Portrait in Sepia
Quotes from the Book
You can't find someone who doesn't want to be found.
This is to assuage our conscience, darling" she would explain to Blanca. "But it doesn't help the poor. They don't need charity; they need justice.
At times I feel as if I had lived all this before and that I have already written these very words, but I know it was not I: it was another woman, who kept her notebooks so that one day I could use them. I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously. ... That's why my Grandmother Clara wrote in her notebooks, in order to see things in their true dimension and to defy her own poor memory.
She was one of those people who was born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengance, and for the most sublime forms of heroism but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother's sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman made for maternity, abundance, action, and ardor- was consuming herself.
Barrabas came to us by sea, the child Clara wrote in her delicate calligraphy.
I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously . . . And now I seek my hatred and cannot seem to find it. I feel its flame going out as I come to understand [its] existence . . . It would be difficult for me to avenge all those who should be avenged, because my revenge would be just another part of the same inexorable rite. I have to break that terrible chain. I want to think that my task is life and that my mission is not to prolong hatred but simply fill these pages . . .
Esa noche creí que había perdido para siempre la capacidad de enamorarme, que nunca más podría reírme ni perseguir una ilusión. Pero nunca más es mucho tiempo.
No se puede encontrar a quien no quiere ser encontrado
La gente no lee lo que no le interesa y si le interesa es que ya tiene madurez para hacerlo
Land is something one should never sell. It is the only thing left when all else is gone.
She did not believe that the world was a vale of tears but rather a joke that God had played and that it was idiotic to take it seriously.
I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously.
Escribo, ella escribió, que la memoria es frágil y el transcurso de una vida es muy breve y sucede todo tan deprisa, que no alcanzamos a ver la relación entre los acontecimientos, no podemos medir la consecuencia de los actos, creemos en la ficción del tiempo, en el presente, el pasado y el futuro, pero puede ser también que todo ocurre simultáneamente, como decían las tres hermanas Mora, que eran capaces de ver en el espacio los espíritus de todas las épocas. Por eso mi abuela Clara escribía en sus cuadernos, para ver las cosas en su dimensión real y para burlar a la mala memoria.
I was a romantic and sentimental creature, with a tendency towards solitude.
She was considered timid and morose. Only in the country, her skin tanned by the sun and her belly full of ripe fruit, running through the fields with Pedro Tercero, was she smiling and happy. Her mother said that that was the real Blanca, and that the other one, the one back in the city, was a Blanca in hibernation.
Trató de volver a vivir ese momento, la tierra roja y húmeda, el intenso olor de los bosques de pinos y eucaliptos, donde el tapiz de las hojas secas se maceraba, después del largo y cálido verano, y donde la luz cobriza del sol se filtraba entre las copas de los árboles. Trató de recordar el frío, el silencio y esa preciosa sensación de ser los dueños de la tierra, de tener veinte años y la vida por delante, de amarse tranquilos, ebrios de olor a bosque y de amor, sin pasado, sin sospechar el futuro, con la única increíble riqueza de ese instante presente, en que se miraban, se olían, se besaban, se exploraban, envueltos en el murmullo del viento entre los árboles y el acantilado, estallando en un fragor de espuma olorosa, y ellos dos, abrazados dentro del mismo poncho como siameses en un mismo pellejo, riéndose y jurando que sería para siempre, convencidos de que eran los únicos en todo el universo en haber descubierto el amor.
My son, the Holy Church is on the right, but Jesus Christ was always on the left.
Sospecho que todo lo ocurrido no es fortuito, sino que corresponde a un destino dibujado antes de mi nacimiento y Esteban García es parte de ese dibujo. Es un trazo tosco y torcido, pero ninguna pincelada es inútil.
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
Tenía la idea de que al poner nombre a los problemas, estos se materializan y ya no es posible ignorarlos; en cambio, si se mantienen en el limbo de las palabras no dichas, pueden desaparecer solos, con el transcurso del tiempo
Just as when we come into the world, when we die we are afraid of unknown things. But the fear is something from within us that has nothing to do with reality
Barrabas came to us by the sea.
