Leaving Time
Quotes from the Book
People always say not to forget because then history will repeat itself. But maybe history will repeat itself anyway, and forgetting is how we bear it.
There are two kinds of grief at a wake: grieving the loss of what was and grieving the loss of what wasn’t.
A mother stays even when she's gone, like a muted moon in the daytime sky.
Everyone says gone but not forgotten, but it's ultimately the other way around. Generations later, a mother is forgotten but not gone- a pulse in the bodies born from her love
We begin to say goodbye as soon as we say hello
She wiggles and squirms and shifts, and fear hums beside me as I begin to understand that keeping a child is like keeping the sky— always with me but never mine.
Sometimes a woman's choice is between impossible and impossible and impossible, and she just has to make it. Survival calculations become more urgent than rightness.
You must not measure salvation like an ingredient that’s either there or not. Yes, salvation can be a heroic moment of rescue. But more often, it’s smaller. Slower.
Time can wash dirt off of a memory until it is revealed as something else entirely.
Because you have shown me that love is worth the losing of it.
this is where it starts. We begin to say goodbye as soon as we say hello. Death is a corollary of birth, and to welcome life is to guarantee loss.
keeping a child is like keeping the sky—always with me but never mine.
Shh, shh. Your mom will be here soon to feed you. We’re here at the beginning. I’ll paint a bottle of milk for you. I will not throw it. But I left my white crayon under the table. If we can’t take a drive, how about a little walk? I wake. Startle. She has been fed. Grown up. Hated me. Loved me again. I am old. Dying. And she is still here. This is a forgiveness I never gave my own father. But—Georgette! I close my eyes. Georgette.
The thing about alcoholism is that there’s sickness on both sides. Drink, you’re sick. Don’t drink, you’re sick. A blurred line between medicine and poison.
I’ve learned how big of a dream it is to have a small life. That the cost of ambition is high.
It's not that you don't need anyone-just that you don't need everyone.
What's the difference between an excuse and a reason?
It was our pain that pulled us together like magnets, that medicinal click of solidarity between two hurting people. But as powerful as pain might be, it was never going to keep us together.
it does something to a girl—even a grown girl with an awful father—to see her father hurt.
You can’t control anyone else’s choices, but you start with what you’re given and then you make your own.
If there’s any liar bigger than an alcoholic, it’s the alcohol, saying, All there is is now and It won’t hurt anyone and This is the last time.
Her heart is buried in the darkness of the earth, but it is also buried in the darkness of my body. Everyone says "gone but not forgotten," though it's ultimately the other way around: generations later, a mother is forgotten but not gone- a pulse in the bodies birthed from her love. Shit. I might want to have children. All that resurrection.
Love is worth the losing of it,
And I don't know if it's bad like abuse. Abuse is much easier to identify when it's not in your own kitchen.
One of the most disorienting parts of parenthood is how it can warp your sense of time. Or maybe not warp. Maybe what children do is straighten time out. Like clock hands, they keep us ticking forward even as we try to apprehend the lines and circles of it.
Did you know?
- The Bright Years is Sarah Damoff's debut novel.
- It was published by Simon & Schuster on April 22, 2025.
- The novel was a Goodreads Choice Award finalist in 2025.
- It was named Book of the Year by the Southern Literary Review.
- The book is being translated into more than a dozen languages.
- Damoff has worked as a social worker, a background that informs the novel's treatment of family and addiction.
About Sarah Damoff
About the book
The Bright Years is the debut novel of Sarah Damoff, a multigenerational family saga set largely in Texas that follows the Bright family across roughly six decades, beginning in the late 1950s. Told in the alternating first-person voices of its central family members, the book traces the marriage of artist and photographer Ryan Bright and bank teller Lillian, and the life of their daughter Georgette, called Jet. Around them circle a long-held secret about a child Lillian placed for adoption and the corrosive presence of alcohol addiction, which echoes from one generation into the next.
At its heart the novel is about inherited trauma and the difficulty of breaking destructive cycles. It examines how addiction reshapes the people who love an addict, how grief and shame are passed quietly down a family line, and how secrets distort intimacy. Damoff, who has worked as a social worker and holds a degree in family studies, balances these heavy subjects against recurring notes of tenderness, grace, and the durability of love within an imperfect family.
Released by Simon & Schuster in April 2025, The Bright Years became a national bestseller and a Goodreads Choice Award finalist, and was named Book of the Year by the Southern Literary Review. Reviewers praised its emotional honesty and its layered, multi-voiced structure, and the book has been picked up for translation into more than a dozen languages, a notable reception for a first novel.
Key characters
- Lillian BrightWife and mother; a bank teller carrying a secret about a son she placed for adoption
- Ryan BrightHusband and father; a photographer and aspiring gallery owner who struggles with alcohol addiction
- Georgette "Jet" BrightRyan and Lillian's daughter, whose life and perspective anchor the later generations
Book details
- First published
- 2025
- Length
- 288 pages
- Reading time
- 4 hours
- Author
- Sarah Damoff
- Genre
- Fiction
- Goodreads rating
- 4.23 (151k ratings)
Critical reception
- The book became a national bestseller.
- It was a 2025 Goodreads Choice Award finalist.
- The Southern Literary Review named it Book of the Year.
- Reviewers highlighted its emotional honesty and its multi-voiced, generation-spanning structure.
Keep reading
Leaving Time
House of Glass
They Call Her Dirty Sally
Dreams of Falling
A Stolen Life
Before Ever After
For One More Day
My Sister's Keeper
A Small Indiscretion
One True Thing
Under the Whispering Door
Good as Gone
Iris & Ruby
The Secrets She Keeps
Daisy Darker
Some Assembly Required: A Journal of My Son's First Son
Broken Country
The Summer Children
The Smell of Other People's Houses
The Story of Us
Let's Take the Long Way Home: A Memoir of Friendship
Good Dirt
Every Heart a Doorway
The Bone Clocks
The Book Charmer
The Words We Lost
Reminders of Him
The Nightingale
The Time Between
The Gap of Time
Summer Island
Here I Am
One Italian Summer
Stay with Me
The Book of Goose
Lisey's Story
Keeping Faith
We Are Water
The Last Flight
Beartown
The Rescue
Requiem
Saint X
The Last Thing He Told Me
Legendborn
These Silent Woods
The Guest List
Banyan Moon
Lost in the Moment and Found
The Sweetness of Forgetting
Just as I Am
Goodbye Days
Don't Let Go
My Mother's Secret
Blue Nights
I'll Be Seeing You
I Fell in Love With Hope
The Night Olivia Fell
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