Ring of Bright Water

There is something deeply awe-inspiring about the sight of any living creatures in incomputable numbers; it stirs, perhaps, some atavistic chord whose note belongs more properly to the distant days when we were a true part of the animal ecology; when the sight of another species in unthinkable hosts brought fears or hopes no longer applicable.

We have long laboured under an obtuse presupposition that the senses by which other living creatures perceive their world must to a great extent resemble our own; but in fact we are, by scientific invention, only now beginning to approach methods of perception that the whales have always owned as their birthright.

I have more than once tried to analyse this apparently deliberate form of self-torture that seems common to so many people in face of the extinction of a valued life, human or animal, and it springs, I think, from a negation of death, as if by summoning and arranging these subjective images one were in some way cheating the objective fact. It is, I believe, an entirely instinctive process, and the distress it brings with it is an incidental, a by-product, rather than a masochistic end.

Symbols, for me and for many, of freedom, whether it be from the prison of over-dense communities and the close confines of human relationships, from the less complex incarceration of office walls and hours, or simply freedom from the prison of adult life and an escape into the forgotten world of childhood, of the individual or the race. For I am convinced that man has suffered in his separation from the soil and from the other living creatures of the world; the evolution of his intellect has outrun his needs as an animal, and as yet he must still, for security, look long at some portion of the earth as it was before he tampered with it.

I had been working hard at my book; it was one of those rare days of authorship when everything seemed to go right; the words flowed unbidden from my pen, and the time had passed unheeded, so that it was a shock to realise that I had been writing for some six hours.

Every living creature exists by a routine of some kind; the small rituals of that routine are the landmarks, the boundaries of security, the reassuring walls that exclude a horror vacui; thus, in our own species, after some tempest of the spirit in which the landmarks seem to have been swept away, a man will reach out tentatively in mental darkness to feel the walls, to assure himself that they still stand where they stood - a necessary gesture, for the walls are of his own building, without universal reality, and what man makes he may destroy. To an animal these landmarks are of greater importance, for once removed from its natural surroundings, its ecological norm, comparatively little of what the senses perceive can be comprehended in function or potentiality, and the true conditions are already established. As among human beings, animal insecurity may manifest itself as aggression or timidity, ill-temper or ill-health, or as excessive affection for a parental figure; unfortunately this last aspect encourages many to cultivate insecurity in their charges, child or animal, as a means to an end.

When one is much alone one’s vision becomes more extensive; from the tide-wrack rubbish-heap of small bones and dry, crumpled wings, relics of lesser lives, rise images the brighter for being unconfined by the physical eye. From some feathered mummy, stained and thin, soars the spinning lapwing in the white March morning; in the surface crust of rotting weed, where the foot explodes a whirring puff of flies, the withered fins and scales hold still, intrinsically, the sway and dart of glittering shoals among the tide-swung sea-tangle; smothered by the mad parabolic energy of leaping sand-hoppers the broken antlers of a stag re-form and move again high in the bare, stony corries and the October moonlight.

On the stone slab beneath the chimney-piece are inscribed the words Non fatuum huc persecutus ignem – ‘It is no will-o’-the-wisp that I have followed here.

little group of Greylag geese sweep past the window and alight upon the small carpet of green turf; but for the soft

I knew by that time that Mij meant more to me than most human beings of my acquaintance, that I should miss his physical presence more than theirs, and I was not ashamed of it.

...for I became, during a year of his constant and violently affectionate companionship, fonder of him than of almost any human being, and to write of him in the past tense makes me feel as desolate as one who has lost an only child.

The art of fish-box furniture should be more widely cultivated; in common with certain widely advertised makes of contemporary furniture it has the peculiar advantage that one may add unit to unit indefinitely.