Quotes from A Long Way Down

“I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?”
― Nick Hornby, quote from A Long Way Down

“How do people, like, not curse? How is it possible? There are these gaps in speech where you just have to put a "fuck." I'll tell you who the most admirable people in the world are: newscasters. If that was me, I'd be like, "And the motherfuckers flew the fucking plane right into the Twin Towers." How could you not, if you're a human being? Maybe they're not so admirable. Maybe they're robot zombies.”
― Nick Hornby, quote from A Long Way Down

“Hard is trying to rebuild yourself, piece by piece, with no instruction book, and no clue as to where all the important bits are supposed to go.”
― Nick Hornby, quote from A Long Way Down

“You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one.”
― Nick Hornby, quote from A Long Way Down

“We all spend so much time not saying what we want, because we know we can't have it. And because it sounds ungracious, or ungrateful, or disloyal, or childish, or banal. Or because we're so desperate to pretend that things are OK, really, that confessing to ourselves they're not looks like a bad move. Go on, say what you want. ... Whatever it is, say it to yourself. The truth will set you free. Either that or it'll get you a punch in the nose. Surviving in whatever life you're living means lying, and lying corrodes the soul, so take a break from the lies for just one minute.”
― Nick Hornby, quote from A Long Way Down

“Everyone knows how to talk, and no one knows what to say.”
― Nick Hornby, quote from A Long Way Down

“I read the fuck out of every book I can get my hands on.”
― Nick Hornby, quote from A Long Way Down

“Telling me I can do anything I want is like pulling the plug out of the bath and then telling the water it can go anywhere it wants. Try it, and see what happens.”
― Nick Hornby, quote from A Long Way Down

“The trouble with my generation is that we all think we're fucking geniuses. Making something isn't good enough for us, and neither is selling something, or teaching something, or even just doing something; we have to be something.”
― Nick Hornby, quote from A Long Way Down

“Even bad times have good things in them to make you feel alive.”
― Nick Hornby, quote from A Long Way Down

“When you're unhappy, I guess everything in the world - reading, eating, sleeping - has something buried somewhere inside it that just makes you unhappier.”
― Nick Hornby, quote from A Long Way Down

“That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.”
― Nick Hornby, quote from A Long Way Down

“One could argue that most of the trouble in the world is caused by introspection.”
― Nick Hornby, quote from A Long Way Down

“Most people have a rope that ties them to someone, and that rope can be short or it can be long. (Be long. Belong. Get it?) You don't know how long, though. It's not your choice.”
― Nick Hornby, quote from A Long Way Down

“The truth will set you free. Either that or it'll get you a punch in the nose. ”
― Nick Hornby, quote from A Long Way Down

“And another way of explaining it is to say that shit happens, and there's no space too small, too dark and airless and fucking hopeless, for people to crawl into.”
― Nick Hornby, quote from A Long Way Down

“Once you stop pretending that everything's shitty and you can't wait to get out of it...then it gets more painful, not less. Telling yourself life is shit is like an anesthetic, and when you stop taking the Advil, then you really can tell how much it hurts, and where, and it's not like that kind of pain does anyone a whole lot of good. ”
― Nick Hornby, quote from A Long Way Down

“And it isn't that I'm so unhappy I don't want to live anymore. That's not what it feels like. It feels more like I'm tired and bored and the party's gone on too long and I want to go home. I feel flat and there doesn't seem to be anything to look forward to, so I'd rather call it a day.”
― Nick Hornby, quote from A Long Way Down

“When your sad--like really sad--you only want to be with other people who are sad.”
― Nick Hornby, quote from A Long Way Down

“Human beings are millions of things in one day.”
― Nick Hornby, quote from A Long Way Down

“[about suicide] And why is it the biggest sin of all? All your life you're told that you'll be going to this marvellous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue­jumping. But if someone jumps the queue at the Post Office, people tut. Or sometimes they say, “Excuse me, I was here first.” They don't say, “You will be consumed by hellfire for all eternity.” That would be a bit strong.”
― Nick Hornby, quote from A Long Way Down

“Sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive. And then there's music, and girls, and drugs, and homeless people who've read Pauline Kael, and wah-wah pedals, and English potato chip flavors, and I haven't even read Martin Chuzzlewit yet... There's plenty out there.”
― Nick Hornby, quote from A Long Way Down

“People go on about places like Starbucks being unpersonal and all that, but what if that's what you want? I'd be lost if people like that got their way and there was nothing unpersonal in the world. I like to know that there are big places without windows where no one gives a shit. You need confidence to go into small places with regular customers... I'm happiest in the Virgin Megastore and Borders and Starbucks and Pizza Express, where no one gives a shit and no one knows who you are. My mum & dad are always going on about how soulless those places are, and I'm like Der. That's the point.”
― Nick Hornby, quote from A Long Way Down

“I was still owed an explanation, I thought, but so what? What good was it going to do me? It wouldn't have made me any happier. It was like scratching when you have chicken pox. You think it's going to help, but the itch moves over, and then moves over again. My itch suddenly felt miles away, and I couldn't have reached it with the longest arms in the world. Realizing that made me scared that I was going to be itchy forever, and I didn't want that.”
― Nick Hornby, quote from A Long Way Down

“I'd stay there, or not, and I'd eat, or not, and I'd drink, or not, and go home, or not, and what I did or didn't do wouldn't matter to anyone at all. And I walked for most of the day. Do people get sad on holiday sometimes? I can imagine they do, having all that time to think.”
― Nick Hornby, quote from A Long Way Down

“A middle-aged woman who looked like someone's cleaning lady, a shrieking adolescent lunatic and a talkshow host with an orange face... It didn't add up. Suicide wasn't invented for people like this. It was invented for people like Virginia Woolf and Nick Drake. And Me. Suicide was supposed to be cool.”
― Nick Hornby, quote from A Long Way Down

“He's at the chocolate teapot end of the competency scale.”
― Nick Hornby, quote from A Long Way Down

“Why does reading freak people out so much? Sure, I could be pretty anti-social when we were on the road, but if I was playing a Gameboy hour after hour, no one would be on my case. In my social circle, blowing up space monsters is socially acceptable in a way that American Pastoral isn't.”
― Nick Hornby, quote from A Long Way Down

“There's nothing you can't fuck up if you try hard enough.”
― Nick Hornby, quote from A Long Way Down

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“Mr Corcoran, whom by chance I was observing, smiled preliminarily but when about to speak, his smile was transfixed on his features and his entire body assumed a stiff attitude. Suddenly he sneezed, spattering his clothing with a mucous discharge from his nostrils.
As my uncle hurried to his assistance, I felt that my gorge was about to rise. I retched slightly, making a noise with my throat similar to that utilized by persons in the article of death. My uncle's back was towards me as he bent in ministration.
…
I clutched my belongings and retired quickly as they worked together with their pocket-cloths. I went to my room and lay prostrate on my bed, endeavouring to recover my composure.”
― Flann O'Brien, quote from At Swim-Two-Birds

“I'm proud of you, Bliss," he said.
"Michael's sword released the souls that were trapped in your blood. You freed them. You freed me."
"But now I'm never going to see you again, am I?" she asked.
Dylan smiled. "It's unlikely. But I never say never.'
"I wish you wouldn't go. I'll miss you so much," Bliss said.
"I'll miss you too."
Dylan put his hand up, and so did Bliss. But this time, instead of touching air, she felt his warm hand grasping her cold one. She looked at Allegra. Somehow, she knew her mother was making this happen. Dylan leaned down, and she could feel his lips, soft and inviting, gently kissing hers. Then Dylan was gone. But Bliss did not feel anguished. She felt at peace. Dylan was not broken and incomplete anymore. He was whole.”
― Melissa de la Cruz, quote from The Van Alen Legacy

