Nickel and Dimed: On (Not) Getting by in America
Quotes from the Book
Most people were raised to think they are not worthy. School is a process of taking beautiful kids who are filled with life and beating them into happy slavery. That's as true of a twenty-five-thousand-dollar-a-year executive as it is for the poorest." Bill Talcott - Organizer
26
I think most of us are looking for a calling, not a job. Most of us, like the assembly-line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
18
It is about a search, too, for daily meaning as well as daily bread, for recognition as well as cash, for astonishment rather than torpor; in short, for a sort of life rather than a Monday through Friday sort of dying. Perhaps immortality, too, is part of the quest. To be remembered was the wish, spoken and unspoken, of the heroes and heroines of this book.
5
Because a book is a life, like one man is a life.
4
Smug respectability, like the poor, we've had with us always. Today, however, ... such obtuseness is an indulgence we can no longer afford. The computer, nuclear energy for better or worse, and sudden, simultaneous influences upon everyone's TV screen have raised the ante and the risk considerably.
4
This book, being about work, is, by its very nature, about violence - to the spirit as well as to the body. It is about ulcers as well as accidents, about shouting matches as well as fistfights, about nervous breakdowns as well as kicking the dog around. It is, above all (or beneath all), about daily humiliations. To survive the day is triumph enough for the walking wounded among the great many of us.
3
The overt hustling society is the microcosm of the rest of the society. The power relationships are the same and the games are the same. Only this one I was in control of. The greater one I wasn’t. In the outside society, if I tried to be me, I wasn’t in control of anything. As a bright, assertive woman, I had no power. As a cold, manipulative hustler, I had a lot. I knew I was playing a role. Most women are taught to become what they act. All I did was act out the reality of American womanhood.
3
I feel guilty because I think people should do something they really like to do in life. I should do something else, but there is nothing I can do really well. I’m established and make a steady living, so it becomes pretty easy. It’s not very fulfilling . . . but I’m lazy, I admit it. It’s an easier thing to do.
3
You try to fill up your time with trying to think about other things: what you’re going to do on the weekend or about your family. You have to use your imagination. If you don’t have a very good one and you bore easily, you’re in trouble. Just to fill in time, I write real bad poetry or letters to myself and to other people and never mail them. The letters are fantasies, sort of rambling, how I feel, how depressed I am.
3
If I had enough money, I would take busloads of people out to the fields and into the labor camps. Then they’d know how that fine salad got on their table.
3
Working in the fields is not in itself a degrading job. It’s hard, but if you’re given regular hours, better pay, decent housing, unemployment and medical compensation, pension plans—we have a very relaxed way of living. But the growers don’t recognize us as persons. That’s the worst thing, the way they treat you. Like we have no brains. Now we see they have no brains. They have only a wallet in their head. The more you squeeze it, the more they cry out.
3
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me any more. I had to belong to somebody and this was it right here. She said, “I pushed you in your early years to try to better yourself and get a social position. But I see that’s not the answer. I know I’ll be proud of you.
3
Though we labor with our minds, this place we can relax in was built by someone who can work with his hands. And his work is as noble as ours. I think the poet owes something to the guy who builds the cabin for him.
3
A man? If I need a man, wouldn't you think I'd have one of my own? Must I wait for you?
3
It isn't the calendar age that determines a man's restlessness. It is daily circumstance, an *awareness* of being hurt, and an inordinate hunger for "another way".
2
If they wanted a half-inch, you have to be able to give them a half-inch. I mean, not an inch, not two inches. Those holes must line up exactly or they won’t make their iron. And when you swing, you have to swing real smooth. You can’t have your iron swinging back and forth, oscillating. If you do this, they’ll refuse to work with you, because their life is at stake.
2
We sent him to school for him to take this heavy equipment. I worked and cooked over at the school, helped send him there. I said, “I’m not sendin’ you to school to come out here and go to work for these strip mines.” I’d rather see him in Vietnam than see him doin’ strip jobs.
2
I began to see how everything was so wrong. When growers can have an intricate watering system to irrigate their crops but they can’t have running water inside the houses of workers.
2
Automation? Depends how it’s applied. It frightens me if it puts me out on the street. It doesn’t frighten me if it shortens my work week.
1
He made me so angry. Here is this motherfucker, who is comfortable, he’s not struggling — in truth, there’s not a hell of a lot for him to struggle about, ‘cause he’s a fuckin’ marshmallow in a bag of marshmallows. He’s a nice guy. I mean, I like him. But he’s a fuckin’ marshmallow.
