Paris Spleen
Quotes from the Book
My heart is lost; the beasts have eaten it.
I love to watch the fine mist of the night come on, The windows and the stars illumined, one by one, The rivers of dark smoke pour upward lazily, And the moon rise and turn them silver. I shall see The springs, the summers, and the autumns slowly pass; And when old Winter puts his blank face to the glass, I shall close all my shutters, pull the curtains tight, And build me stately palaces by candlelight.
The Poet is a kinsman in the clouds Who scoffs at archers, loves a stormy day; But on the ground, among the hooting crowds, He cannot walk, his wings are in the way.
But the true voyagers are only those who leave Just to be leaving; hearts light, like balloons, They never turn aside from their fatality And without knowing why they always say: "Let's go!
And yet to wine, to opium even, I prefer the elixir of your lips on which love flaunts itself; and in the wasteland of desire your eyes afford the wells to slake my thirst.
Through the Unknown, we'll find the New
Passion I hate, and spirit does me wrong. Let us love gently.
the Devil's hand directs our every move - / the things we loathed become the things we love
But what does it matter what reality is outside myself, so long as it has helped me to live, to feel that I am, and what I am?
I am the wound and the blade, the torturer and the flayed.
My love, do you recall the object which we saw, That fair, sweet, summer morn! At a turn in the path a foul carcass On a gravel strewn bed, Its legs raised in the air, like a lustful woman, Burning and dripping with poisons, Displayed in a shameless, nonchalant way Its belly, swollen with gases. - A Carcass
Flesh is willing, but the Soul requires Sisyphean patience for its song, Time, Hippocrates remarked, is short and Art is long.
I know that pain is the one nobility / upon which Hell itself cannot encroach
I walk alone, absorbed in my fantastic play, — Fencing with rhymes, which, parrying nimbly, back away; Tripping on words, as on rough paving in the street, Or bumping into verses I long had dreamed to meet.
It's time, Old Captain, lift anchor, sink! The land rots; we shall sail into the night; if now the sky and sea are black as ink our hearts, as you must know, are filled with light. Only when we drink poison are we well — we want, this fire so burns our brain tissue, to drown in the abyss — heaven or hell, who cares? Through the unknown, we'll find the new. ("Le Voyage")
Plonger au fond du gouffre, Enfer ou Ciel, qu'importe? / Au fond de l'Inconnu pour trouver du NOUVEAU! (rough translation : Into the abyss -- Heaven or Hell, what difference does it make? / To the depths of the Unknown to find the NEW!)
...and the lamp having at last resigned itself to death. There was nothing now but firelight in the room, And every time a flame uttered a gasp for breath It flushed her amber skin with the blood of its bloom.
From his soft fur, golden and brown, Goes out so sweet a scent, one night I might have been embalmed in it By giving him one little pet. He is my household's guardian soul; He judges, he presides, inspires All matters in his royal realm; Might he be fairy? or a god? When my eyes, to this cat I love Drawn as by a magnet's force, Turn tamely back upon that appeal, And when I look within myself, I notice with astonishment The fire of his opal eyes, Clear beacons glowing, living jewels, Taking my measure, steadily.
Do not look for my heart any more; the beasts have eaten it.
For I desire the dark, the naked, and the lone.
The child, in love with prints and maps, Holds the whole world in his vast appetite. How large the earth is under the lamplight! But in the eyes of memory, how the world is cramped!
«¡No renuncies jamás a tus sueños, los cuerdos nada saben del sueño admirable de un loco!»
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About Charles Baudelaire
More by Charles Baudelaire
Paris Spleen
About the book
Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs du Mal (The Flowers of Evil) remains powerful and relevant for our time.
In Spleen et idéal," Baudelaire dramatizes the erotic cycle of ecstacy and anguish--of sexual and romantic love. Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.
Book details
- First published
- 1857
- Author
- Charles Baudelaire
- Genre
- Literature
- Goodreads rating
- 4.19 (83k ratings)
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