Eurydice
Quotes from the Book
And in this day and age, we sometimes seem to care more about the record of joy than the experience of joy itself.
Shame is an odd emotion. It clings to things over which we have no control, like a scent.
When diseases and stories are chronic, doctors and writers often both run for the hills
But don’t we need to cross over? Is this not a moral imperative for art, but also for social discourse? Don’t we need to imagine people different from ourselves, people whose experiences we can only imagine?
I often try to solve problems by buying books.
A girl, a woman who is two-thirds done, is nearer to God. A young woman on the verge of knowing herself is the most attractive thing on this earth to a man for this very reason.
This is my body. I am my soul. These are my lips. I am my word. This is my skin. I am my action. These are my legs. I am my contribution. This is my smile. I am my laughter.
There was an abundance of sweetness. But I often felt I was observing it from a distance, rather than participating in the sweetness.
Our culture values perfect pictures of ourselves, mirage, over and above authentic connection. But we meet one another through the imperfect particular of our bodies. Imperfection calls out for affinity—for the beloved to say, I too am broken, but may I join you?
Mothers and daughters: two circles, and the all-important bounded sections where they are complete unto themselves. Daughters perhaps have a tendency to point at the differences, mothers to point at the commonalities.
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About Sarah Ruhl
More by Sarah Ruhl
Eurydice
About the book
A People Best Book of the Year. Time and The Washington Post's Most Anticipated List. Longlisted for the Andrew Carnegie Medal for Excellence.
From the MacArthur genius, two-time Pulitzer Prize finalist, and playwright, this "captivating, insightful memoir" (Kirkus Reviews, starred review) is "a beautiful meditation on identity and how we see ourselves" (Real Simple).
With a play opening on Broadway, and every reason to smile, Sarah Ruhl has just survived a high-risk pregnancy when she discovers the left side of her face is completely paralyzed. She is assured that 90 percent of Bell's palsy patients experience a full recovery—like Ruhl's own mother. But Sarah is in the unlucky ten percent. And for a woman, wife, mother, and artist working in theater, the paralysis and the disconnect between the interior and exterior brings significant and specific challenges. So Ruhl begins
Book details
- First published
- 2021
- Author
- Sarah Ruhl
- Genre
- Biography
- Goodreads rating
- 4.09 (3k ratings)
The buzz
- The New York TimesReview in The New York Timesprofessional review (via Book Marks)
- The Washington PostReview in The Washington Postprofessional review (via Book Marks)
- The GuardianReview in The Guardianprofessional review (via Book Marks)
- NPRReview in NPRprofessional review (via Book Marks)
- Publishers WeeklyReview in Publishers Weeklyprofessional review (via Book Marks)
- Star TribuneReview in Star Tribuneprofessional review (via Book Marks)
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