Quotes from Ada, or Ardor: A Family Chronicle

“And yet I adore him. I think he's quite crazy, and with no place or occupation in life, and far from happy, and philosophically irresponsible – and there is absolutely nobody like him.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Was she really beautiful? Was she at least what they call attractive? She was exasperation, she was torture.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“I adore you, mon petit, and would never allow him to hurt you, no matter how gently or madly.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“...for the human brain can become the best torture house of all those it has invented, established and used in a millions of years, in millions of lands, on millions of howling creatures.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“You lose your immortality when you lose your memory.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple—these are our faithful timekeepers; and reason corrects the feverish beat.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“The fire you rubbed left its brand on the most vulnerable, most vicious and tender point of my body. Now I have to pay for your rasping the red rash too strongly, too soon, as charred wood has to pay for burning. When I remain without your caresses, I lose all control of my nerves, nothing exists any more than the ecstasy of friction, the abiding effect of your sting, of your delicious poison.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“I’m a radiant void. I’m convalescing after a long and dreadful illness…I cannot brood over broken hearts, mine is too recently mended […]”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
Got it.
The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath.
A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Even while writing his book, he had become painfully aware how little he knew his own planet while attempting to piece together another one from jagged bits filched from deranged brains.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of some impeccably narrowing corridor.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Dear dad,
In a consequence of a trivial altercation with a Captain Tapper, of Wild Violet Lodge, whom I happened to step upon on a corridor of a train, I had a pistol duel this morning in the woods near Kalugano and am now no more. Though the maner of my end can be regarded as a kind of easy suicide, the encounter and the ineffable Captain are in no ways connected with the Sorrows of Young Veen. In 1884, during my first summer in Ardis, I seduced your daughter, who was then twelve. Our torrid affair lasted till my return to Riverlane; it was resumed last June, four years later. That happiness has been the greatest event in my life, and I have no regrets. Yesterday, though, I have discovered she had been unfaithful to me, so we parted. Tapper, I think, may be the chap who was thrown out of one of your gaming clubs for attempting oral intercourse with the washroom attendant, a toothless old cripple, veteran from the first Crimean War. Lots of flowers, please.
Your loving son, Van
He carefully reread his letter – and carefully tore it up. The note he finally placed in his coat pocket was much briefer.

Dear dad, I had a trivial quarrel with a stranger whose faced I slapped and who killed me in a duel near Kalugano. Sorry!
Van”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“V.V. sought to express something, which until expressed had only a twilight being (or even none at all--nothing but the illusion of the backward shadow of its imminent expression). It was Ada's castle of cards. It was the standing of a metaphor on its head not for the sake of the trick's difficulty, but in order to perceive an ascending waterful or a sunrise in reverse: a triumph, in a sense, over the ardis of time. ”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Remembrance, like Rembrandt, is dark but festive.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“He groped for his loafers and walked aimlessly for some time among the trees of the coppice where thrushes were singing so richly, with such sonorous force, such fluty fioriture that one could not endure the agony of consciousness, the filth of life, the loss, the loss, the loss.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise?
She shook her head.
- That my admiration for you is painfully strong?
- I want Van – she cried – and not intangible admiration.
- Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“The sky was so heartless and dark, and her body, her head, and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes -- telling them to pass it on and on in a trick-crystal regression -- that what death amounted to was only a more complete assortment of the infinite fractions of solitude.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Her disintegration went down a shaft of phases, every one more racking than the last; for the human brain can become the best torture house of all those it has invented, established and used in millions of years, in millions of lands, on millions of howling creatures.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“But they are practically brother and sister," ejaculated Marina, thinking as many stupid people do that "practically" works both ways - reducing the truth of a statement and making a truism sound like the truth.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“In the fatal course of the most painful ailments, sometimes […], sometimes there occur sweet mornings of perfect repose- and that not owning to some blessed pill or potion […] or at least without our knowing that the loving hand of despair slipped us the drug.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Both were diverted by life's young fumblings,
both saddened by the wisdom of time”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Beaming and melting in smiles of benevolence and self-effacement, they sidled up and plumped down next to Lucette, who turned to them with her last, last, last free gift of staunch courtesy that was stronger than failure and death.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“To her he would surrender the remnants of himself at the first trumpet blast of destiny.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“Did he like elms? Did he know Joyce’s
poem about the two washerwomen? He did, indeed. Did he like
it? He did. In fact he was beginning to like very much arbors
and ardors and Adas”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“A jövő azonban mit sem törődik érzéseinkkel és fantáziálásunkkal. A jövő minden pillanatban a szétágazó lehetőségek végtelenje.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

“But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.”
― Vladimir Nabokov, quote from Ada, or Ardor: A Family Chronicle

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