Dr. Susan Lowenstein, in New York City.
  • The book's prologue famously opens with the line 'My wound is geography.'
  • It was adapted into a 1991 film directed by, produced by, and starring Barbra Streisand.
  • The film version was nominated for multiple Academy Awards, including Best Picture.
  • Conroy set the Wingo family in the fictional Colleton County of the South Carolina lowcountry.

About Pat Conroy

Pat Conroy (1945-2016) was an American novelist celebrated for lyrical, emotionally intense fiction rooted in the South Carolina lowcountry and drawn heavily from his own turbulent family life. His major works include The Great Santini, The Lords of Discipline, The Prince of Tides, and Beach Music.

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About the book

The Prince of Tides is Pat Conroy's sprawling 1986 family saga, narrated by Tom Wingo, a South Carolina high school teacher and football coach whose own life has come apart. When his twin sister Savannah, an accomplished New York poet, attempts suicide, Tom travels north and begins meeting with her psychiatrist, Dr. Susan Lowenstein. To help unlock Savannah's silence, Tom recounts the story of the Wingo family of the South Carolina lowcountry, gradually exposing a childhood marked by violence, abandonment, love, and secrets the family has spent decades trying to bury.

At its heart the novel is about how the landscape and traumas of home shape a person for life, a theme announced in its opening line: 'My wound is geography.' Conroy braids together the brutality of Tom's shrimper father, the ambition and vanity of his mother Lila, and the fate of his older brother Luke against the tidal marshes of Colleton County. As Tom talks his way through the past with Lowenstein, the telling becomes its own form of therapy, and an unexpected intimacy grows between them.

Written in Conroy's lush, emotionally charged prose, The Prince of Tides became a major bestseller and one of the defining Southern family novels of its era. Its exploration of buried trauma, dysfunctional family bonds, and the possibility of healing struck a wide chord, and in 1991 it was adapted into an acclaimed film directed by and starring Barbra Streisand, alongside Nick Nolte as Tom. The book remains among Conroy's most beloved and widely read works.

Key characters

  • Tom WingoThe narrator; a South Carolina teacher and football coach whose life is unraveling
  • Savannah WingoTom's twin sister, a New York poet whose suicide attempt sets the story in motion
  • Luke WingoTom and Savannah's protective older brother, an environmental activist
  • Dr. Susan LowensteinSavannah's psychiatrist, who draws out Tom's story and grows close to him
  • Henry WingoThe father, a brutal shrimper who terrorizes his family
  • Lila WingoThe beautiful, socially ambitious and manipulative mother
  • Tolitha WingoThe eccentric grandmother and Savannah's early mentor

Book details

First published
1986
Length
568 pages
Reading time
21 hours
Goodreads rating
4.26 (220k ratings)
First line
“My wound is geography. It is also my anchorage, my port of call.”

Movie & TV adaptations

  • IMDb
    The Prince of Tides 1991

    Film directed by and starring Barbra Streisand, with Nick Nolte as Tom Wingo

If you liked this, read…

  1. 1
    The Great SantiniConroy's earlier autobiographical novel about a violent, domineering father in a Southern military family
  2. 2
    Beach MusicAnother sweeping Conroy family saga steeped in the South Carolina lowcountry and buried trauma
  3. 3
    Ordinary PeopleA family drama in which therapy and grief expose long-hidden wounds

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