Portrait in Sepia

Memory is fiction. We select the brightest and the darkest, ignoring what we are ashamed of, and so embroider the broad tapestry of our lives.

I seek truth and beauty in the transparency of an autumn leaf, in the perfect form of a seashell on the beach, in the curve of a woman's back, in the texture of an ancient tree trunk, but also in the elusive forms of reality.

Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.

I try desperately to conquer the transitory nature of my existence, to trap moments before they evenesce, to untangle the confusion of my past. Every instant disappears in a breath and immediately becomes the past; reality is ephemeral and changing, pure longing.

Every time I asked a question, that magnificent teacher, instead of giving the answer, showed me how to find it. She taught me to organise my thoughts, to do research, to read and listen, to seek alternatives, to resolve old problems with new solutions, to argue logically. Above all, she taught me not to believe anything blindly, to doubt, and to question even what seemed irrefutably true, such as man's superiority over woman, or one race or social class over another.

write with honesty and don't worry about the feelings of others, because no matter what you say, they'll hate you anyway.

The most savory grape, the one that produces the wines with best texture and aroma, the sweetest and most generous, doesn't grow in rich soil but in stony land; the plant, with a mother's obstinacy, overcomes obstacles to thrust its roots deep into the ground and take advantage of every drop of water. That, my grandmother explained to me, is how flavors are concentrated in the grape.

Si fuera capaz de exteriorizar mis sentimientos, tal vez sufriría menos, pero se me quedan atorados adentro, como un inmenso bloque de hielo y pueden pasar años antes que el hielo empiece a derretirse.

No existe luz sin sombra, tal como no existe dicha sin dolor.

Esos desaires no me quitan el sueño: no tengo que agradar a todo el mundo, sólo a quienes en verdad me importan, que no son muchos.

The advantage of being lovers is that we have to work hard at our relationship, because everything conspires to drive us apart. Our decision to be together has to be renewed again and again; that keeps us on our toes.

If what you want is the effect of painting, then paint, Aurora. If what you want is truth, learn to use your camera," he would say again and again

La Lowell wanted nothing; she lived for the day, unfettered, free, fearless; she wasn't afraid of poverty, loneliness, or infirmity. She accepted everything with good grace; for her, life was an entertaining voyage that inevitably led to old age and death. There was no point in accumulating wealth since in the end, she maintained, we all go to the grave in our birthday suit.