Mo' Meta Blues: The World According to Questlove
Quotes from the Book
I WRITE TO YOU AS AN ARTIST COMPLETELY OPPOSED TO THE APARTHEID SYSTEM IN SOUTH AFRICA. LIKE MILLIONS OF PEOPLE OF CONSCIENCE IN THAT COUNTRY AND AROUND THE WORLD WHO HAVE CONTRIBUTED TO THE STRUGGLE TO END THE SYSTEM, I AM WORKING IN MY FIELD TOWARD ACHIEVING THIS GOAL.
I WENT AS A MUSICIAN, AND I INTERACTED WITH OTHER MUSICIANS. IT'S TRUE THERE IS ANOTHER LEVEL TO THIS STORY, BUT THIS IS A BEGINNING, A SINCERE BEGINNING. I TRIED TO INTRODUCE THIS MUSIC TO PEOPLE WHO NEVER HEARD IT BEFORE. SINCERITY DOESN'T SEEM TO BE HELD IN HIGH REGARD. I'M HERE. I'M LISTENING. I RESPOND THE BEST I CAN. AT LEAST I'M INTO DIALOGUE. I HAVE ALWAYS INTENDED THAT THIS MUSIC BE USED TO SERVE THE AFRICAN PEOPLE.
OPPOSED THOUGH I AM TO UNIVERSALIST HUMANISM, THIS IS A PRETTY DAMN UNIVERSAL RECORD. WITHIN THE DEMOCRATIC BOUNDS OF POP ACCESSIBILITY, ITS BICULTURALISM IS STRIKING, ENGAGING, UNPRECEDENTED--SPRIGHTLY YET SPUNKY, FRESH YET FRIENDLY, SO STRANGE, SO SWEET, SO WILLFUL, SO RADICALLY INCONGRUOUS AND PLAINLY BEAUTIFUL.
I THINK THE PSYCHE COMES UP WITH ALL KINDS OF CONTRIVANCES TO PROTECT WHAT IT THINKS IS VULNERABLE. AND SOMETIMES THOSE CONTRIVANCES ARE THAT YOU STAY IN A STATE OF UNHAPPINESS. OR VICTIMIZATION.
PAUL IS AN INTELLECTUAL OMNIVORE. HE IS INTERESTED IN OR IS CAPABLE OF BEING INTERESTED IN ALMOST ANYTHING. HE IS ALWAYS UP FOR A SERIOUS CONVERSATION AND ALWAYS EAGER TO LEARN ABOUT ALMOST ANYTHING.
HAS TURNED OUT NOT TO BE A CARPETBAGGER, BUT A CONNOISSEUR, AND, AT BEST. AN ALCHEMIST.
HE HAS EARNED PLENTY OF GRAVITAS OVER THE YEARS, BUT HE SEEMS TOO RESTLESS TO SPEND IT, EMBARKING INSTEAD ON A SERIES OF EXPERIMENTS IN RHYTHM AND TEXTURE, AND HONING IN HIS LYRICS A SHRUGGING ACCEPTANCE OF AN IMPERFECT WORLD
HE HAS MANAGED TO BECOME NEITHER A WIZENED ORACLE NOR AN OLDIES ACT, AND HIS BEST SONGS CONVEY THE APPEALING SENSATION OF LISTENING TO A GUY WHO IS STILL TRYING TO FIGURE OUT WHAT HE'S DOING.
LYRICS ARE PART OF HIS DNA. HE CAN'T HELP HIMSELF. THE ZEITGEIST FLOWS THROUGH HIM IN A WAY THAT IT DOESN'T WITH OTHER PEOPLE, WHICH IS WHY SO MANY OF HIS LYRICS HAVE PENETRATED SO DEEPLY AND STAYED SO LONG.
PAUSING BRIEFLY, SIMON, WHO TOLD AN INTERVIEWER IN THE 1980S THAT HE FOUND IT HARD TO ACKNOWLEDGE THE GOOD TIMES IN HIS LIFE, SHOWED NO RELUCTANCE ADDING, "I'M GRATEFUL FOR MY LIFE.
I’m just an artist because that’s my personality trait, a characteristic of how my brain works. I can’t figure out a lot of things; I’m not a computer scientist. This is who I am. This is what I do. I make up songs, and I try to make them as interesting as possible. Stand back and just let me get on with it.
About Robert Hilburn
About the book
A publishing event from music legend Paul an intimate, candid, and definitive biography written with Simon’s full participation—but without his editorial control—by acclaimed biographer and music writer Robert Hilburn.
For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers.
Finally, Simon has opened up—for more than one hundred hours of interviews—
Book details
- First published
- 2018
- Author
- Robert Hilburn
- Genre
- Biography
- Goodreads rating
- 3.94 (2k ratings)
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Mo' Meta Blues: The World According to Questlove
Songbook
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Bono: In Conversation with Michka Assayas
Life
Waging Heavy Peace: A Hippie Dream
Piece by Piece
Decoded
Born to Run
Life Itself
Girl with Curious Hair
Broken Horses
High Fidelity
Buffering: Unshared Tales of a Life Fully Loaded
Acid for the Children
Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.
The Uncool
The Counterlife
The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music
Utopia Avenue
The Anthologist
A Single Man
The Final Revival of Opal & Nev
A Portrait of the Artist as a Young Man
How to Kill a Rock Star
Take the Cannoli
Journals
Surrender: 40 Songs, One Story
Knife: Meditations After an Attempted Murder
Marcelo in the Real World
Sixty Stories
Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader
Ragtime
An Equal Music
How to Write One Song: Loving the Things We Create and How They Love Us Back
Tibetan Peach Pie
Flowers for Algernon
Freedom
Orfeo
Me
Every Good Boy Does Fine: A Love Story, in Music Lessons
Manalive
A Room with a View
My Lucky Life in and Out of Show Business
Chronicles, Volume One
The White Album
My Name Is Asher Lev
Lanark
My Name Is Barbra
The Gum Thief
The Little Country
How to Be Good
Winter Hours: Prose, Prose Poems, and Poems
Asymmetry
Intermezzo
The Brooklyn Follies
Silence: Lectures and Writings
Different Seasons
Psychotic Reactions and Carburetor Dung
The Partly Cloudy Patriot
