The Grace of Kings
Quotes from the Book
The act of remembering is an act of retracing, and by doing so we erase and change the stencil.
Sometimes I wonder if we have misunderstood the notion of freedom. We prize freedom to more than freedom from . People must be free to own guns, so the only solution is to teach children to hide in closets and wear ballistic backpacks. People must be free to post and say what they like, so the only solution is to tell their targets to put on armour.
A good story cannot function like a legal brief, which attempts to persuade and lead the reader down a narrow path suspended above the abyss of unreason. Rather, it must be more like an empty house, an open garden, a deserted beach by the ocean. The reader moves in with their own burdensome baggage and long-cherished possessions, seeds of doubt and shears of understanding, maps of human nature and baskets of sustaining faith. The reader then inhabits the story, explores its nooks and crannies, rearranges the furniture to suit their taste, covers the walls with sketches of their inner life, and thereby makes the story their home.
As the author, I construct an artifact out of words, but the words are meaningless until they're animated by the consciousness of the reader. The story is co-told by the author and the reader, and every story is incomplete until a reader comes along and interprets it.
Nostalgia is a wound that we refuse time to heal.
Without you having to do anything, the phone brackets the shot so that you can pretend to time travel, to pick the perfect instant when everyone is smiling. Skin is smoothed out; pores and small imperfections are erased. What used to take my father a day's work is now done in the blink of an eye, and far better. Do the people who take these photos believe them to be reality? Or have the digital paintings taken the place of reality in their memory? When they try to remember the captured moment, do they recall what they saw, or what the camera crafted for them?
The images she had seen went through her mind again and again. Sometimes understanding comes to you not through thought, but through this throbbing of the heart, this tenderness in the chest that hurts.
Sometimes understanding comes to you not through thought, but through this throbbing of the heart, this tenderness in the chest that hurts.
I am not my father,” she said. “And you’re not your parents. Family is a story that is told to you, but the story that matters the most you must tell yourself.
I want to pick a boy to marry—I’m thinking someone who is kind and has soft hands, maybe someone who grinds mirrors for a living so that he will know that there is another dimension beyond the smooth surface.
I want to hone my talent so that it shines brightly, terrorizing the unjust and lighting the way for those who would make the world better. I will protect the innocent and guard the timid. I do not know if I will always do what is right, but I am the Hidden Girl, and my loyalty is to the tranquillity yearned by all.
Pictures are important," I'd tell them. "Our brains are so flawed, leaky sieves of time. Without pictures, so many things we want to remember would be forgotten.
Parents fear to be forgotten, to not be understood by their children.
Everyone is a troll now. If you’ve ever liked or shared a meme that wished violence on someone you’d never met, if you’ve ever decided it was okay to snarl and snark with venom because the target was “powerful,” if you’ve ever tried to signal your virtue by piling on in an outrage mob, if you’ve ever wrung your hands and expressed concern that perhaps the money raised for some victim should have gone to some other less “privileged” victim—then I hate to break it to you, you’ve also been trolling.
We're all thieves in this world of suffering," the nun says. "Honor and faith are not virtues, only excuses for stealing more.
America is only a democracy for those lucky enough to be Americans. To everybody else, it's just a dictator with the biggest bombs and missiles.
The new defensive neural networks—marketed as “armor”—observe each user’s emotional state in response to their content stream. Capable of operating in vectors encompassing text, audio, video, and AR/VR, the armor teaches itself to recognize content especially upsetting to the user and screened it out, leaving only a tranquil void.
Over three thousand robots work under the supervision of three nurses to take care of the needs of some three hundred residents in Sunset Homes. This is how we die now. Out of sight.
There is more than enough to occupy our curiosity and restless need for novelty if we but turn our gaze to the ten square meters around us: the unique longitudinal patterns in each tile beneath our feet, the chemical symphony animating each bacterium on our skin, the mysteries of how we can contemplate ourselves contemplating ourselves.
but to forget is a far greater sin than to remember too well.
Ava, we’re thinking of calling it a day.” The speaker was Shaw, Ava’s little brother. Still showing a bit of baby fat in his cheeks, the young man tried to furrow his brows to show his seriousness. Behind him, his friends were already packing up their tools and finding-buckets
Ms. Coron went on, “A recursive function works like nesting dolls. To solve a bigger problem, a recursive function calls on itself to solve a smaller version of the same problem.” Ona wished she could call on a smaller version of herself to solve her problems. She imagined that nested inside her was Obedient Ona, who enjoyed diagramming Classical Computer Languages and studying prosody in Archaic English.
It is not so much how well the dog dances, she thought, but that a dog is dancing at all.
Her voice faded behind him as he swam through the stars and stripes, fractal, ambiguous, tasting of salty hope and the deliberate sting of leaving behind the past.
So much talent,” she says; then, after a pause, “Wasted.
You may think width, depth, and height are the only dimensions of the world, Hidden Girl, but you’d be wrong. You have lived your life as an ant on a sheet of paper, and the truth is far more wondrous.
I got to see less of you than most mothers, but also more.
I screamed, I sobbed, I sought help. No therapy, no medication worked. Finally, in a numb fury, I deleted all my digital files, shredded my printed albums, broke the frames hanging on walls. The trolls trained me as well as they trained my armor. I no longer have any images of Hayley. I can't remember what she looked like. I have truly, finally, lost my child. How can I possibly be forgiven for that?
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About Ken Liu
More by Ken Liu
All books by Ken Liu →About the book
original cover of ISBN 9781982134037
From stories about time-travelling assassins to Black Mirror-esque tales of cryptocurreny and internet trolling, to heartbreaking narratives of parent-child relationships, The Hidden Girl and Other Stories is a far-reaching work that explores topical themes from the present and a visionary look at humanity's future.
This collection includes a selection of Liu's speculative fiction stories over the past five years — seventeen of his best — plus a new novelette. In addition, it also features an excerpt from the The Veiled Throne, the third book in Liu's epic fantasy series The Dandelion Dynasty.
Contents: - Preface - Ghost Days (2013) - Maxwell's Demon (2012) - The Reborn (2014) - Thoughts and Prayers (2019) - Byzantine Empathy (2018) - The Gods Will Not Be Chained (2014) - Staying Behind (2011) - Real Artists (2011) - The Gods Will N
Book details
- First published
- 2020
- Author
- Ken Liu
- Genre
- Science Fiction
- Goodreads rating
- 3.94 (8k ratings)
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