The Water Dancer
Quotes from the Book
I did not know then that this is what life is - just when you master the geometry of one world, it slips away, and suddenly again, you're swarmed by strange shapes and impossible angles.
We know what we are, that we walk like we are not long for this world, that this world has never longed for us.
No matter was the professional talkers tell you, I never met a black boy who wanted to fail.
To be a black male is to be always at war, and no flight to the county can save us, because even there we are met by the assupmtion of violence, by the specter of who we might turn on next.
Mostly they all were products of single parents, and in the most tragic category - black boys, with no particular criminal inclinations but whose very lack of direction put them in the crosshairs of the world.
Fuck what you have heard or what you have seen in your son. He may lie about homework and laugh when the teacher calls home. He may curse his teacher, propose arson for the whole public system. But inside is the same sense that was in me. None of us ever want to fail. None of us want to be unworthy, to not measure up.
Dad called it "enlightenment" but to me, it just felt lonely.
She knew that I had no idea how close I was, would always be, to the edge, how easily boys like me were erased in absurd, impractical ways. One minute we were tossing snowballs at taxis, firing up in front the 7-Eleven, speeding down side streets and the next we’re surrounded by unholstered guns, a false move away from going down. I would always be a false move away. I would always have the dagger at my throat.
On our life map, he drew a bright circle around twelve through eighteen. This was the abyss where, unguided, black boys were swallowed whole, only to reemerge on corners and prison tiers.
This is one of those stories where the feeling of the moment stands in for visual details.
Dad had turned conservative, but not in the way of the demonologists who sold us out for tenure and crumbs. More like a man who spurns the false talk of revolution for the humbler mission of resurrecting one soul at a time.
Where others saw America in lovely columns, marvels of engineering, and refined democrats, Dad saw only masks concealing the heralds of woe.
I did not know then that this is what life is—just when you master the geometry of one world, it slips away, and suddenly again, you’re swarmed by strange shapes and impossible angles.
What I came to understand was the great democracy in this, and that what mattered to these boys was not so much what you came to the street with but how you carried what you were given.
It is by choice not chance…that we choose to advance, The Marshall Team; We can achieve…We will achieve.
The rhyme pad was a spell book - it summoned asphalt elementals, elder gods, and weeping ancestors, all of whom had your back.
Whenever a woman smiled his way, she'd already begun dividing her life into trimesters.
I was raised on the struggle of elders - iron collars, severed feet, the rifle of dirty Harriet, and down through the years, the Muslims and regal Malcolm. But mostly what I saw around me was rank dishonor: cable and Atari plugged into every room, juvenile parenting, niggers sporting kicks with price tags that looked like mortgage bills. The Conscious among us knew the whole race was going down, that we'd freed ourselves from slavery and Jim Crow but not the great shackling of minds. The hoppers had no picture of the larger world. We thought all our battles were homegrown and personal, but, like an evil breeze at our back, we felt invisible hands at work, like someone else was still tugging at levers and pulling strings.
Dylan's voice was awful, an aged quaver that sounded nothing like the deep-throated or silky R&B that Dad took as gospel. But the lyrics wore him down, until he played Dylan in that addicted manner of college kids who cordon off portions of their lives to decipher the prophecies of their favorite band. Dad heard poetry, but more than that an angle that confirmed what a latent part of him already suspected. This was was bullshit.
In those years, hip-hop saved my life. I was still half alien to the people around me. I loved them, mostly because I'd realized that there was no other choice. Hip-hop gave me a common language, but that August, on liberated land, I found that there were other ways of speaking, a mother tongue that, no matter age, no matter interest, lived in us all.
It was the program from her ceremony, and on the side was a love note that I could not recognize as such. It was written in that vague, noncommittal way of a girl who wants you to know what she feels but wants to protect herself all the same. I did not know what I was holding, and was caught on the price in self-esteem for figuring it out. I talked to her that night and thanked her, but I did not push like I was supposed to. I could not see that beneath the shield, beneath the smiles and laughter that were her armor, behind the glowing ax, all of us are waiting to be swept away.
I did not know then that this is what life is- just when you master the geometry of one world, it slips away, and suddenly again, you're swarmed by strange shapes and impossible angles.
He went back to Baldwin, who posed the great paradox that would haunt him to the end: Who among us would integrate into a burning house?
We know how we will die—with cousins in double murder suicides, in wars that are mere theory to you, convalescing in hospitals, slowly choked out by angina and cholesterol. We are the walking lowest rung, and all that stands between us and beast, between us and the local zoo, is respect, the respect you take as natural as sugar and shit. We know what we are, that we walk like we are not long for this world, that this world has never longed for us. I
I was peace pipes and treaties. My style was to talk and duck. It was an animal tactic, playing dead in hopes that the predators would move to an actual fight.
I thank my mother (Ma, you're only second cause you got the dedication), who used to make me write essays whenever I got into trouble, explaining exactly what I'd done and why I'd done it.
My parents were two-faced. To me, they showed no mercy. They preached from theBook of Fallen Children - Commandment 1: The Child Is Always Ungrateful. At eighteen, the free ride would stop, and I'd be dumped into the mess of the world. But in their private moments, they were soft, cowed by love. They critiqued their own parenting skills and thought of all the ways the could help their kids get ahead.
There were honeys from across the city - Westport, Hollander Ridge, Gwynn Oak, Northwood. They were everything from redbone to yo-yo darkskin. The dimes among them carried Benetton bags, were dolled up like Lily Powers - finger waves, a head of dyed blond, and eyes like enchanted daggers. I saw we were outnumbered, as brothers who try the civilized way always are.
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About Ta-Nehisi Coates
More by Ta-Nehisi Coates
About the book
An exceptional father-son story about the reality that tests us, the myths that sustain us, and the love that saves us.
Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence and through the collapsing civilization of Baltimore in the Age of Crack, and into the safe arms of Howard University, where he worked so his children could attend for free. Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challeng
Book details
- First published
- 2008
- Author
- Ta-Nehisi Coates
- Genre
- Nonfiction
- Goodreads rating
- 4.08 (11k ratings)
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