“And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window-panes; there will be time , there will be time to prepare a face to meet the faces that you meet; there will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate; time for you and time for me, and time yet for a hundred indecisions, and for a hundred visions and revisions, before the taking of toast and tea.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.
Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“Fading, fading: strength beyond hope and despair climbing the third stair. Lord, I am not worthy Lord, I am not worthy but speak the word only.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“O perpetual revolution of configured stars, o perpetual recurrence of determined seasons, o world of spring and autumn, birth and dying! The endless cycle of idea and action, endless invention, endless experiment, brings knowledge of motion, but not of stillness; knowledge of speech, but not of silence; knowledge of words, and ignorance of the Word. All our knowledge brings us nearer to our ignorance, all our ignorance brings us nearer to death, but nearness to death no nearer to God. Where is the Life we have lost in living? Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information? The cycles of Heaven in twenty centuries bring us farther from God and nearer to the Dust.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“Think neither fear nor courage saves us.
Unnatural vices are fathered by our heroism.
Virtues are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“This form, this face, this life living to live in a world of time beyond me; let me resign my life for this life, my speech for that unspoken, the awakened, lips parted, the hope, the new ships.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“I that was near your heart was removed therefrom”
― T.S. Eliot, quote from The Waste Land and Other Poems
“And the lost heart stiffens and rejoices in the lost lilac and the lost sea voices and the weak spirit quickens to rebel for the bent golden-rod and the lost sea smell quickens to recover.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“We see the light but see not whence it comes. O Light Invisible, we glorify Thee!”
― T.S. Eliot, quote from The Waste Land and Other Poems
“There is no water, so things are bad. If there were water, it would be better. But there is no water.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.”
― T.S. Eliot, quote from The Waste Land and Other Poems
“Some alters are what Dr Ross describes in Multiple Personality Disorder as 'fragments'. which are 'relatively limited psychic states that express only one feeling, hold one memory, or carry out a limited task in the person's life. A fragment might be a frightened child who holds the memory of one particular abuse incident.' In complex multiples, Dr Ross continues, the 'personalities are relatively full-bodied, complete states capable of a range of emotions and behaviours.' The alters will have 'executive control some substantial amount of time over the person's life'. He stresses, and I repeat his emphasis, 'Complex MPD with over 15 alter personalities and complicated amnesia barriers are associated with 100 percent frequency of childhood physical, sexual and emotional abuse.' Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.”
― quote from Today I'm Alice: Nine Personalities, One Tortured Mind
“Some centuries ago they had Raphael and Michael Angelo; now we have Mr. Paul Delaroche, and all because we are progressing.
You brag of your Opera houses; ten Opera houses the size of yours could dance a saraband in a Roman amphitheatre. Even Mr. Martin, with his lame tiger and his poor gouty lion, as drowsy as a subscriber to the Gazette, cuts a pretty small figure by the side of a gladiator from antiquity. What are your benefit performances, lasting till two in the morning, compared with those games which lasted a hundred days, with those performances in which real ships fought real battles on a real sea; when thousands of men earnestly carved each other -- turn pale, O heroic Franconi! -- when, the sea having withdrawn, the desert appeared, with its raging tigers and lions, fearful supernumeraries that played but once; when the leading part was played by some robust Dacian or Pannonian athlete, whom it would often have been might difficult to recall at the close of the performance, whose leading lady was some splendid and hungry lioness of Numidia starved for three days? Do you not consider the clown elephant superior to Mlle. Georges? Do you believe Taglioni dances better than did Arbuscula, and Perrot better than Bathyllus? Admirable as is Bocage, I am convinced Roscius could have given him points. Galeria Coppiola played young girls' parts, when over one hundred years old; it is true that the oldest of our leading ladies is scarcely more than sixty, and that Mlle. Mars has not even progressed in that direction. The ancients had three or four thousand gods in whom they believed, and we have but one, in whom we scarcely believe. That is a strange sort of progress. Is not Jupiter worth a good deal more than Don Juan, and is he not a much greater seducer? By my faith, I know not what we have invented, or even wherein we have improved.”
― Théophile Gautier, quote from Mademoiselle de Maupin
“The most beautiful things in the world cannot be seen or touched, they are felt with the heart.”
― Antoine de Saint-Exupéry, quote from Der kleine Prinz
“Good design is actually a lot harder to notice than poor design, in part because good designs fit our needs so well that the design is invisible, serving us without drawing attention to itself. Bad design, on the other hand, screams out its inadequacies, making itself very noticeable.”
― Donald A. Norman, quote from Design of Everyday Things: Revised and Expanded Edition (Revised)
“Well, I’m not sure what happened next, but I ended up peeing on Mrs. Jarvis’s lawn.”
― quote from Sleepwalk With Me and Other Painfully True Stories
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