1
We had to go to stew school for five weeks. We’d go through a whole week of make-up and poise. I didn’t like this. They make you feel like you’ve never been out in public. They showed you how to smoke a cigarette, when to smoke a cigarette, how to look at a man’s eyes. Our teacher, she had this idea we had to be sexy. One day in class she was showing us how to accept a light for a cigarette from a man and never blow it out. When he lights it, just look in his eyes. It was really funny, all the girls laughed.
1
I don’t know what I’d like to do. That’s what hurts the most. That’s why I can’t quit the job. I really don’t know what talents I may have. And I don’t know where to go to find out. I’ve been fostered so long by school and didn’t have time to think about it. My father’s in watch repair. That’s always interested me, working with my hands, and independent. I don’t think I’d mind going back and learning something, taking a piece of furniture and refinishing it. The type of thing where you know what you’re doing and you can create and you can fix something to make it function. At the switchboard you don’t do much of anything.
1
I wanted to be accepted. It must have been in sixth grade. It was just before the Fourth of July. They were trying out students for this patriotic play. I wanted to do Abe Lincoln, so I learned the Gettysburg Address inside and out. I’d be out in the fields pickin’ the crops and I’d be memorizin’. I was the only one who didn’t have to read the part, ’cause I learned it. The part was given to a girl who was a grower’s daughter. She had to read it out of a book, but they said she had better diction. I was very disappointed. I quit about eighth grade. “Any time anybody’d talk to me about politics, about civil rights, I would ignore it. It’s a very degrading thing because you can’t express yourself. They wanted us to speak English in the school classes. We’d put out a real effort. I would get into a lot of fights because I spoke Spanish and they couldn’t understand it. I was punished. I was kept after school for not speaking English.
1
I can’t imagine a job where you go home and maybe go by a year later and you don’t know what you’ve done. My work, I can see what I did the first day I started. All my work is set right out there in the open and I can look at it as I go by. It’s something I can see the rest of my life.
1
I don’t see where people get all this bull about the kid who’s gonna be President and being a newsboy made a President out of him. It taught him how to handle his money and this bull. You know what it did? It taught him how to hate the people on his route. And the printers. And dogs.
1
I don’t do it for the money. People are in trouble and they call you and you feel obligated enough to go out there and straighten them out as much as you can. My wife tells me I take my business more serious than a doctor. Every now and then a competitor will come down and ask me to diagnose something. And I go ahead and do it. I’ll tell anybody anything I know if it’ll help him. That’s a good way to be. You might want a favor from them sometime.
As we get into integration, that kind of thing, realtors take the stand that they represent the buyers and sellers. They do not have a stand to take themselves. A realtor is hired. It’s not up to him to educate you about who you want to sell your home to or who you shouldn’t. There’s a feeling that realtors should take a more active stand. Our position is: he owns it, we don’t. We simply represent him — within the framework of the law, of course. I have never been instructed not to sell to a black family or to a Jewish family. I’m not naïve. I’m sure there must be cases. But it has not happened to me. Our average house is fifty thousand dollars apiece, so you’re limited right there.
Most of us, like the assembly line worker, have jobs that are too small for our spirit,” an editor says. “Jobs are not big enough for people.
More or less," that most ambiguous of phrases, pervades many of the conversations that comprise this book, reflecting, perhaps, the ambiguity of attitude toward The Job. Something more than Orwellian acceptance, something less than Luddite sabotage. Often the two impulses are fused in the same person.
Nora Watson may have said it most succinctly. “I think most of us are looking for a calling, not a job. Most of us, like the assembly line worker, have jobs that are too small for our spirit. Jobs are not big enough for people.
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About Studs Terkel
About the book
Studs Terkel records the voices of America. Men and women from every walk of life talk to him, telling him of their likes and dislikes, fears, problems, and happinesses on the job. Once again, Terkel has created a rich and unique document that is as simple as conversation, but as subtle and heartfelt as the meaning of our lives.... In the first trade paperback edition of his national bestseller, Pulitzer Prize-winning author Studs Terkel presents "the real American experience" (Chicago Daily News) -- "a magnificent book . . .. A work of art. To read it is to hear America talking." (Boston Globe)
Book details
- First published
- 1974
- Author
- Studs Terkel
- Genre
- Nonfiction
- Goodreads rating
- 4.24 (6k ratings)
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