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The Complete Poems

by Samuel Taylor Coleridge · 1834

‘O pure of heart! thou need’st not ask of me What this strong music in the soul may be!’ One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772–1834) created works of remarkable diversity and… more

21 quotes ★ 4.09 (6,387) Literature

Quotes from the Book

What if you slept And what if In your sleep You dreamed And what if In your dream You went to heaven And there plucked a strange and beautiful flower And what if When you awoke You had that flower in your hand Ah, what then?
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In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea.
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To be loved is all I need, And whom I love, I love indeed.
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II A grief without a pang, void, dark, and drear,       A stifled, drowsy, unimpassioned grief,       Which finds no natural outlet, no relief,           In word, or sigh, or tear — O Lady! in this wan and heartless mood, To other thoughts by yonder throstle woo'd,       All this long eve, so balmy and serene, Have I been gazing on the western sky,       And its peculiar tint of yellow green: And still I gaze — and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are! III           My genial spirits fail;           And what can these avail To lift the smothering weight from off my breast?           It were a vain endeavour,           Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
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But yester-night I prayed aloud In anguish and in agony, Up-starting from the fiendish crowd Of shapes and thoughts that tortured me: A lurid light, a trampling throng, Sense of intolerable wrong, And whom I scorned, those only strong! Thirst of revenge, the powerless will Still baffled, and yet burning still! Desire with loathing strangely mixed On wild or hateful objects fixed. Fantastic passions! maddening brawl! And shame and terror over all! Deeds to be hid which were not hid, Which all confused I could not know Whether I suffered, or I did: For all seemed guilt, remorse or woe, My own or others still the same Life-stifling fear, soul-stifling shame.
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Waiting for the end, boys, waiting for the end. What is there to be or do? What's become of me or you? Are we kind or are we true? Sitting two and two, boys, waiting for the end. Shall I build a tower, boys, knowing it will rend Crack upon the hour, boys, waiting for the end? Shall I pluck a flower, boys, shall I save or spend? All turns sour, boys, waiting for the end. Shall I send a wire, boys? Where is there to send? All are under fire, boys, waiting for the end. Shall I turn a sire, boys? Shall I choose a friend? The fat is in the pyre, boys, waiting for the end. Shall I make it clear, boys, for all to apprehend, Those that will not hear, boys, waiting for the end, Knowing it is near, boys, trying to pretend, Sitting in cold fear, boys, waiting for the end? Shall we send a cable, boys, accurately penned, Knowing we are able, boys, waiting for the end, Via the Tower of Babel, boys? Christ will not ascend. He's hiding in his stable, boys, waiting for the end. Shall we blow a bubble, boys, glittering to distend, Hiding from our trouble, boys, waiting for the end? When you build on rubble, boys, Nature will append Double and re-double, boys, waiting for the end. Shall we make a tale, boys, that things are sure to mend, Playing bluff and hale, boys, waiting for the end? It will be born stale, boys, stinking to offend, Dying ere it fail, boys, waiting for the end. Shall we go all wild, boys, waste and make them lend, Playing at the child, boys, waiting for the end? It has all been filed, boys, history has a trend, Each of us enisled, boys, waiting for the end. What was said by Marx, boys, what did he perpend? No good being sparks, boys, waiting for the end. Treason of the clerks, boys, curtains that descend, Lights becoming darks, boys, waiting for the end. Waiting for the end, boys, waiting for the end. Not a chance of blend, boys, things have got to tend. Think of those who vend, boys, think of how we wend, Waiting for the end, boys, waiting for the end. - 'Just A Smack at Auden
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The frost performs its secret ministry, Unhelped by any wind.
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All Nature seems at work. Slugs leave their lair— The bees are stirring—birds are on the wing— And Winter, slumbering in the open air, Wears on his smiling face a dream of Spring! And I, the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing. Yet well I ken the banks where amaranths blow, Have traced the fount whence streams of nectar flow. Bloom, O ye amaranths! bloom for whom ye may, For me ye bloom not! Glide, rich streams, away! With lips unbrighten'd, wreathless brow, I stroll: And would you learn the spells that drowse my soul? Work without Hope draws nectar in a sieve, And Hope without an object cannot live. - Work without Hope
