“Is it not love that knows how to make smooth things rough and rough things smooth?”
― Vikram Seth, quote from An Equal Music
“What is the difference between my life and my love? One gets me low, the other lets me go.”
― Vikram Seth, quote from An Equal Music
“Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.”
― Vikram Seth, quote from An Equal Music
“But I was her first love, as she was mine. Nor have I ever been in love since. But then I have never fallen out of love with her – with her, I suppose, as she then was, or as I grew afterwards to realize or imagine she had been. What is she now, who is she now? Am I with such inane fidelity fixated on someone who could have utterly changed (but could she have? could she really have changed so much?), who could have grown to hate me for leaving her, who could have forgotten me or learned deliberately to expunge me from her mind. How many seconds or weeks after seeing me…did I survive her thoughts?”
― Vikram Seth, quote from An Equal Music
“In a clear brook
With joyful haste
The whimsical trout
Shot past me like an arrow
I play the line of the song, I play the leaps and plunges of the right hand of the piano, I am the trout, the angler, the brook, the observer.”
― Vikram Seth, quote from An Equal Music
“In the painting I saw, in the books I read, I recalled her, for she her had in many ways been the making of me.”
― Vikram Seth, quote from An Equal Music
“Strange to be a man and never grow big with child. To feel a part of you opening, and a part of you leaving, and howling as if it were not a part of you.”
― Vikram Seth, quote from An Equal Music
“The past is the past, and he can't make amends, only hope that the gain will outlast the damage.”
― Vikram Seth, quote from An Equal Music
“Let the smoky Käll sustain himself on Mars, and Yuko lay rue on Beethoven’s grave. Let the lord of the manor of Rochdale clap his coffin into a canoe and disport himself on the waters. Let Zsa-Zsa sleep on a pillow of haddock in Maria’s cello case. Let Mrs Wessen live to see her thousandth moon. Let Ysobel unknit her forehead. Let not poor Virginie weep. Let all and no things come to pass, for how will I pass these days?”
― Vikram Seth, quote from An Equal Music
“Well, what do you think? Avanti?"
"Avanti," cries everyone, and, after a few quick re-tunings of our instruments, and re-initialisings of our hearts, we enter the slow theme-and-variations movement.
How good it is to pay this quintet, to play it, not to work at it - to play for our own joy, with no need to convey anything to anyone outside our ring of recreation, with no expectation of a future stage, of the too-immediate sop of applause. The quintet exists without us yet cannot exist without us. It sings to us, we sing into it, and somehow, through these little black and white insects clustering along five thin lines, the man who deafly transfigured what he so many years earlier had hearingly composed speaks into us across land and water and ten generations, and fills us here with sadness, here with amazed delight.”
― Vikram Seth, quote from An Equal Music
“I walk across the park to her flat. It is over-heated and there is a great deal of pink. This used not to unnerve me. Now when I step into the bathroom I recoil.
Pink bath, pink basin, pink toilet, pink bidet, pink tiles, pink wallpaper, pink rug. Brushes, soap, tooth brush, silk flowers, toilet paper: all pink. Even the little foot-operated waste-bin is pale pink. I know this little waste-bin well. Every time I sleep here I wonder what I am doing with my time and hers. She is sixteen years younger than I am. She is not the woman with whom I want to share my life. But, having begun, what we have continues. She wants it to, and I go along with it, through lust and loneliness, I suppose; and laziness, and lack of focus.”
― Vikram Seth, quote from An Equal Music
Vikram Seth
Born place: in Calcutta (now Kolkata), West Bengal, India
Born date June 20, 1952
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“[...] afirmaban que el Apocalipsis no era sino el día en que los sueños saldrían de la cárcel del dormir, pues la resurrección de los muertos que la gente concibe de forma trivial y metafísica, se produciría precisamente de ese modo. ¿No eran acaso los sueños mensajes enviados por ellos? Esta reivindicación secular de los muertos, este ruego, lamento, protesta, llámese como se quiera, será un día tomada en cuenta.”
― Ismail Kadare, quote from The Palace of Dreams
“1496: La Conceptión Sacrilege Bartholomew Columbus, Christopher’s brother and lieutenant, attends an incineration of human flesh. Six men play the leads in the grand opening of Haiti’s incinerator. The smoke makes everyone cough. The six are burning as a punishment and as a lesson: They have buried the images of Christ and the Virgin that Fray Ramon Pane left with them for protection and consolation. Fray Ramon taught them to pray on their knees, to say the Ave Maria and Paternoster and to invoke the name of Jesus in the face of temptation, injury, and death. No one has asked them why they buried the images. They were hoping that the new gods would fertilize their fields of corn, cassava, boniato, and beans. The fire adds warmth to the humid, sticky heat that foreshadows heavy rain. (103)”
― Eduardo Galeano, quote from Genesis
“Of course, they were paying for more than the groceries. They were financing the parking valets, and the starched white tablecloths, and the waiters with rings in their ears and cobs up their butts, who acted like you were putting them out if you asked them to fetch you an extra helping of bread. They were paying for the fancy French name slapped on a filet of fish that used to be called the catch-of-the-day. He’d seen pretentious outfits like that in ports all over the world. A few had even cropped up here in Key West, and those he scorned most of all.”
― Sandra Brown, quote from Envy
“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”
― Charles de Lint, quote from The Blue Girl
“If you accept any position of authority you have to know when to break or circumvent a rule. It’s the knowing when that’s important.”
― Madeleine L'Engle, quote from The Arm of the Starfish
Hallowed
Only Forward
Cut
Rilla of Ingleside
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