Fathers and Sons
Quotes from the Book
That's a beautiful speech, but nobody's listening. Let's go.
I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death.
If I ever meet him in a dark alley he'll have one hell of a fifteen minutes.
[Alfred] Jarry’s teaching could be summarized thus: every man is capable of showing his contempt for the cruelty and stupidity of the universe by making his own life a poem of incoherence and absurdity.
As to the action which is about to begin, it takes place in Poland – that is to say, nowhere
Ah, crap! Isn't Wrong worth the same as Right?
Just as the poppy and the dandelion are scythed down in the flower of their youth by the pitiless scythe of the pitiless scyther who pitilessly scythes their pitiful pans, so poor Renski has played the pretty poppy’s pitiful part.
About Alfred Jarry
About the book
A stunning, controversial work that immediately outraged audiences with its scatological references during the 1896 premiere, Ubu Roi satirizes the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent. One of the most extraordinary events of the late nineteenth century in Paris was the opening on December 11, 1896, at the Théâtre de l’Oeuvre, of Alfred Jarry’s play Ubu Roi . The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society. Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included. More than 200 black-and-white
Book details
- First published
- 1896
- Author
- Alfred Jarry
- Genre
- Classics
- Goodreads rating
- 3.54 (8k ratings)
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