Swan: Poems and Prose Poems
Quotes from the Book
The Uses Of Sorrow (In my sleep I dreamed this poem) Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.
Praying It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate, this isn’t a contest but the doorway into thanks, and a silence in which another voice may speak.
From the complications of loving you I think there is no end or return. No answer, no coming out of it. Which is the only way to love, isn’t it? This isn’t a play ground, this is earth, our heaven, for a while. Therefore I have given precedence to all my sudden, sullen, dark moods that hold you in the center of my world. And I say to my body: grow thinner still. And I say to my fingers, type me a pretty song. And I say to my heart: rave on.
oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.
My work is the world. Here the sunflowers, there the hummingbird - equal seekers of sweetness. Here the quickening yeast; there the blue plums...
As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?
Oh Lord of melons, of mercy, though I am not ready, nor worthy, I am climbing towards you.
That time I thought I could not go any closer to grief without dying I went closer, and I did not die.
And who do you think you are sauntering along five feet up in the air, the ocean a blue fire around your ankles, the sun on your face on your shoulders its golden mouth whispering (so it seems) you! you! you!
You have broken my heart. Just as well. Now I am learning to rise above all that, learning the thin life, waking up simply to praise everything in this world that is strong and beautiful always—the trees, the rocks, the fields, the news from heaven, the laughter that comes back all the same. Just as well. Time to read books, rake the lawn in peace, sweep the floor, scour the faces of the pans, anything. And I have been so diligent it is almost over, I am growing myself as strong as rock, as a tree which, if I put my arms around it, does not lean away.
My work is loving the world. Here the sunflowers, there the hummingbird— equal seekers of sweetness. Here the quickening yeast; there the blue plums. Here the clam deep in the speckled sand. Are my boots old? Is my coat torn? Am I no longer young, and still half-perfect? Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished. The phoebe, the delphinium. The sheep in the pasture, and the pasture. Which is mostly rejoicing, since all the ingredients are here, which is gratitude, to be given a mind and a heart and these body-clothes, a mouth with which to give shouts of joy to the moth and the wren, to the sleepy dug-up clam, telling them all, over and over, how it is that we live forever.
Another morning and I wake with thirst for the goodness I do not have. I walk out to the pond and all the way God has given us such beautiful lessons. Oh Lord, I was never a quick scholar but sulked and hunched over my books past the hour and the bell; grand me, in your mercy, a little more time. love for the earth and love for you are having such a long conversation in my heart. Who knows what will finally happen or where I will be sent, yet already I have given a great many things away, expecting to be told to pack nothing, except the prayers which, with this thirst, I am slowly learning.
Listen, the heart-shackles are not, as you think, death, illness, pain, unrequited hope, not loneliness, but lassitude, rue, vainglory, fear, anxiety, selfishness
if you live simply and with a lyrical heart in the cumbered neighborhoods or even, as Mozart sometimes managed to, in a palace, offering tune after tune after tune, making some hard-hearted prince prudent and kind, just by being happy
A Note Left on the Door" There are these: the blue skirts of the ocean walking in now, almost to the edge of town, and a thousand birds, in their incredible wings which they think nothing of, crying out that the day is long, the fish are plentiful. And friends, being as kind as friends can be, striving to lift the darkness. Forgive me, Lord of honeysuckle, of trees, of notebooks, of typewriters, of music, that there are also these: the lover, the singer, the poet asleep in the shadows. A Note Left on the Door There are these: the blue skirts of the ocean walking in now, almost to the edge of town, and a thousand birds, in their incredible wings which they think nothing of, crying out that the day is long, the fish are plentiful. And friends, being as kind as friends can be, striving to lift the darkness. Forgive me, Lord of honeysuckle, of trees, of notebooks, of typewriters, of music, that there are also these: the lover, the singer, the poet asleep in the shadows.
[...] the answer was simply to rise in joyfulness, all their days. Have I found any better teaching? Not ever, not yet.
It's not the weight you carry but how you carry it— books, bricks, grief— it's all in the way you embrace it, balance it, carry it when you cannot, and would not, put it down
Belief isn’t always easy. But this much I have learned— if not enough else— to live with my eyes open.
The Uses of Sorrow (In my sleep I dreamed this poem) Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.
Abba Lot went to see Abba Joseph and said to him, “Abba, as far as I can I say my little office, I fast a little, I pray and meditate, I live in peace and as far as I can, I purify my thoughts. What else can I do?” Then the old man stood up and stretched his hands towards heaven. His fingers became like ten lamps of fire and he said to him, “If you will, you can become all flame.” —From The Sayings of the Desert Fathers
When I wake, and you are already wiping the stars away,
Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished.
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About Mary Oliver
More by Mary Oliver
Swan: Poems and Prose Poems
Upstream: Selected Essays
New and Selected Poems, Vol. 2
A Thousand Mornings: Poems
About the book
Thirst, a collection of forty-three new poems from the Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."
Book details
- First published
- 2006
- Author
- Mary Oliver
- Genre
- Literature
- Goodreads rating
- 4.31 (7k ratings)
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