Quotes from High Fidelity

“People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and rejection and pain and misery and loss.”
― Nick Hornby, quote from High Fidelity

“What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?”
― Nick Hornby, quote from High Fidelity

“It's brilliant, being depressed; you can behave as badly as you like.”
― Nick Hornby, quote from High Fidelity

“Sentimental music has this great way of taking you back somewhere at the same time that it takes you forward, so you feel nostagic and hopeful all at the same time.”
― Nick Hornby, quote from High Fidelity

“I've committed to nothing...and that's just suicide...by tiny, tiny increments.”
― Nick Hornby, quote from High Fidelity

“I'm very good at the past. It's the present I can't understand.”
― Nick Hornby, quote from High Fidelity

“Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.”
― Nick Hornby, quote from High Fidelity

“Those days are gone, and good fucking riddance to them; unhappiness really meant something back then. Now it's just a drag, like a cold or having no money. If you really wanted to mess me up, you should have got to me earlier.”
― Nick Hornby, quote from High Fidelity

“Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
― Nick Hornby, quote from High Fidelity

“If you really wanted to mess me up, you should have got to me earlier.”
― Nick Hornby, quote from High Fidelity

“…I've had a bad week."
What's happened?"
Nothing's happened. I've had a bad week in my head, is all.”
― Nick Hornby, quote from High Fidelity

“I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.”
― Nick Hornby, quote from High Fidelity

“I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign.”
― Nick Hornby, quote from High Fidelity

“It's a mystery of human chemistry and I don't understand it, some people, as far as their senses are concerned, just feel like home.”
― Nick Hornby, quote from High Fidelity

“Have you got any soul?" a woman asks the next afternoon. That depends, I feel like saying; some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly, I want to tell her, get a better balance, but I can't seem to get it sorted. I can see she wouldn't be interested in my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.”
― Nick Hornby, quote from High Fidelity

“I used to think--and given the way we ended up, maybe I still do--that all relationships need the kind of violent shove that a crush brings, just to get you started and to push you over the humps. And then, when the energy from that shove has gone and you come to something approaching a halt, you have to look around and see what you've got. It could be something completely different, it could be something roughly the same, but gentler and calmer, or it could be nothing at all.”
― Nick Hornby, quote from High Fidelity

“It's not what you like but what you are like that's important.”
― Nick Hornby, quote from High Fidelity

“It's no wonder we're all such a mess, is it? We're like Tom Hanks in Big. Little boys and girls trapped in adult bodies and forced to get on with it. ”
― Nick Hornby, quote from High Fidelity

“A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention (I started with 'Got To Get You Off My Mind', but then realised that she might not get any further than track one, side one if I delivered what she wanted straight away, so I buried it in the middle of side two), and then you've got to up it a notch, and you can't have white music and black music together, unless the white music sounds like black music, and you can't have two tracks by the same artist side by side, unless you've done the whole thing in pairs, and ... oh there are loads of rules.”
― Nick Hornby, quote from High Fidelity

“Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.”
― Nick Hornby, quote from High Fidelity

“my friends don't seem to be friends at all but people whose phone numbers I haven't lost.”
― Nick Hornby, quote from High Fidelity

“What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?"- Rob”
― Nick Hornby, quote from High Fidelity

“Did I do and say these things? Yes, I did. Are there any mitigating circumstances? Not really, unless any circumstances {in other words, context) can be regarded as mitigating. And before you judge, although you have probably already done so, go away and write down the four worst things you have done to a partner, even if - especially if - your partner doesn't know about them. Don't dress things up, or try to explain them; just write them down, in a list, in the plainest language possible. Finished? Ok, so who's the arsehole now?”
― Nick Hornby, quote from High Fidelity

“(About Love)The most important thing in life, and you can't tell whether people have it or not. Surely this is wrong? Surely people who are happy should look happy, at all times, no matter how much money they have or how uncomfortable their shoes are or how little their child is sleeping; and people who are doing OK but have still not found their soul-mate should look, I don't know, anxious, like Billy Crystal in When Harry Met Sally; and people who are desperate should wear something, a yellow ribbon maybe, which would allow them to be identified by similar desperate people. ”
― Nick Hornby, quote from High Fidelity

