Clive James · 912 pages
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“Friedell caught the essential truth about people prone to catch-all theories: they aren’t in search of the truth, they’re in search of themselves.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“When absolute power is on offer, talent fights to get in.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“The inevitable effect of a biographer's hindsight is to belittle the subject's foresight.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“When I first read The Rebel, this splendid line came leaping from the page like a dolphin from a wave. I memorized it instantly, and from then on Camus was my man. I wanted to write like that, in a prose that sang like poetry. I wanted to look like him. I wanted to wear a Bogart-style trench coat with the collar turned up, have an untipped Gauloise dangling from my lower lip, and die romantically in a car crash. At the time, the crash had only just happened. The wheels of the wrecked Facel Vega were practically still spinning, and at Sydney University I knew exiled French students, spiritually scarred by service in Indochina, who had met Camus in Paris: one of them claimed to have shared a girl with him. Later on, in London, I was able to arrange the trench coat and the Gauloise, although I decided to forgo the car crash until a more propitious moment. Much later, long after having realized that smoking French cigarettes was just an expensive way of inhaling nationalized industrial waste, I learned from Olivier Todd's excellent biography of Camus that the trench coat had been a gift from Arthur Koestler's wife and that the Bogart connection had been, as the academics say, no accident. Camus had wanted to look like Bogart, and Mrs. Koestler knew where to get the kit. Camus was a bit of an actor--he though, in fact, that he was a lot of an actor, although his histrionic talent was the weakest item of his theatrical equipment--and, being a bit of an actor, he was preoccupied by questions of authenticity, as truly authentic people seldom are. But under the posturing agonies about authenticity there was something better than authentic: there was something genuine. He was genuinely poetic. Being that, he could apply two tests simultaneously to his own language: the test of expressiveness, and the test of truth to life. To put it another way, he couldn't not apply them.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“The driving force of any ideology stands revealed: it can’t be coherent without being intolerant.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“As the late Edward W Said wrote after the attack on the World Trade Center, ‘Western humanism is not enough: we need a universal humanism.’ I agree with that. The question is how to get it, and my own view is that it can’t be had unless we raise our demands on ourselves a long way beyond decorating our lives with enough cultivation to make the pursuit of ambition look civilized.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“bohemian’s ability not to worry about money always starts with your money rather than his.)”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“And above all, I am not interested enough in politics to let them encumber my last days. —DRIEU LA ROCHELLE,”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“There are no genres, there are only talents. —JEAN-FRANÇOIS REVEL, LE VOLEUR DANS LA MAISON VIDE, P. 311”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Ideology functions as a machine to destroy information, even at the price of making assertions in clear contradiction of the evidence. —JEAN-FRANÇOIS REVEL,”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Luxury is a necessity that starts where necessity stops. —COCO CHANEL (ATTRIB.):”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Man and Superman: “the audience gets an exhausting idea of the inexhaustibility of the subject, and is bored brilliantly.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“It would be a desirable and enviable existence just to earn a decent wage at a worthwhile job and spend all one’s leisure hours improving one’s aesthetic appreciation. There is so much to appreciate, and it is all available for peanuts. One can plausibly aspire to seeing, hearing and reading everything that matters.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“the liberal believes in the permanence of humanity’s imperfection, he resigns himself to a regime in which the good will be the result of numberless actions, and never the object of a conscious choice. Finally, he suscribes to the pessimism that sees, in politics, the art of creating the conditions in which the vices of men will contribute to the good of the state. —RAYMOND ARON, L’OPIUM”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“A man who wants to find out who he really is should try watching the woman he loves as she dances the tango with a maestro.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“But caveat lector: life is waiting, and to read about someone who writes about life is getting far from it. Reading Schopenhauer when he tells you to watch out for reading too many books is already getting far from it, and at this moment you are reading someone who is telling you about how Schopenhauer said that you should not let reading come between you and life. In philosophy, the infinite regress is a sign that someone has made a mistake in logic. In ordinary life, it is a sign that someone is hiding from reality.