“Well, I wasn't going to abuse him. I was only going to ask: Is there any quality which distinguishes his work from that of twenty struggling writers one could name? Of course not. He's a clever, prolific man; so are they. But he began with money and friends; he came from Oxford into the thick of advertised people; his name was mentioned in print six times a week before he had written a dozen articles. This kind of thing will become the rule. Men won't succeed in literature that they may get into society, but will get into society that they may succeed in literature.”
“But just understand the difference between a man like Reardon and a man like me. He is the old type of unpractical artist; I am the literary man of 1882. He won't make concessions, or rather, he can't make them; he can't supply the market. I--well, you may say that at present, I do nothing; but that's a great mistake, I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell, he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.”
“—Amy said that would be an imprudent expense; but as soon as he had got a good price for a book. Will not the publishers be kind? If they knew what happiness lurked in embryo within their foolish cheque-books!”
“Poverty will make the best people bad, if it gets hard enough. Why there’s so much of it in the world, I’m sure I can’t see.”
“The simple, sober truth has no chance whatever of being listened to, and it’s only by volume of shouting that the ear of the public is held. What”
“To the relatively poor (who are so much worse off than the poor absolutely) education is in most cases a mocking cruelty.”
“Refuge from despair is often found in the passion of self-pity and that spirit of obstinate resistance which it engenders. In”
“Dora kept her eyes down, and smiled ambiguously.”
“That of the British Museum Reading-room,’ explained Jasper; ‘known to some of us as the valley of the shadow of books. People who often work there necessarily get to know each other by sight. In the same way I knew Miss Yule’s father when I happened to pass him in the road yesterday.”
“A man who comes to be hanged,' pursued Jasper, impartially, 'has the satisfaction of knowing that he has brought society to its last resource. He is a man of such fatal importance that nothing will serve against him but the supreme effort of law. In a way, you know, that is success.' 'In”
“Poverty doesn’t allow of honourable feeling, any more than of compassion.”
“One doesn’t like to do brutal things if one can avoid them, you know.”
“The sum of their faults was their inability to earn money; but, indeed, that inability does not call for unmingled disdain.”
“He was in spring costume, and exhaled fresh odours. The”
“In passion, I can fling out violent words, but they don’t yet answer to my actual feeling. It will be long enough yet before I think contemptuously of you. You know that when a light is suddenly extinguished, the image of it still shows before your eyes. But at last comes the darkness.”
“Her womanhood went eagerly to meet him.”
“The unhoped was all but granted her. She could labour on in the valley of the shadow of books, for a ray of dazzling sunshine might at any moment strike into its musty gloom.”
“It was always in your power to rule me. What pained me worst, and hardened me against you, was that I saw you didn’t care to exert your influence. There was never a time when I could have resisted a word of yours spoken out of your love for me. But even then, I am afraid, you no longer loved me, and now —— ”
“Think of the very words “novel,” “romance” — what do they mean but exaggeration of one bit of life?”
“Mr Biffen,’ wrote another, ‘seems not to understand that a work of art must before everything else afford amusement.”
“The best moments of life are those when we contemplate beauty in the purely artistic spirit — objectively. I”
“Poverty can’t rob me of those memories. I have lived in an ideal world that was not deceitful, a world which seems to me, when I recall it, beyond the human sphere, bathed in diviner light.”
“Walker's a fool and Quarmby's an ass,' remarked her father.”
“I maintain that we people of brains are justified in supplying the mob with the food it likes. We”
“Flippancy, the most hopeless form of intellectual vice, was a characterising note of Mr Fadge’s periodical; his”
“Confound it! It's just because nobody does anything that things have come to this pass!”
“My mistake was that of numberless men nowadays. Because I was conscious of brains, I thought that the only place for me was London. It”
“The art of living is the art of compromise. We”
“Well, Maud made a mistake, let us say. Dolomore is a clown, and now she knows it.”
“Do you honestly think Lenin is any different from J.P. Morgan? That you, if you were given absolute power, would behave any differently? Do you know the primary difference between men and gods?...Gods don't think they can become men.”
“Phillip look into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag.
Sick, tired, petrified, Phillip dropped his head into his hands.
"What's the point?"
"You're the point, son." Ray ran his hand over Phillip's hair. "You're the point.”
“Do I dare Disturb the universe?”
“I can’t unfind you,” he said.”
“You can be surrounded by people and still be lonely. You can be the most popular person in school, envied by every girl and wanted by every boy, and still feel completely worthless. The world can be laid at your feet and you can still not know what you want from it.”
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