Quotes from Humans of New York

Brandon Stanton ·  304 pages

Rating: (14.1K votes)


“Just because you're an adult doesn't mean you're grown up. Growing up means being patient, holding your temper, cutting out the self-pity, and quitting with the righteous indignation.'

'Why do so many people seem to love righteous indignation?'

'Because if you can prove you're a victim, all rules are off. You can lash out at people. You don't have to be accountable for anything.”
― Brandon Stanton, quote from Humans of New York


“I really wanted to take her photo, so I walked up to the nearest adult and asked, 'Does she belong to you?' Suddenly the music stopped, and I heard: 'I belong to myself!”
― Brandon Stanton, quote from Humans of New York


“To the world you may be one person, but to one person you may be the world.”
― Brandon Stanton, quote from Humans of New York


“When my husband was dying, I said: Moe, how am I supposed to live without you? He told me: take the love you have for me and spread it around.”
― Brandon Stanton, quote from Humans of New York


“I want to change the world but I don't know how.”
― Brandon Stanton, quote from Humans of New York



“HONY is one of the only things keeping people from getting lost in the matrix.”
― Brandon Stanton, quote from Humans of New York


“It seems that a lot of people my age try to be interesting by having problems or starting conflicts. I'd rather be interesting because I created something beautiful.”
― Brandon Stanton, quote from Humans of New York


“I'm homeless, and I'm an alcoholic. But I have a dream.'

'What's that?'

'I wanna go fishing.”
― Brandon Stanton, quote from Humans of New York


“In an age of iPhones and Playstations, it's great to see that somebody's still rocking the bus-on-a-string.”
― Brandon Stanton, quote from Humans of New York


“I used to be a butcher. She used to come into my store. Every week I would set apart the best piece of meat for her. And look how it turned out - I ended up with the best piece of meat of them all.”
― Brandon Stanton, quote from Humans of New York



“I remember taking an anthropology class in college and the professor was explaining that there is little 'sexual dimorphism' in humans. He meant that there are few outward, observable differences between makes and females. At the time I was confused, so I raised my hand. 'I feel like it's very easy to tell men and women apart,' I said.

'That's due to culture,' he answered.”
― Brandon Stanton, quote from Humans of New York


“Judging by everyone's excitement, this day will always be remembered at the loading dock as the day 'Larry made it on the internet'.”
― Brandon Stanton, quote from Humans of New York


“It takes a lot of disquiet to achieve this sort of quiet comfort”
― Brandon Stanton, quote from Humans of New York


“If you love the wrong one so much, just imagine how much you can love the right one.”
― Brandon Stanton, quote from Humans of New York


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Brandon Stanton
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“Kind of a Straight For You Thing?”
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“I stood in the corridor feeling like an angry pebble. It didn't matter where I rolled off to. The mystery and treachery of the world continued, and a pebble like me could get angry over anything it liked and it wouldn't do any good. Librarians not reading, I thought to myself. Sometimes I don't know why I bother.”
― Lemony Snicket, quote from Why Is This Night Different from All Other Nights?


“The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears.
Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood.
“He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm.
“Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide.
His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in.
“No.”
She hadn’t expected him to give her an answer, and certainly not that one.
“No? I don’t believe it. What have you done that’s gone against his wishes?”
Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher.
Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it.
“He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers.
“But clearly,” Oscar continued, leaning toward her, “I didn’t listen.”
His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her.
“Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.”
He moved away from the rail.
“If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.”
She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.”
― Angie Frazier, quote from Everlasting


“It wasn’t that she didn’t want to die. Nor was it that she wanted to live. She just didn’t want to give up.”
― Fuyumi Ono, quote from The Twelve Kingdoms: Sea of Shadow


“No he probado la ejecución ni la reclusión perpetua, pero si se puede juzgar a priori, la pena de muerte, a mi juicio, es más moral y humana que la reclusión. La ejecución mata de golpe, mientras que la reclusión vitalicia lo hace lentamente. ¿Cuál de los verdugos es más humano? ¿El que lo mata a usted en pocos minutos o el que le quita la vida durante muchos años?”
― Anton Chekhov, quote from Racconti


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