A Rule Against Murder
Quotes from the Book
Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful. so when I'm observing that's what I'm watching for. The choices people make
Myrna could spend happy hours browsing bookcases. She felt if she could just get a good look at a person’s bookcase and their grocery cart, she’d pretty much know who they were.
Life is change. If you aren't growing and evolving, you're standing still, and the rest of the world is surging ahead.
I've been treating you with courtesy and respect because that's the way I choose to treat everyone. But never, ever mistake kindness with weakness.
I think many people love their problems. Gives them all sorts of excuses for not growing up and getting on with life.
Life is change. If you aren't growing and evolving you're standing still, and the rest of the world is surging ahead. Most of these people are very immature. They lead "still" lives, waiting.
Peter swept aside Yogi Tea and Harmony Herbal Blend, though he hesitated a second over the chamomile. .... But no. Violent death demanded Earl Grey.
They waited for life to happen to them. They waited for someone to save them. Or heal them. They did nothing for themselves.
Aid workers, when handing out food to starving people, quickly learn that the people fighting for it at the front are the people who need it least. It's the people sitting quietly at the back, too weak to fight, who need it the most. And so too with tragedy.
Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back.
The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted.
They lead "still" lives, waiting. - Myrna Landers Waiting for what? - Armand Gamache Waiting for someone to save them. Expecting someone to save them or at least protect them from the big, bad world. The thing is no one else can save them because the problem is theirs and so is the solution. - Myrna
I'm just like this. I have no talent for choosing my battles. Life seems, strangely, like a battle to me. The whole thing.
Abby Hoffman said we should all eat what we kill. That would put an end to war.
Most of us are great with change, as long it was our idea. But change imposed from the outside can send some people into a tailspin. - Myrna Landers
Every year the hunters shot cows and horses and family pets and each other. And unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner
There are four things that lead to wisdom. You ready for them?' She nodded, wondering when the police work would begin. "They are four sentences we learn to say, and mean." Gamache held up his hand as a fist and raised a finger with each point. "I don't know. I need help. I'm sorry. I was wrong'.
Everyday for Lucy's entire dog life Jane had sliced a banana for breakfast and had miraculously dropped one of the perfect disks on to the floor where it sat for an instant before being gobbled up. Every morning Lucy's prayers were answered, confirming her belief that God was old and clumsy and smelt like roses and lived in the kitchen. But no more. Lucy knew her God was dead. And she now knew the miracle wasn't the banana, it was the hand that offered the banana.
His theory is that life is loss,’ said Myrna after a moment. ‘Loss of parents, loss of loves, loss of jobs. So we have to find a higher meaning in our lives than these things and people. Otherwise we’ll lose ourselves.
Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It’s as simple and as complex as that. And as powerful. So when I’m observing, that’s what I’m watching for. The choices people make.
Most of us are great with change, as long as it was our idea.
Life is loss. But out of that, as the book stresses, comes freedom. If we can accept that nothing is permanent, and change is inevitable, if we can adapt, then we’re going to be happier people.
Living our lives was like living in a long house. We entered as babies at one end, and we exited when our time came. And in between we moved through this one, great, long room. Everyone we ever met, and every thought and action lived in that room with us. Until we made peace with the less agreeable parts of our past they’d continue to heckle us from way down the long house. And sometimes the really loud, obnoxious ones told us what to do, directing our actions even years later.
Almost invariably people expected that if you were a good person you shouldn't meet a bad end, that only the deserving are killed and certainly only the deserving are murdered. However well hidden and subtle, there was a sense that a murdered person had somehow asked for it. That's why the shock when someone they knew to be kind and good was a victim. There was a feeling that surely there had been a mistake.
Beauvoir left their home wanting to call his wife and tell her how much he loved her, and then tell her what he believed in, and his fears and hopes and disappointments. To talk about something real and meaningful. He dialed his cell phone and got her. But the words got caught somewhere south of his throat. Instead he told her the weather had cleared, and she told him about the movie she'd rented. Then they both hung up.
Clara shrugged and immediately knew her betrayal of Peter. In one easy movement she'd distanced herself from his bad behavior, even thought she herself was responsible for it. Just before everyone had arrived, she'd told Peter about her adventure with Gamache. Animated and excited she'd gabbled on about her box and the woods and the exhilarating climb up the ladder to the blind. But her wall of words hid from her a growing quietude. She failed to notice his silence, his distance, until it was too late and he'd retreated all the way to his icy island. She hated that place. From it he stood and stared, judged, and lobbed shards of sarcasm. 'You and your hero solve Jane's death?' 'I thought you'd be pleased,' she half lied. She actually hadn't thought at all, and if she had, she probably could have predicted his reaction. But since he was comfortably on his Inuk island, she'd retreat to hers, equipped with righteous indignation and warmed by moral certitude. She threw great logs of 'I'm right, you're an unfeeling bastard' onto the fire and felt secure and comforted.
In my experience people who have been hurt either pass it on and become abusive themselves or they develop a great kindness.
He was very clever, he gave the impression of being tolerant and kind, while actually being very dark, very cunning.
Evil is unspectacular and always human, and shares our bed and eats at our own table,
Did you know?
- "Still Life" is Louise Penny's debut novel and the first book in the Chief Inspector Armand Gamache series.
- It is set in the fictional Quebec village of Three Pines, which recurs throughout the series.
- The novel won the Anthony Award for Best First Novel in 2007.
- It was followed by the second Gamache novel, "A Fatal Grace."
- The book was adapted into the 2013 CBC television film "Still Life: A Three Pines Mystery."
About Louise Penny
More by Louise Penny
All books by Louise Penny →About the book
"Still Life" is Louise Penny's debut novel and the first in her Chief Inspector Armand Gamache mystery series, set in the fictional Quebec village of Three Pines. When a beloved local woman, Jane Neal, is found dead in the woods on Thanksgiving Sunday, the villagers assume it was a stray hunter's arrow. Gamache of the Sûreté du Québec is not so certain, and he and his homicide team arrive to untangle whether the death was a tragic accident or something more deliberate.
Beneath its village-cozy surface, the book is as much about community and character as it is about the crime. Penny uses the tight-knit world of Three Pines to explore themes of belonging, art and perception, kindness and cruelty, and the small secrets that ordinary people carry. Gamache himself is drawn as a thoughtful, humane investigator who reads people as carefully as he reads a crime scene.
The novel launched one of the most acclaimed series in contemporary crime fiction, winning the New Blood Dagger, the Arthur Ellis Award, the Barry Award, the Dilys Award, and the Anthony Award for Best First Novel. Its success established Three Pines and Armand Gamache as enduring fixtures of the genre and set the pattern for the long-running series that followed.
Key characters
- Armand GamacheChief Inspector of the Sûreté du Québec who leads the investigation
- Jane NealBeloved local woman whose death sets the story in motion
- Jean-Guy BeauvoirGamache's second-in-command on the homicide team
- Clara MorrowThree Pines artist and friend of the victim
Book details
- First published
- 2005
- Length
- 293 pages
- Reading time
- 5 hours
- Author
- Louise Penny
- Genre
- Fiction
- Goodreads rating
- 3.90 (293k ratings) →
- First line
- “Miss Jane Neal met her maker in the early morning mist of Thanksgiving Sunday.”
Series & reading order
- 1 Still Life
- 2 A Fatal Grace
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1A Fatal GraceThe next Gamache novel, continuing the Three Pines mysteries
- 2The No. 1 Ladies' Detective AgencyCharacter-driven mystery with a warm, community-rooted setting
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