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Let It Go It is this deep blankness is the real thing strange. The more things happen to you the more you can't Tell or remember even what they were. The contradictions cover such a range. The talk would talk and go so far aslant. You don't want madhouse and the whole thing there.
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Where true Love burns Desire is Love's pure flame; It is the reflex of our earthly frame, That takes its meaning from the nobler part, And but translates the language of the heart.
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And in Life's noisiest hour, There whispers still the ceaseless Love of Thee, The heart's Self-solace and soliloquy.
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Villanelle It is the pain, it is the pain endures. Your chemic beauty burned my muscles through. Poise of my hands reminded me of yours. What later purge from this deep toxin cures? What kindness now could the old salve renew? It is the pain, it is the pain endures. The infection slept (custom or changes inures) And when pain's secondary phase was due Poise of my hands reminded me of yours. How safe I felt, whom memory assures, Rich that your grace safely by heart I knew. It is the pain, it is the pain endures. My stare drank deep beauty that still allures. My heart pumps yet the poison draught of you. Poise of my hands reminded me of yours. You are still kind whom the same shape immures. Kind and beyond adieu. We miss our cue. It is the pain, it is the pain endures. Poise of my hands reminded me of yours.
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O my brethren! I have told Most bitter truth, but without bitterness. Nor deem my zeal fractious or mistimed; For never can true courage dwell with them Who, playing tricks with conscience, dare not look At their own vices.
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Slowly the poison the whole blood stream fills. It is not the effort nor the failure tires. The waste remains, the waste remains and kills. It is not your system or clear sight that mills Down small to the consequence a life requires; Slowly the poison the whole blood stream fills. They bled an old dog dry yet the exchange rills Of young dog blood gave but a month's desires. The waste remains, the waste remains and kills. It is the Chinese tombs and the slag hills Usurp the soil, and not the soil retires. Slowly the poison the whole blood stream fills. Not to have fire is to be a skin that shrills. The complete fire is death. From partial fires The waste remains, the waste remains and kills. It is the poems you have lost, the ills From missing dates, at which the heart expires. Slowly the poison the whole blood stream fills. The waste remains, the waste remains and kills. - 'Missing Dates
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Tho' veiled in spires of myrtle wreath, Love is a sword that cuts its sheath, And thro' the clefts, itself has made, We spy the flashes of the Blade! But thro' the clefts, itself has made, We likewise see Love's flashing blade, By rust consumed or snapt in twain: And only Hilt and Stump remain. - Song
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And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of All?
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Joy lift her spirit, joy attune her voice; To her may all things live, from pole to pole, Their life the eddying of her living soul! O simple spirit, guided from above, Dear Lady! friend devoutest of my choice, Thus mayest thou ever, evermore rejoice.
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The Teasers Not but they die, the teasers and the dreams, Not but they die, and tell the careful flood To give them what they clamour for and why. You could not fancy where they rip to blood You could not fancy nor that mud I have heard speak that will not cake or dry. Our claims to act appear so small to these Our claims to act colder lunacies That cheat the love, the moment, the small fact. Make no escape because they flash and die, Make no escape build up your love, Leave what you die for and be safe to die.
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I'm dull and sad! indeed, indeed I know I have no reason! Perhaps I am not well in health, And 'tis a gloomy season. - The Three Graves
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Men anxious for this world are like owls that wake all night to catch mice.
Human happiness, like the aloe, is a flower of slow growth.

About Samuel Taylor Coleridge

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About the book

‘O pure of heart! thou need’st not ask of me What this strong music in the soul may be!’ One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772–1834) created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love. This volume contains the final texts of all the poems published during Coleridge’s lifetime and a su

Book details

First published
1834
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4.09 (6k ratings)

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