Coraline
Quotes from the Book
Because,” said Thor, “when something goes wrong, the first thing I always think is, it is Loki’s fault. It saves a lot of time.
Of course it was Loki. It's always Loki.
He said nothing: seldom do those who are silent make mistakes.
The Norse myths are the myths of a chilly place, with long, long winter nights and endless summer days, myths of a people who did not entirely trust or even like their gods, although they respected and feared them.
Loki was not evil, although he was certainly not a force for good. Loki was . . . complicated.
That was the thing about Loki. You resented him even when you were at your most grateful, and you were grateful to him even when you hated him the most.
Fair enough,” said Thor. “What’s the price?” “Freya’s hand in marriage.” “He just wants her hand?” asked Thor hopefully. She had two hands, after all, and might be persuaded to give up one of them without too much of an argument. Tyr had, after all. “All of her,” said Loki. “He wants to marry her.” “Oh,” said Thor. “She won't like that.
There were things Thor did when something went wrong. The first thing he did was ask himself if what had happened was Loki’s fault. Thor pondered. He did not believe that even Loki would have dared to steal his hammer. So he did the next thing he did when something went wrong, and he went to ask Loki for advice.
He is tolerated by the gods, perhaps because his stratagems and plans save them as often as they get them into trouble. Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.
But. My hammer," said Thor. "Shut up, Thor," said Loki
And the game begins anew.
Cease your weeping!" he said. "It is I, Loki, here to rescue you!" Idunn glared at him with red-rimmed eyes. "It is you who are the source of my troubles." she said. "Well, perhaps. But that was so long ago. That was yesterday's Loki. Today's Loki is here to save you and take you home.
I’m not happy about any of this,” said Thor. “I’m going to kill somebody soon, just to relieve the tension. You’ll see.
Loki's green eyes flashed with anger and with admiration, for he loved a good trick as much as he hated being fooled.
The fun comes in telling them yourself—something I warmly encourage you to do, you person reading this. Read the stories in this book, then make them your own,
There is no end. It is simply the end of the old times, Loki, and the beginning of the new times. Rebirth always follows death.
Do you wonder where poetry come from? Where do we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not? It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.
Loki makes the world more interesting but less safe.
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splatter wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail. No one, then or now, wanted to drink the mead that came out of Odin's ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads the have tasted.
In their huge bedroom that night, Tyr said to Thor, "I hope you know what you are doing." "Of course I do," said Thor. But he didn't. He was just doing whatever he felt like doing. That was what Thor did best.
Each insult is woven with just enough truth to make it wound.
I tried to imagine myself a long time ago, in the lands where these stories were first told, during the long winter nights perhaps, under the glow of the northern lights,
Loki was trying to look serious, but even so, he was smiling at the corners of his mouth. It was not a reassuring smile.
I learned the Norse gods came with their own doomsday: Ragnarok, the twilight of the gods, the end of it all. The gods were going to battle the frost giants, and they were all going to die. Had Ragnarok happened yet? Was it still to happen? I did not know then. I am not certain now.
One of the dwarfs walked in front of Thor to get a better view of the prye, and Thor kicked him irritably into the middle of the flames, which made Thor feel slightly better and made all the dwarfs feel much worse.
On the day the Gjallerhorn is blown, it will wake the gods, no matter where they are, no matter how deeply they sleep. Heimdall will blow Gjallerhorn only once, at the end of all things, Ragnarok.
A squirrel, Ratatosk, lives in the branches of the world-tree. It takes gossip and messages from Nidhogg, the dread corpse-eater, to the eagle and back again. The squirrel tells lies to both of them, and takes joy in provoking anger.
Did you know?
- The book retells Norse myths drawn primarily from the Poetic Edda and the Prose Edda.
- It is structured as sixteen chapters running from the creation of the cosmos to Ragnarok.
- Many of the stories center on the gods Odin, Thor, and Loki.
- Gaiman narrated the audiobook edition himself.
- A BBC Radio 4 audio drama adaptation aired in 2018, featuring Derek Jacobi and Colin Morgan.
- Dark Horse Comics published a comic-book adaptation as a series running from 2020 to 2022.
About Neil Gaiman
More by Neil Gaiman
Coraline
Trigger Warning: Short Fictions and Disturbances
The Graveyard Book
The Ocean at the End of the Lane
About the book
Norse Mythology is Neil Gaiman's prose retelling of the myths of the Norse gods, drawn largely from the medieval Icelandic sources known as the Poetic Edda and the Prose Edda. Across sixteen linked chapters it moves from the creation of the cosmos and the nine worlds, through a sequence of self-contained tales about Odin, Thor, and Loki, and on to the foretold doom of the gods at Ragnarok. Gaiman presents the stories in his own narrative voice rather than as scholarly translation, foregrounding the trickery of Loki, the bluntness of Thor, and the cunning of Odin.
The book's central preoccupations are the ones embedded in the source material: fate and inevitability, the limits of cunning, the cost of broken oaths, and the cyclical nature of destruction and renewal. Gaiman emphasizes the humor, mischief, and earthy character of the gods alongside the looming tragedy of Ragnarok, treating the mythology as a coherent arc that runs from beginning to end. Reviewers have noted that his selection deliberately gives space to lesser-known episodes rather than only the most famous ones.
The book was a commercial success and reached bestseller lists on publication in early 2017, and critics generally praised Gaiman's accessible, atmospheric prose. Kirkus Reviews called the retellings rich and atmospheric, while Michael Dirda in The Washington Post found them gripping and strongly characterised. Classicist Natalie Haynes described the work as egalitarian for highlighting both popular and obscure mythological material, distinguishing it from pop-culture versions of the Norse gods.
Book details
- First published
- 2017
- Length
- 304 pages
- Reading time
- 4 hours
- Author
- Neil Gaiman
- Genre
- Fantasy
- Goodreads rating
- 4.10 (347k ratings)
Critical reception
- Reached bestseller lists following its February 2017 publication.
- Kirkus Reviews described the retellings as rich and atmospheric.
- Michael Dirda of The Washington Post called the stories gripping and strongly characterised.
- Classicist Natalie Haynes praised the book as egalitarian for including both popular and lesser-known myths.
Movie & TV adaptations
- IMDb
- IMDb
Keep reading
Loki
Runelight
The Norse Myths
Loki: Where Mischief Lies
Runemarks
Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology
The Gospel of Loki
The Poetic Edda
The Sword of Summer
Ragnarok
Percy Jackson's Greek Heroes
Mythology
Windwitch
Age of Myth
Sunbringer
Percy Jackson's Greek Gods
Beowulf
The Hallowed Hunt
Lords of the North
The Last Kingdom
The Empty Throne
Njal's Saga
Horus Rising
Faithbreaker
Three Parts Dead
Godkiller
Spiderlight
Saturnine
Mythos - The Greek Myths Retold
Thor's Serpents
Krampus: The Yule Lord
The Crippled God
The Steel Remains
Hunted
The Dragon Reborn
Theogony / Works and Days
The Great Hunt
The Eye of the World
Odd and the Frost Giants
The Lord of the Rings
How to Twist a Dragon's Tale
Shades in Shadow - An Inheritance Tryptich
Trapped
Dragons of Spring Dawning
Elric of Melniboné
American Gods
The Road of Bones
The Lord of the Rings: The Two Towers
The Hymn to Dionysus
Morgoth's Ring
The Eyes of the Dragon
Odin's Ravens
The Last Wish
The Epic of Gilgamesh
Sword of Destiny
Black Sun
The Killing Moon
Gods Behaving Badly
The Blood Mirror
Gilded