“We human beings don't realize how great God is. He has given us an extraordinary brain and a sensitive loving heart. He has blessed us with two lips to talk and express our feelings, two eyes which see a world of colours and beauty, two feet which walk on the road of life, two hands to work for us, and two ears to hear the words of love. As I found with my ear, no one knows how much power they have in their each and every organ until they lose one.”
― Malala Yousafzai, quote from I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban

“Jest, i kod njega, kome je nekoć bila tako strana svaka sitničavost, razvila se neka vrsta pedanterije, premda je ta pedanterija imala svoj korijen u drugom tjelesnom ustrojistvu i rodila se iz drugačijeg raspoloženja.

Osjećao se praznim; nedostajao mu jeplan koji bi mu dao poticaja, neki zanimljiv posao kome bi se mogao s veseljem i zadovoljstvom posvetiti. Njegov nagon za djelatnošću, nesposobnost njegova duha da miruje, njegova aktivnost - bijahu oduvijek nešto posve drugo negoli prirodna i ustrajna volja za radom kod njegovih predaka: naime, nešto umjetno, impuls njegovih živaca, zapravo neko opojno sredstvo, baš kao male i oštre ruske cigarete koje je stalno pušio. Ta ga aktivnost nije napustila, njome je on vladao manje no ikada, ona je gospodarila njime i mučila ga, trošeći se na sijaset trica i ništavnosti. Gubio se u tisuću beznačajnih sitnica koje su se uglavnom odnosile na održavanje kuće i njegove toalete, a koje bi odlagao, jer su mu dojadile, te ih nije više mogao ni pamtiti, ni srediti, jer su ga stajale nerazmjerno mnogo pažnje i vremena.

Ono što su u gradu nazivali njegovom "taštinom" toliko se pogoršalo, da se već odavna počeo toga stideti, a ipak nije bio kadar okaniti se navika koje su se razvile u tom pravcu. Nije mogao napustiti kabinet sa sviješću da je nešto propustio ili samo površno obavio, jer se bojao da će mu izmaći onaj osjećaj svježine, mira, intaktnosti, koji ga je ipak napuštao poslije jednog sata, te ga je onda opet trebalo mukom obnoviti.

U kabinetu je provodio mnogo vremena, i to ne samo ujutro, već i prije svakog ručka, svake sjednice u senatu, svake javne skupštine, ukratko, uvijek pre no što će se pokazati pred ljudima i kretati se među njima.

Zaista! Život Thomasa Buddenbrooka pretvorio se u život glumca, i to takvog glumca kome je čitav život, do najmanje i najsvakodnevnije sitnice, postao samo velikom glumom koja ga stalno drži u napetosti i stalno iscrpljuje...

Potpuni nedostatak nekoga iskrenog i živog interesa koji bi ga zaokupio, osiromašenje i opustošenje njegova duševnog života, uz neumoljiv osjećaj dužnosti i upornu odlučnost da pod svaku cijenu dostojno reprezentira, da svim sredstvima prikrije koliko je iznemogao - svi su ti faktori učinili od njegova života glumu. Učinili su ga izvještačenim, proračunatim i usiljenim, tako da mu se svaka riječ, svaka kretnja, svaka i najmanja djelatnost među ljudima pretvorila u napornu i silno zamornu igru.”
― Thomas Mann, quote from Buddenbrooks: The Decline of a Family

“The ability to imagine is the largest part of what you call intelligence. You think the ability to imagine is merely a useful step on the way to solving a problem or making something happen. But imagining it is what makes it happen.

This is the gift of your species and this is the danger, because you do not choose to control your imaginings. You imagine wonderful things and you imagine terrible things, and you take no responsibility for the choice. You say you have inside you both the power of good and the power of evil, the angel and the devil, but in truth you have just one thing inside you--the ability to imagine.”
― Michael Crichton, quote from Sphere

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