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“if you are vulnerable economically, you are vulnerable all along the line.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“A LL THE ENTRIES in Freud’s diary of his last decade are short. Very few are more than one line long.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Tom Stoppard was refreshingly candid when, after the successful premiere of Rosencrantz and Guildenstern Are Dead, he was asked what the play was about: “It’s about to make me a lot of money.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Tyrants conduct monologues above a million solitudes. —ALBERT CAMUS, THE REBEL”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Why should I waste my imagination on myself? —SERGEI DIAGHILEV”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Stefan George: “He looks like an old woman who looks like an old man.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“have been at a great feast of languages,” says Moth, “and stolen the scraps.”)”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“We shouldn’t call a critic a murderer just because it is his duty to sign death certificates. —MARCEL REICH-RANICKI, DIE ANWALTE DER LITERATUR,”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Peacock in real life undid Shelley’s vegetarianism by waving a steak under his nose when he fainted,”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“In Sartre’s style of argument, German metaphysics met French sophistry in a kind of European Coal and Steel Community producing nothing but rhetorical gas.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“How well he’s read, to reason against reading!”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“Schopenhauer extended the same idea by favouring real observation over erudition, and stated confidently that the second sapped the first.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“To die guessing that you will be forgotten is one thing. But what would it be like to know that you have been forgotten before you die?”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
“He has always held to the principle (which was also favoured by Stefan Zweig) that great artists are disqualified from being objective critics, because they are always thinking of how they would have done it.”
― Clive James, quote from Cultural Amnesia: Necessary Memories from History and the Arts
Clive James
Born place: in Sydney, Australia
Born date October 7, 1939
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“Every other person who is at the heart of any religion has had his or her beginning either in fancy or in fact. But nevertheless, there is a beginning. Jesus' birth in Bethlehem was a moment preceded by eternity. His being neither originated in time nor came about by the will of humanity. The Author of time, who lived in the eternal, was made incarnate in time that we might live with the eternal in view. In that sense, the message of Christ was not the introduction of a religion, but an introduction to truth about reality as God alone knows it. To deny Jesus' message while pursuing spirituality is to conjure an imaginary religion in an attempt to see heaven while sight is confined to the earth. That is precisely what Jesus challenged when he said, "I have come that [you] may have life" (John 10:10). His life spells living. Your life or my life, apart from Him, spells death.”
― Ravi Zacharias, quote from Jesus Among Other Gods: The Absolute Claims of the Christian Message
“Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. If someone walks fast and one pricks up one’s ears and listens, say in the night, when everything round about is quiet, one hears, for instance, the rattling of a mirror not quite firmly fastened to the wall.”
― Franz Kafka, quote from Blue Octavo Notebooks
“Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? The heart does not break, as it does in parting with dear objects. The humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. This already dead iventory will not be resurrected in one's memory..”
― Vladimir Nabokov, quote from The Gift
“We covered this around Year Three, Bill: that you're the Master of Space and Time and I'm a spastic Pomeranian.”
― Tracy Letts, quote from August: Osage County
“At the bakery it's just me. It's a small place. Just me and the raspberry horns and the tourtiere pies and my cigarette going in the ashtray near the black sink. Every once in a while a car passes through the dark street outside the storefont windows, but that's pretty much all I see of people while I'm there, until the end of my shift at eight when Monica shows up to open the store for the day. A solid twelve hours by myself, nothing but the radio to keep me company, and I like it just fine, being alone. It's even better in the winter, during a storm, when the snow piles up outside and no cars come by at all. Inside the bakery it's warm and there's plenty to keep my hands busy. Times like that, for all I can tell I'm the only person left on earth. I could go on making pies and watching the snow pile up until the end of time, so long as there was enough coffee on hand. I don't need company like some people seem to.”
― Ron Currie Jr., quote from Everything Matters!
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