Dandelion Wine
Quotes from the Book
Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?" "Because I like you," she said, "and I don't want anything from you.
Stuff your eyes with wonder, he said, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.
Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.
We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.
If you hide your ignorance, no one will hit you and you'll never learn.
We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.
Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.
The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.
I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane.
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be.
The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
But you can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. It can't last.
And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.
The books are to remind us what asses and fool we are. They're Caeser's praetorian guard, whispering as the parade roars down the avenue, "Remember, Caeser, thou art mortal." Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.
It was a pleasure to burn.
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.
A book is a loaded gun in the house next door...Who knows who might be the target of the well-read man?
Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
I don't talk things, sir. I talk the meaning of things.
Oh God, the terrible tyranny of the majority. We all have our harps to play. And it's up to you to know with which ear you'll listen.
It doesn't matter what you do...so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.
See the world. It's more fantastic than any dream made or paid for in factories. Ask for no guarantees, ask for no security.
You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.
Nobody listens anymore. I can't talk to the walls because they're yelling at me, I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. And I want you to teach me to understand what I read.
That's the good part of dying; when you've nothing to lose, you run any risk you want.
I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning.
Stuff your eyes with wonder," he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.
Stuff your eyes with wonder. Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that . Shake the tree and knock the great sloth down on his ass.
Our civilization is flinging itself to pieces. Stand back from the centrifuge.
Did you know?
- The title refers to the temperature at which book paper supposedly catches fire and burns.
- Bradbury expanded the novel from his earlier novella "The Fireman," published in 1951.
- Despite being an anti-censorship novel, "Fahrenheit 451" has itself been the target of censorship and challenges in schools.
- Bradbury cited Nazi book burnings and the McCarthy era as influences on the book.
- The novel was adapted into a 1966 film by acclaimed French director Francois Truffaut.
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About Ray Bradbury
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About the book
"Fahrenheit 451" is Ray Bradbury's 1953 dystopian novel set in a future American society where books are outlawed and "firemen" are tasked not with putting out fires but with burning books and the homes that hide them. The story follows Guy Montag, a fireman who has never questioned his work until conversations with a free-spirited young neighbor, Clarisse, and the hollow despair of his own home life prompt him to wonder what the forbidden books might contain.
At its core the book is about censorship, conformity, and the deadening effect of mass entertainment on independent thought. Bradbury, who developed the novel from his earlier novella "The Fireman," was influenced by the Nazi book burnings he had read about and by the political climate of McCarthy-era America, and he frames the suppression of literature as a slow surrender to distraction and comfort rather than a top-down imposition alone.
Widely regarded as one of the defining works of twentieth-century science fiction, the novel won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal in 1954, and later received a Prometheus Hall of Fame Award and a Retro Hugo Award. It has become a fixture of school curricula and, ironically, has itself faced repeated censorship challenges over the decades.
Key characters
- Guy MontagA fireman who burns books until he begins to question his society
- Clarisse McClellanA free-thinking teenage neighbor who sparks Montag's transformation
- Mildred MontagMontag's wife, immersed in television and disconnected from him
- Captain BeattyMontag's fire chief and well-read antagonist
- FaberA retired English professor who secretly guides Montag
- GrangerLeader of a group of exiles who memorize books to preserve them
Book details
- First published
- 1953
- Length
- 156 pages
- Reading time
- 3 hours
- Author
- Ray Bradbury
- Genre
- Classics
- Goodreads rating
- 3.97 (2.9M ratings)
- First line
- “It was a pleasure to burn.”
Critical reception
- The novel won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal in 1954.
- It later received the Prometheus Hall of Fame Award (1984) and a Retro Hugo Award (2004).
- It is widely studied in schools and has, ironically, faced censorship challenges of its own.
The buzz
- NPR'Fahrenheit 451' Author Ray Bradbury Dies At 912012obituary anchored on the novel's legacy
- NPRThe Curious Life Of Futurist Author Ray Bradbury2012career retrospective foregrounding Fahrenheit 451
- Los Angeles Review of BooksThe Bradbury Era2012critical appreciation of Bradbury and his dystopian masterwork
- The Paris ReviewRay Bradbury, The Art of Fiction No. 2032010long-form author interview covering the writing of Fahrenheit 451
- LA WeeklyRay Bradbury: Fahrenheit 451 Misinterpreted2007Bradbury insists the book is about TV dumbing people down, not censorship
- Literary HubThe Truth of Ray Bradbury's Prophetic Vision2018on how accurately Fahrenheit 451 anticipated modern screen culture
If you liked this, read…
- 1Nineteen Eighty-FourAnother classic dystopia centered on state control of information and thought
- 2Brave New WorldA dystopia where mass entertainment and comfort suppress critical thinking
- 3WeAn early dystopian novel about conformity in a regimented future state
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