She felt that everything was made of glass, as fragile as a sigh
Tal ves temía que ese grandioso amor, que había resistido tantas pruebas, no pudiera sobrevivir a la más terrible de todas: la convivencia.
But why give a man something it's so hard to earn? In that respect women are really thick. They're the daughters of rigidity. They need a man to feel secure but they don't realize that the one thing they should be afraid of is men. They don't know how to run their lives. They have to sacrifice themselves for the sake of someone else. Whores are the worst, patron, believe me. They throw their lives away working for some pimp, smile when he beats them, feel proud when he's well dressed, with his gold teeth and rings on his fingers, and when he goes off and takes up with a woman half their age they forgive him everything because 'he's a man.
He knew that her body was his to engage in all the acrobatics he had learned in the books he kept hidden in a corner of his library, but with Clara even the most abominable contortions were like the thrashings of a newborn; it was impossible to spice them up with the salt of evil or the pepper of submission.
Did you know?
- The novel was originally written in Spanish as La casa de los espiritus and first published in Barcelona in 1982.
- The book began as a letter Isabel Allende started writing to her grandfather during his final days.
- It was named Best Novel of the Year in Chile in 1982 and has been translated into more than twenty languages.
- The novel's opening words, 'Barrabas came to us by sea,' are echoed, nearly reversed, in its closing lines.
- It is regarded as a hallmark of the post-boom generation of Latin American fiction that followed One Hundred Years of Solitude.
- A 1993 film adaptation featured Meryl Streep, Jeremy Irons, Glenn Close, Winona Ryder, and Antonio Banderas.
About Isabel Allende
More by Isabel Allende
All books by Isabel Allende →About the book
The House of the Spirits is Isabel Allende's debut novel, published in Spanish as La casa de los espiritus in 1982 and in English translation in 1985. A multigenerational saga, it follows the Trueba family across roughly four decades of Chilean history, centering on the clairvoyant Clara and the self-made, hot-tempered landowner Esteban Trueba, whom she marries after the death of her sister Rosa. The story descends through their daughter Blanca and granddaughter Alba, whose lives become entangled with the country's mounting political turmoil.
Written in the tradition of Latin American magical realism, the novel blends supernatural elements such as Clara's telekinesis and premonitions with an unflinching portrait of class conflict, patriarchy, and political violence. Its themes of memory, love, and resistance build toward a military coup and its brutal aftermath, in which Alba is imprisoned and tortured before ultimately becoming the narrator who preserves the family's history.
The book grew out of a letter Allende began writing to her dying grandfather, and it became one of the hallmark works of the post-boom generation of Latin American literature that followed Gabriel Garcia Marquez's One Hundred Years of Solitude. Translated into more than twenty languages, it established Allende as a major international voice and remains a widely taught and read modern classic.
Key characters
- Clara del Valle TruebaClairvoyant matriarch who holds the family together
- Esteban TruebaSelf-made, tyrannical landowner and family patriarch
- Blanca TruebaClara and Esteban's daughter, in love with a revolutionary
- AlbaBlanca's daughter and eventual narrator of the family's history
- Pedro Tercero GarciaPeasant revolutionary and Blanca's lover
- Rosa del ValleClara's beautiful sister, Esteban's first betrothed
Book details
- First published
- 1982
- Length
- 368 pages
- Reading time
- 7 hours
- Author
- Isabel Allende
- Genre
- Classics
- Goodreads rating
- 4.30 (338k ratings) →
- First line
- “Barrabas came to us by sea, the child Clara wrote in her delicate calligraphy.”
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1One Hundred Years of SolitudeFoundational magical-realist family saga that influenced Allende
- 2Like Water for ChocolateMagical realism centered on women, family, and love in Latin America
- 3Love in the Time of CholeraSweeping Latin American story of love across decades
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