The House of the Spirits
Quotes from the Book
Exert some independence; you're not a little girl. You can't let anyone else decide things for you. You have to take care of yourself in this world, she said. I've never forgotten those words.
Affection must be cultivated, Camilo; it has to be watered and tended like a plant,
Teresa said that until men gave birth and put up with husbands, as women do, they should not have an opinion - let alone decide on - abortion and divorce. She didn't believe that men had the right to an opinion, much less to pass laws on the female body, since they'd never know the exhaustion of gestation, the pain of labor, and the eternal bondage of motherhood.
It’s much easier to be generous with a full belly than an empty one,” they said. I’ve never believed that, though, because I’ve seen that both kindness and cruelty exist everywhere.
The world is paralyzed, and humanity is in quarantine. It is a strange symmetry that I was born in one pandemic and will die during another.
Uncle Bruno and I celebrated the miracle of life with every chick that hatched from its egg and every tomato that came from the garden to the table; he taught me to observe and listen attentively, to get my bearings in the woods, to swim in freezing lakes and rivers, to start a fire without a match, to enjoy the pleasure of sinking my face into a juicy watermelon, and to accept the inevitable pain of saying goodbye to people and animals, because there is no life without death, as he always said.
Sometimes our fates take turns that we don't notice in the moment they occur, but if you live as long as I have they become clear in hindsight.
That fairy tale that all humans are equal before the law and in the eyes of God is a lie, Camilo. I hope you don’t buy into it. Neither the law nor God treats everyone the same.
I said goodbye, kissed her, and asked her forgiveness for the sins of withholding and neglect. I thanked her for having existed, promised her that she would live on in my heart, and in her son's, begged her not to leave me, to visit me in dreams, to send me signs and clues, to return incarnated in every beautiful young woman I saw on the street, and to appear to me in spirit during the darkest hours of the night and in the days of the midday Sun.
There’s a time to live and a time to die. In between there’s time to remember. That is all I’ve done for these past days, silently filling in the missing details to complete this testament—a sentimental legacy, more than a material one.
The rural women taught me that courage is contagious and that there’s strength in numbers; what you can’t do on your own can be achieved together, the more the better.
No one gives you anything in life, Teresa would say, you have to take it by force, and as soon as you get careless they’ll take it back.
It’s hard to make money working; and the harder the work, the worse the pay. It takes effort not to lose everything and end up on the street. It’s easy, on the other hand, to get rich without producing anything, moving money from one place to another, speculating, taking advantage of stock opportunities, investing in the hard work of others.
La bondad desgasta mucho, te lo he advertido. Los malos se divierten más y llegan a viejos en mejores condiciones que los santos como tú.
The reality is that everyone is responsible for their own life. We’re dealt certain cards at birth, and we play our hand; some of us lose, but others may play skillfully from the same bad hand and triumph. Our cards determine who we are: age, gender, race, family, nationality, etc., and we can’t change them, only play them to the best of our abilities. The game is marked by challenges and chances, strategizing and cheating.
Sometimes our fates take turns that we don’t notice in the moment they occur, but if you live as long as I have they become clear in hindsight. At each crossroads or fork we must decide which direction to take. These decisions may determine the course of the rest of our lives.
Me eché a llorar sin control, y ese torrente de lágrimas me fue lavando por dentro hasta que nada quedó del rencor y la culpa y los malos recuerdos.
The path to addiction is straight and well paved;
If God exists...God would be a Marxist.
Esas mujeres del campo me enseñaron que el coraje es contagioso y que la fuerza está en el número; lo que no se logra sola se consigue entre varias, y mientras más sean, mejor.
Allí donde se cruzan o bifurcan los caminos debemos decidir la dirección que vamos a tomar. Esa decisión puede determinar el curso del resto de nuestra vida.
until men gave birth and put up with husbands, as women do, they should not have an opinion about—let alone decide on—abortion and divorce.
