“I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.”
― Neil Gaiman, quote from American Gods
“What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul.”
― Neil Gaiman, quote from American Gods
“Hey," said Shadow. "Huginn or Muninn, or whoever you are."
The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes.
"Say 'Nevermore,'" said Shadow.
"Fuck you," said the raven.”
― Neil Gaiman, quote from American Gods
“All your questions can be answered, if that is what you want. But once you learn your answers, you can never unlearn them.”
― Neil Gaiman, quote from American Gods
“Every hour wounds. The last one kills.”
― Neil Gaiman, quote from American Gods
“There's never been a true war that wasn't fought between two sets of people who were certain they were in the right. The really dangerous people believe they are doing whatever they are doing solely and only because it is without question the right thing to do. And that is what makes them dangerous.”
― Neil Gaiman, quote from American Gods
“People believe, thought Shadow. It's what people do. They believe, and then they do not take responsibility for their beliefs; they conjure things, and do not trust the conjuration. People populate the darkness; with ghosts, with gods, with electrons, with tales. People imagine, and people believe; and it is that rock solid belief, that makes things happen.”
― Neil Gaiman, quote from American Gods
“I miss you', he admitted.
'I'm here', she said.
'That's when I miss you most. When you're here. When you aren't here, when you're just a ghost of the past or a dream from another life, it's easier then.”
― Neil Gaiman, quote from American Gods
“There's none so blind as those who will not listen.”
― Neil Gaiman, quote from American Gods
“There was a girl, and her uncle sold her. Put like that it seems so simple.
No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.
Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?
We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
A life that is, like any other, unlike any other.
And the simple truth is this: There was a girl, and her uncle sold her.”
― Neil Gaiman, quote from American Gods
“I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.”
― Neil Gaiman, quote from American Gods
“The house smelled musty and damp, and a little sweet, as if it were haunted by the ghosts of long-dead cookies.”
― Neil Gaiman, quote from American Gods
“Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.”
― Neil Gaiman, quote from American Gods
“You musn’t be afraid of the dark.’
‘I’m not,’ said Shadow. ‘I’m afraid of the people in the dark.”
― Neil Gaiman, quote from American Gods
“Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.”
― Neil Gaiman, quote from American Gods
“One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or to the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless.
The tale is the map that is the territory.
You must remember this.”
― Neil Gaiman, quote from American Gods
“I believe that all men are just overgrown boys with deep problems communicating.”
― Neil Gaiman, quote from American Gods
“There was a tale he had read once, long ago, as a small boy: the story of a traveler who had slipped down a cliff, with man-eating tigers above him and a lethal fall below him, who managed to stop his fall halfway down the side of the cliff, holding on for dear life. There was a clump of strawberries beside him, and certain death above him and below. What should he do? went the question.
And the reply was, Eat the strawberries.
The story had never made sense to him as a boy. It did now.”
― Neil Gaiman, quote from American Gods
“He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.”
― Neil Gaiman, quote from American Gods
“As sure as water's wet and days are long and a friend will always disappoint you in the end.”
― Neil Gaiman, quote from American Gods
“Too much talking these days. Talk talk talk. This country would get along much better if people learned how to suffer in silence.”
― Neil Gaiman, quote from American Gods
“The TV's the altar. I'm what people are sacrificing to.'
'What do they sacrifice?' asked Shadow.
'Their time, mostly,' said Lucy. 'Sometimes each other.”
― Neil Gaiman, quote from American Gods
“Liberty," boomed Wednesday, as they walked to the car, "is a bitch who must be bedded on a mattress of corpses.”
― Neil Gaiman, quote from American Gods
“This isn't about what is . . . it's about what people think is. It's all imaginary anyway. That's why it's important. People only fight over imaginary things.”
― Neil Gaiman, quote from American Gods
“All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.”
― Neil Gaiman, quote from American Gods
“Fuck you," said Czernobog. "Fuck you and fuck your mother and fuck the fucking horse you fucking rode in on. You will not even die in battle. No warrior will taste your blood. No one alive will take your life. You will die a soft, poor death. You will die with a kiss on your lips and a lie in your heart.”
― Neil Gaiman, quote from American Gods
Neil Gaiman
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“[T]he experience of mystery comes not from expecting it but through yielding all your programs, because your programs are based on fear and desire. Drop them and the radiance comes. (16)”
― Joseph Campbell, quote from Thou Art That: Transforming Religious Metaphor
“You don't have to work in a mental hospital to know about husbands and wives.”
― Philip Roth, quote from Sabbath's Theater
“Don't wrench your shoulder out of its socket trying to pat yourself on the back," Beldin said sourly.”
― David Eddings, quote from The Seeress of Kell
“But still she was motionless, like a curled up, oblivious creature. His heart beat with strange throes of pain. Then, by a motion under his hand, he knew she was crying, holding herself hard so that her tears should not be known. He waited. The tension continued—perhaps she was not crying—then suddenly relapsed with a sharp catch of a sob. His heart flamed with love and suffering for her. Kneeling carefully on the bed, so that his earthy boots should not touch it, he took her in his arms to comfort her. The sobs gathered in her, she was sobbing bitterly. But not to him. She was still away from him. He held her against his breast, whilst she sobbed, withheld from him, and all his body vibrated against her. "Don't cry—don't cry," he said, with an odd simplicity. His heart was calm and numb with a sort of innocence of love, now. She still sobbed, ignoring him, ignoring that he held her. His lips were dry. "Don't cry, my love," he said, in the same abstract way. In his breast his heart burned like a torch, with suffering. He could not bear the desolateness of her crying. He would have soothed her with his blood. He heard the church clock chime, as if it touched him, and he waited in suspense for it to have gone by. It was quiet again. "My love," he said to her, bending to touch her wet face with his mouth. He was afraid to touch her. How wet her face was! His body trembled as he held her. He loved her till he felt his heart and all his veins would burst and flood her with his hot, healing blood. He knew his blood would heal and restore her. She was becoming quieter. He thanked the God of mercy that at last she was becoming quieter. His head felt so strange and blazed. Still he held her close, with trembling arms. His blood seemed very strong, enveloping her. And at last she began to draw near to him, she nestled to him. His limbs, his body, took fire and beat up in flames. She clung to him, she cleaved to his body. The flames swept him, he held her in sinews of fire. If she would kiss him! He bent his mouth down. And her mouth, soft and moist, received him. He felt his veins would burst with anguish of thankfulness, his heart was mad with gratefulness, he could pour himself out upon her for ever. When they came to themselves, the night was very dark. Two hours had gone by. They lay still and warm and weak, like the new-born, together. And there was a silence almost of the unborn. Only his heart was weeping happily, after the pain. He did not understand, he had yielded, given way. There was no understanding. There could be only acquiescence and submission, and tremulous wonder of consummation. The”
― D.H. Lawrence, quote from The Rainbow
“Yes?" she asked, eyeing me guardedly.
I struck out a hand and said "Shake."
Arra stared at the hand, then into my unfocused eyes. "One good fight doesn't make you a warrior," she said.
"Shake!" I repeated angrily.
"And if I don't?" she asked.
"I'll get back up on the bars and fight you till you do," I growled.
Arra studied me at length, then nodded and took my hand. "Power to you, Darren Shan," she said gruffly.
"Power," I repeated weakly, then fainted into her arms and knew no more till I came to in my hammock the next night.”
― Darren Shan, quote from Vampire Mountain
Uther
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