“Is it not love that knows how to make smooth things rough and rough things smooth?”
“What is the difference between my life and my love? One gets me low, the other lets me go.”
“Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.”
“But I was her first love, as she was mine. Nor have I ever been in love since. But then I have never fallen out of love with her – with her, I suppose, as she then was, or as I grew afterwards to realize or imagine she had been. What is she now, who is she now? Am I with such inane fidelity fixated on someone who could have utterly changed (but could she have? could she really have changed so much?), who could have grown to hate me for leaving her, who could have forgotten me or learned deliberately to expunge me from her mind. How many seconds or weeks after seeing me…did I survive her thoughts?”
“In a clear brook
With joyful haste
The whimsical trout
Shot past me like an arrow
I play the line of the song, I play the leaps and plunges of the right hand of the piano, I am the trout, the angler, the brook, the observer.”
“In the painting I saw, in the books I read, I recalled her, for she her had in many ways been the making of me.”
“Strange to be a man and never grow big with child. To feel a part of you opening, and a part of you leaving, and howling as if it were not a part of you.”
“The past is the past, and he can't make amends, only hope that the gain will outlast the damage.”
“Let the smoky Käll sustain himself on Mars, and Yuko lay rue on Beethoven’s grave. Let the lord of the manor of Rochdale clap his coffin into a canoe and disport himself on the waters. Let Zsa-Zsa sleep on a pillow of haddock in Maria’s cello case. Let Mrs Wessen live to see her thousandth moon. Let Ysobel unknit her forehead. Let not poor Virginie weep. Let all and no things come to pass, for how will I pass these days?”
“Well, what do you think? Avanti?"
"Avanti," cries everyone, and, after a few quick re-tunings of our instruments, and re-initialisings of our hearts, we enter the slow theme-and-variations movement.
How good it is to pay this quintet, to play it, not to work at it - to play for our own joy, with no need to convey anything to anyone outside our ring of recreation, with no expectation of a future stage, of the too-immediate sop of applause. The quintet exists without us yet cannot exist without us. It sings to us, we sing into it, and somehow, through these little black and white insects clustering along five thin lines, the man who deafly transfigured what he so many years earlier had hearingly composed speaks into us across land and water and ten generations, and fills us here with sadness, here with amazed delight.”
“I walk across the park to her flat. It is over-heated and there is a great deal of pink. This used not to unnerve me. Now when I step into the bathroom I recoil.
Pink bath, pink basin, pink toilet, pink bidet, pink tiles, pink wallpaper, pink rug. Brushes, soap, tooth brush, silk flowers, toilet paper: all pink. Even the little foot-operated waste-bin is pale pink. I know this little waste-bin well. Every time I sleep here I wonder what I am doing with my time and hers. She is sixteen years younger than I am. She is not the woman with whom I want to share my life. But, having begun, what we have continues. She wants it to, and I go along with it, through lust and loneliness, I suppose; and laziness, and lack of focus.”
“Life knocks you down. It’s going to, and you got to just turn around and get back up, hold on to me if you have to, but always get back up. People will just walk all over you if you leave yourself beaten on the ground.”
“Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.”
“That’s not who you are,” Blythe said.
“Who am I?”
“My little wolf.” She traced my jaw, the ridge of my knuckles. “All teeth and claws. Cunning, and fierce, and insatiable.”
“Such a God cannot be found out by searching. He can be known only as He is revealed to the heart by the Holy Spirit through the Word. It”
“But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number.”
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