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The Graveyard Book

by Neil Gaiman

The Graveyard Book by Neil Gaiman opens with a hand in the darkness holding a knife: a man called Jack murders three members of a family, but the youngest child, a toddler, slips out of his crib and crawls to a nearby… more

First published 2008 · 312 pages · English

29 quotes ★ 4.15 (569,873) Fiction

Quotes from the Book

You're always you, and that don't change, and you're always changing, and there's nothing you can do about it.
Face your life, its pain, its pleasure, leave no path untaken.
It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you. If you see what I mean.
Sleep my little baby-oh Sleep until you waken When you wake you'll see the world If I'm not mistaken... Kiss a lover Dance a measure, Find your name And buried treasure... Face your life Its pain, Its pleasure, Leave no path untaken.
If you dare nothing, then when the day is over, nothing is all you will have gained.
You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you can change the world, the world will change. Potential. Once you're dead, it's gone. Over. You've made what you've made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished.
Name the different kinds of people,’ said Miss Lupescu. ‘Now.’ Bod thought for a moment. ‘The living,’ he said. ‘Er. The dead.’ He stopped. Then, ‘... Cats?’ he offered, uncertainly.
Wherever you go, you take yourself with you.
People want to forget the impossible. It makes their world safer.
Kiss a lover, Dance a measure, Find your name And buried treasure. Face your life, It's pain, It's pleasure, Leave no path untaken.
You can't trust other people. If it's important, you have to do it yourself.
We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.
You're brave. You are the bravest person I know, and you are my friend. I don't care if you are imaginary.
The tongue is the most remarkable. For we use it both to taste out sweet wine and bitter poison, thus also do we utter words both sweet and sour with the same tongue.
Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.
Things bloosom in their time. They bud and bloom, blossom and fade. Everything in its time.
You are obvious, boy. You are difficult to miss. If you came to me in company with a purple lion, a green elephant, and a scarlet unicorn astride which was the King of England in his Royal Robes, I do believe that it is you and you alone that people would stare at, dismissing the others as minor irrelevancies.
Be hole, be dust, be dream, be wind/Be night, be dark, be wish, be mind,/Now slip, now slide, now move unseen,/Above, beneath, betwixt, between.
Really, he thought, if you couldn't trust a poet to offer sensible advice, who could you trust?
Fear is contagious. You can catch it. Sometimes all it takes is for someone to say that they're scared for the fear to become real. Mo was terrified, and now Nick was too.
I'll find you. Don't worry. Just be on your own and I'll find you.
Truly, life is wasted on the living, Nobody Owens. For one of us is too foolish to live, and it is not I.
Because there are mysteries. Because there are things that people are forbidden to speak about. Because there are things they do not remember.
And he waited. It was only for a few seconds, but it felt like a small forever.
And there are always people who find their lives have become so unsupportable they believe the best thing they could do would be to hasten their transition to another plane of existence.' 'They kill themselves, you mean?' said Bod. [...] 'Indeed.' 'Does it work? Are they happier dead?' 'Sometimes. Mostly, no. It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you.
It is neither fair nor unfair, Nobody Owens. It simply is
There was a hand in the darkness, and it held a knife.
Nearly' only counts in horseshoes and hand-grenades.
I think . . . I said things to Silas. He'll be angry.' 'If he didn't care about you, you couldn't upset him,' was all she said.

Did you know?

  • It was the first book to win both the American Newbery Medal and the British Carnegie Medal.
  • The novel's structure was inspired by Rudyard Kipling's The Jungle Book, with a graveyard replacing the jungle.
  • The US edition features cover and interior illustrations by Gaiman's longtime collaborator Dave McKean.
  • It won the Hugo Award for Best Novel in 2009.
  • It was included on Time magazine's list of the 100 Best Young-Adult Books of All Time.
  • A graphic novel adaptation was published in two volumes in 2014 and 2015.

About Neil Gaiman

Neil Gaiman is a British author of fiction, comics, and screenplays, best known for the graphic novel series The Sandman and novels such as American Gods, Coraline, and Stardust. He is one of the few writers to have won the Newbery, Carnegie, and Hugo awards.

More about the author →

About the book

The Graveyard Book by Neil Gaiman opens with a hand in the darkness holding a knife: a man called Jack murders three members of a family, but the youngest child, a toddler, slips out of his crib and crawls to a nearby graveyard. There the ghosts who haunt the grounds take the boy in, name him Nobody "Bod" Owens, and grant him the Freedom of the Graveyard so that he can walk among the dead. Raised by the ghostly Mr. and Mrs. Owens and watched over by the enigmatic guardian Silas, Bod grows up learning the ways of both the living and the dead across eight episodic chapters, while the man Jack continues to search for the child he failed to kill.

Structured loosely after Rudyard Kipling's The Jungle Book, with a graveyard standing in for the jungle and its ghosts for the animals, the novel weaves together murder, fantasy, humor, and human longing. Its themes turn on belonging, growing up, the boundary between life and death, and the pull between the safety of home and the danger of the wider world that Bod must eventually enter. Gaiman's prose moves between the haunting and the comic, treating the graveyard not as a place of horror but as a strange, protective family.

The Graveyard Book was an unusual critical success, becoming the first book to win both the American Newbery Medal and the British Carnegie Medal, and it also took the Hugo Award for Best Novel. Widely embraced by children and adult readers alike, it was later named to Time magazine's list of the 100 Best Young-Adult Books of All Time, cementing its place as one of Gaiman's most beloved works.

Key characters

  • Nobody "Bod" OwensThe protagonist, a living boy raised by the ghosts of a graveyard
  • SilasBod's guardian, a mysterious being existing between life and death
  • Mr. and Mrs. OwensThe ghostly couple who adopt and raise Bod
  • The man JackThe antagonist who murdered Bod's family and hunts the boy
  • Scarlett Amber PerkinsA living girl who befriends Bod as a child
  • Miss LupescuA Hound of God who tutors and protects Bod in Silas's absence

Book details

First published
2008
Length
312 pages
Reading time
6 hours
Genre
Fiction
Goodreads rating
4.15 (570k ratings)
First line
“There was a hand in the darkness, and it held a knife.”

Movie & TV adaptations

  • IMDb
    The Graveyard Book Graphic Novel 2014

    A two-volume graphic novel adaptation with art adapted by P. Craig Russell and others

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    The Jungle BookKipling's classic that directly inspired the novel's structure
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    SkelligDavid Almond's haunting, quietly supernatural tale of a child and an otherworldly figure

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