The Unabridged Journals of Sylvia Plath
Quotes from the Book
So many people are shut up tight inside themselves like boxes, yet they would open up, unfolding quite wonderfully, if only you were interested in them.
Wear your heart on your skin in this life.
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over. The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
It was sometime in October, she had long ago lost track of all the days and it really didn’t matter because one was like another and there were no nights to separate them because she never slept any more.
The door of the novel, like the door of the poem, also shuts. But not so fast, nor with such manic, unanswerable finality.
Bright beads of red are rising through the ink, Hearts-blood bubbles smearing out into the black stream
I sometimes think my vision of the sea is the clearest thing I own. I pick it up, exile that I am, like the purple ‘lucky stones’ I used to collect with a white ring all the way round, or the shell of a blue mussel with its rainbowy angel’s fingernail interior; and in one wash of memory the colors deepen and gleam, the early world draws breath.
This was the best time of the day, when I could lie in the vague twilight, drifting off to sleep, making up dreams inside my head the way they should go.
I saw the gooseflesh on my skin. I did not know what made it. I was not cold. Had a ghost passed over? No, it was the poetry. A spark flew off Arnold and shook me, like a chill. I wanted to cry; I felt very odd. I had fallen into a new way of being happy.
Being mythological does wonders for one's ego.
It won't happen yet, Ellen mused, mashing cooked carrots for Jill's lunch. Breakups seldom do. It will unfold slowly, one little tell- tale symptom after another like some awful, hellish flower.
If a poem is concentrated, a closed fist, then a novel is relaxed and expansive, an open hand: it has roads, detours, destinations; a heart line, a head line; morals and money come into it. Where the fist excludes and stuns, the open hand can touch and encompass a great deal in its travels.
Her ambition to write stories was the most visible burden of her life.
But not so odd a name, after all, if you’ve ever read through the phone directory, with its Hyman Diddlebockers and Sasparilla Greenleafs. I read through the phone book once, never mind when, and it satisfied a deep need in me to realize how many people aren’t called Smith.
Maybe a mouse gets to thinking pretty early on how the whole world is run by these enormous feet. Well, from where I sit, I figure the world is run by one thing and this one thing only. Panic with a dog-face, devil-face, hag-face, whore-face, panic in capital letters with no face at all—it’s the same Johnny Panic, awake or asleep.
Privilegiul de a fi oricine își arată și cealaltă față - a presiunii de a fi ca toată lumea și prin urmare - nimeni.
Dream by dream I am educating myself to become that rare character, rarer, in truth, than any member of the Psychoanalytic Institute, a dream connoisseur. Not a dream stopper, a dream explainer, an exploiter of dreams for the crass practical ends of health and happiness, but an unsordid collector of dreams for themselves
He fathomed her, enclosed her. He did not see, or did not care to see, how her submissiveness moved and drew him, nor how now, through the steaming, suffocating baths of mist, she led him, and he followed, though the rainbows under the clear water were lost.
Eccentricities, the perils of being too special, were reasoned and cooed from us like sucked thumbs.
Certain poems and lines of poetry seem as solid and miraculous to me as church altars or the coronation of queens must seem to people who revere quite different images.
And this is how it stiffens, my vision of that seaside childhood. My father died, we moved inland. Whereon those nine first years of my life sealed themselves off like a ship in a bottle—beautiful, inaccessible, obsolete, a fine, white flying myth.
Where was life? It dissipated, vanished into thin air, and my life stood weighed and found wanting because it had no ready-made novel plot, because I couldn’t simply sit down at the typewriter and by sheer genius and willpower begin a novel dense and fascinating today and finish it next month. Where, how, with what and for what, to begin? No incident in my life seemed ready to stand up for even a twenty-page story. I sat paralyzed, feeling no person in the world to speak to, cut off totally from humanity, in a self-induced vacuum: I felt sicker and sicker. I couldn’t happily be anything but a writer and I couldn’t be a writer. I couldn’t even set down one sentence. I was paralyzed with fear. . . .” She
Ez volt színes, szélesvásznú álmaim időszaka. Anyám úgy hitte, óriási mennyiségű alvásra van szükségem, így aztán sosem voltam igazán fáradt, amikor lefeküdtem. Ez volt a nap legjobb része, amikor fekhettem a megfoghatatlan félhomályban, félálomban, formálva fejemben tulajdon álmaimat. Repülő álmaim oly hihetőek voltak, akár Dalí tájképei, oly valóságosak, hogy hirtelen összerándulva ébredtem belőlük, azzal a fulladó érzéssel, hogy Ikaroszként hulltam alá az égből, s éppen idejében fogott föl puha ágyam. (Superman és Paula Brown új kezeslábasa)
A veces pienso que no poseo imagen alguna tan precisa como la del Mar".
I just sat there with the whole summer turning sour in my mouth.
He felt the ground frail as a bird’s skull under his feet, a mere shell of sanity and decorum between him and the dark entrails of the earth where the sluggish muds and scalding waters had their source.
Tuve oportunidades. Probé y traté. Cosí la vida a mi vida como una voz rara. Caminé con cuidado, con precaución, como un objeto extraño. Intenté no pensar demasiado. Traté de ser natural.
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About Sylvia Plath
More by Sylvia Plath
All books by Sylvia Plath →About the book
"What I fear most, I think, is the death of the imagination.... If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.
Book details
- First published
- 1977
- Author
- Sylvia Plath
- Genre
- Fiction
- Goodreads rating
- 3.91 (7k ratings)
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