“That’s why; he’s worried about how his life is turning out, and he’s lonely, and lonely people are the bitterest of them all”
― Nick Hornby, quote from High Fidelity

“Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.”
― Nick Hornby, quote from High Fidelity

“It would be nice to think that as I've got older times have changed, relationships have become more sophisticated, females less cruel, skins thicker, reactions sharper, instincts more developed. But there still seems to be an element of that evening in everything that happened to me since; all my other romantic stories seem to be a scrambled version of that first one. Of course, I have never had to take that long walk again, and my ears have not burned with quite the same fury, and I have never had to count the packs of cheap cigarettes in order to avoid mocking eyes and floods of tears... not really, not actually, not as such. It just feels that way, sometimes.”
― Nick Hornby, quote from High Fidelity

“One day, maybe not in the next few weeks, but certainly in the conceivable future, someone will be able to refer to me without using the word 'arse' somewhere in the sentence. ”
― Nick Hornby, quote from High Fidelity

“I don't even feel as if I'm the center of my own world, so how am I supposed to feel as though I'm the center of anyone else's?”
― Nick Hornby, quote from High Fidelity

“The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.”
― Nick Hornby, quote from High Fidelity

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“So why must it wound him that the most despairing music is full of beauty? Why must it hurt him and make him cynical and sad and untrusting?”
― Anne Rice, quote from Cry to Heaven

“Stephen had spared no expense in making himself more unhappy, his own position as a rejected lover clearer.”
― Patrick O'Brian, quote from H.M.S. Surprise

“Laurie piped up again. 'At State, everybody calls diversity dispersity. What happens is, everybody has their own clubs, their own signs, their own sections where they all sit in the dining hall--all the African Americans are over there? . . . and all the Asians sit over't these other tables? -- except for the Koreans? -- because they don't get along with the Japanese so they sit way over there? Everybody's dispersed into their own little groups -- and everybody's told to distrust everybody else? Everybody's told that everybody else is trying to screw them over--oops!' -- Laurie pulled a face and put her fingertips over her lips -- 'I'm sorry!' She rolled eyes and smiled. 'Anyway, the idea is, every other group is like prejudiced against your group, and no matter what they say, they're only out to take advantage of you, and you should have nothing to do with them -- unless your white, in which case all the others are not prejudiced against you, they're like totally right, because you really are a racist and everything, even if you don't know it? Everybody ends up dispersed into their own like turtle shells, suspicious of everybody else and being careful not to fraternize with them. Is it like that at Dupont?”
― Tom Wolfe, quote from I am Charlotte Simmons

“Holding his breath, swaying drunkenly beneath a bulb which illumined little more than grime and moisture, Moon stared awhile at the cement wall; it took just such a hopeless international latrine in the early hours of a morning, when a man was weak in the knees, short in the breath, numb in the forehead and rotten in the gut, to make him wonder where he was, how he got there, where he was going; he realized that he did not know and never would. He had confronted this same latrine on every continent and not once had it come up with an answer; or rather, it always came up with the same answer, a suck and gurgle of unspeakable vileness, a sort of self-satisfied low chuckling: Go to it, man, you’re pissing your life away.”
― Peter Matthiessen, quote from At Play in the Fields of the Lord

“From the sound of pattering raindrops I recaptured the scent of the lilacs at Combray; from the shifting of the sun's rays on the balcony the pigeons in the Champs-Elysées; from the muffling of sounds in the heat of the morning hours, the cool taste of cherries; the longing for Brittany or Venice from the noise of the wind and the return of Easter. Summer was at hand, the days were long, the weather was warm. It was the season when, early in the morning, pupils and teachers repair to the public gardens to prepare for the final examinations under the trees, seeking to extract the sole drop of coolness vouchsafed by a sky less ardent than in the midday heat but already as sterilely pure.”
― Marcel Proust, quote from The Captive & The Fugitive

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