Of Mice and Men
Quotes from the Book
There ain't no sin and there ain't no virtue. There's just stuff people do.
And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.
It was her habit to build up laughter out of inadequate materials.
How can we live without our lives? How will we know it's us without our past?
You're bound to get idears if you go thinkin' about stuff
The quality of owning freezes you forever in "I," and cuts you off forever from the "we.
...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
Before I knowed it, I was sayin' out loud, 'The hell with it! There ain't no sin and there ain't no virtue. There's just stuff people do. It's all part of the same thing.' . . . . I says, 'What's this call, this sperit?' An' I says, 'It's love. I love people so much I'm fit to bust, sometimes.' . . . . I figgered, 'Why do we got to hang it on God or Jesus? Maybe,' I figgered, 'maybe it's all men an' all women we love; maybe that's the Holy Sperit-the human sperit-the whole shebang. Maybe all men got one big soul ever'body's a part of.' Now I sat there thinkin' it, an' all of a suddent-I knew it. I knew it so deep down that it was true, and I still know it.
Muscles aching to work, minds aching to create - this is man.
Up ahead they's a thousan' lives we might live, but when it comes it'll on'y be one.
She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials....She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.
If he needs a million acres to make him feel rich, seems to me he needs it 'cause he feels awful poor inside hisself, and if he's poor in hisself, there ain't no million acres gonna make him feel rich, an' maybe he's disappointed that nothin' he can do 'll make him feel rich.
A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.
Sure, cried the tenant men,but it’s our land…We were born on it, and we got killed on it, died on it. Even if it’s no good, it’s still ours….That’s what makes ownership, not a paper with numbers on it." "We’re sorry. It’s not us. It’s the monster. The bank isn’t like a man." "Yes, but the bank is only made of men." "No, you’re wrong there—quite wrong there. The bank is something else than men. It happens that every man in a bank hates what the bank does, and yet the bank does it. The bank is something more than men, I tell you. It’s the monster. Men made it, but they can’t control it.
Our people are good people; our people are kind people. Pray God some day kind people won't all be poor.
And this you can know- fear the time when Manself will not suffer and die for a concept, for this one quality is man, distinctive in the universe.
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
And the great owners, who must lose their land in an upheaval, the great owners with access to history, with eyes to read history and to know the great fact: when property accumulates in too few hands it is taken away. And that companion fact: when a majority of the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed. The great owners ignored the three cries of history. The land fell into fewer hands, the number of the dispossessed increased, and every effort of the great owners was directed at repression. The money was spent for arms, for gas to protect the great holdings, and spies were sent to catch the murmuring of revolt so that it might be stamped out. The changing economy was ignored, plans for the change ignored; and only means to destroy revolt were considered, while the causes of revolt went on.
Women can change better’n a man,” Ma said soothingly. “Woman got all her life in her arms. Man got it all in his head.” “Man, he lives in jerks-baby born an’ a man dies, an’ that’s a jerk-gets a farm and looses his farm, an’ that’s a jerk. Woman, its all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain’t gonna die out. People is goin’ on-changin’ a little, maybe, but goin’ right on.
I'm jus' pain covered with skin.
The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
This is the thing to bomb. This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we".
You got a God. Don't make no difference if you don' know what he looks like.
And her joy was nearly like sorrow.
Then it don' matter. Then I'll be all aroun' in the dark. I'll be ever'where - wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. If Casy knowed, why, I'll be in the way guys yell when they're mad an' - I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build, why, I'll be there.
They's times when how you feel got to be kep' to yourself.
Man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, and emerges ahead of his accomplishments.
The bank - the monster has to have profits all the time. It can't wait. It'll die. No, taxes go on. When the monster stops growing, it dies. It can't stay one size.
Whenever they's a fight so hungry people can eat, I'll be there. Whenever they's a cop beatin' up a guy, I'll be there . . . . I'll be in the way guys yell when they're mad an'-I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build-why, I'll be there." Tom Joad
Did you know?
- The novel was published on April 14, 1939, by The Viking Press.
- It won the Pulitzer Prize for Fiction in 1940.
- The title alludes to a line in Julia Ward Howe's 'The Battle Hymn of the Republic.'
- The book was cited prominently when Steinbeck won the 1962 Nobel Prize in Literature.
- John Ford directed a 1940 film adaptation starring Henry Fonda as Tom Joad.
- Steinbeck structured the book with short 'intercalary' chapters broadening the migrant story.
About John Steinbeck
More by John Steinbeck
All books by John Steinbeck →About the book
The Grapes of Wrath is John Steinbeck's 1939 novel about the Joads, a family of Oklahoma tenant farmers driven from their land during the Dust Bowl and the Great Depression. After drought, failed crops, and bank foreclosures force them off their farm, the Joads pack what they own and set out along Route 66 for California, joining thousands of other displaced 'Okies' who have been promised work and a fresh start. What they find instead is exploitation, starvation wages, and hostility, and the journey tests the family's endurance at every turn.
Steinbeck interweaves the Joads' story with short 'intercalary' chapters that widen the lens onto the broader migration, giving the novel the sweep of a social epic. Its central themes are economic injustice, the dignity of labor, and human solidarity in the face of systemic cruelty, carried by characters such as the resilient Ma Joad and the former preacher Jim Casy, who evolves into a labor organizer. Biblical echoes run throughout, from the title's allusion to the 'Battle Hymn of the Republic' to the redemptive symbolism of the closing scene.
The book was an immediate sensation and a lightning rod for controversy, praised as a searing indictment of injustice and attacked as inflammatory in the regions it depicted. It won the Pulitzer Prize for Fiction in 1940 and the National Book Award, and it was cited prominently when Steinbeck received the Nobel Prize in Literature in 1962. Regularly taught in American schools and frequently named among the great American novels, it remains a defining literary account of the Depression era.
Key characters
- Tom JoadThe protagonist; the second Joad son who becomes a leader of the family.
- Ma JoadThe family matriarch who holds the Joads together through hardship.
- Jim CasyA former preacher who becomes a labor organizer, a Christ-like figure.
- Pa JoadThe patriarch, broken by the loss of the family's land and livelihood.
- Rose of SharonThe eldest Joad daughter, pregnant during the journey west.
Book details
- First published
- 1939
- Length
- 464 pages
- Reading time
- 9 hours
- Author
- John Steinbeck
- Genre
- Classics
- Goodreads rating
- 4.03 (1M ratings) →
- First line
- “To the red country and part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth.”
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1Of Mice and MenAnother Steinbeck story of migrant laborers chasing a fragile dream in California.
- 2Let Us Now Praise Famous MenJames Agee and Walker Evans's documentary account of Depression-era tenant farmers.
- 3East of EdenSteinbeck's later sweeping novel of California families, land, and moral struggle.
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