Telling you all this, Camilo, the stab of pain that sliced through my chest that day comes back in full force; it’s a recurring pain that ambushes me out of nowhere. There can’t be a pain worse than that one, so great it has no name. I know, I know, who am I to complain? My daughter’s death wasn’t a punishment. I’m just a statistic, this is the oldest and most common suffering in human history. Before, no one even expected children to survive, so many died in childhood, and it’s still that way in a large part of the world, but that does nothing to lessen the horror when you’re the mother. I felt like I’d been emptied out from the inside, I was a bloody cavity, I couldn’t breathe, my bones were made of wax, my soul had taken flight. And the world still turned as if nothing had happened: I stand up, take one step then another, find my voice and respond, I haven’t lost my mind, I drink water, my mouth full of sand, my eyes burning, and my little girl stiff, frozen, sculpted in alabaster—my daughter who will never again call me Mom, who left a tremendous imprint in her passage through my life, the memory of her laughter, her grace, her rebelliousness, her suffering.
become a ghost. They’ve killed several
There's a time to live and a time to die. In between there's time to remember.
the Nordic concept of janteloven, which meant: Don’t think you’re so special—remember that the nail that sticks out is the one the hammer hits.
I didn’t get to prepare myself as well as I would’ve liked, and now there’s a lady, who must be death, sitting at the foot of my bed, motioning for me to follow her. I can’t distinguish clearly between night and day, and it doesn’t matter, because pain and memory aren’t measured with clocks. The morphine puts me to sleep and transports me to the dimension of dreams and visions.
Did you know?
- The novel is structured as a single long letter written by Violeta to her grandson Camilo.
- Violeta's life is bookended by two pandemics: she is born during the 1918-1920 Spanish flu outbreak and dies during the COVID-19 pandemic in 2020.
- Isabel Allende has said the character and book were inspired in part by her own mother.
- The English edition was translated by Frances Riddle.
- The story unfolds in an unnamed South American country over the span of a full century.
About Isabel Allende
More by Isabel Allende
All books by Isabel Allende →About the book
"Violeta" is a sweeping historical novel by Chilean-American author Isabel Allende, told as a long letter that the title character, Violeta del Valle, writes to her grandson Camilo near the end of her life. Born into a prosperous family in an unnamed South American country in 1920 during the Spanish flu pandemic, Violeta recounts a full century of her existence, ending as she nears death during the COVID-19 pandemic of 2020. Across those hundred years she lives through the loss of the family fortune in the Great Depression, tumultuous love affairs and a difficult marriage, motherhood and estrangement, and the political upheavals of her continent.
The book braids the personal and the political, using one woman's life to register the great convulsions of the twentieth century. Recurring concerns include feminist awakening and a woman's growing independence within both the public world and the domestic sphere, resilience in the face of grief and loss, and the symmetry of a life bookended by two pandemics. Family, memory, and the act of bearing witness through writing are central to the novel's confessional, retrospective form.
Published in Spanish as "Violeta" by Plaza & Janés and in English translation by Frances Riddle in January 2022, the novel was a commercial success and reached bestseller lists. Critical reception was mixed to positive: reviewers praised Allende's storytelling sweep and the depiction of Violeta's evolving feminism, while some found the century-spanning narration uneven. Allende has said the book was inspired in part by the life of her own mother.
Key characters
- Violeta del ValleThe narrator and protagonist, whose hundred-year life the novel recounts
- CamiloVioleta's grandson, the recipient of her letter
Book details
- First published
- 2022
- Length
- 336 pages
- Reading time
- 7 hours
- Author
- Isabel Allende
- Genre
- Historical
- Goodreads rating
- 4.03 (112k ratings)
- First line
- “Dear Camilo, My intention with these pages is to leave you a testimony of my life.”
Critical reception
- Reached bestseller lists and was a commercial success on publication.
- Reviews were mixed to positive: critics praised the storytelling sweep and Violeta's feminist arc, while some found the century-spanning narration uneven.
If you liked this, read…
- 1A Long Petal of the SeaAllende's preceding novel, another sweeping historical saga of a life shaped by 20th-century upheavals.
- 2The House of the SpiritsAllende's debut multigenerational family epic set against South American political turmoil.
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