“Why would you want to be anything else if you're Mick Jagger?”
“We age not by holding on to youth, but by letting ourselves grow and embracing whatever youthful parts remain.”
“There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.”
“What is it that makes you want to write songs? In a way you want to stretch yourself into other people’s hearts. You want to plant yourself there, or at least get a resonance, where other people become a bigger instrument than the one you’re playing. It becomes almost an obsession to touch other people. To write a song that is remembered and taken to heart is a connection, a touching of bases. A thread that runs through all of us. A stab to the heart. Sometimes I think songwriting is about tightening the heartstrings as much as possible without bringing on a heart attack.”
“But I'm not here just to make records and money. I'm here to say something and to touch other people, sometimes in a cry of desperation: "Do you know this feeling?”
“In fact, I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mummy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.”
“Preaching is tax free. Very little to do with God, a lot to do with money”
“True friends. Hardest thing to find, but you never look for them - they found you ; you just grow into each other”
“I firmly believe if you want to be a guitar player, you better start on acoustic and then graduate to electric. Don’t think you’re going to be Townshend or Hendrix just because you can go wee wee wah wah, and all the electronic tricks of the trade. First you’ve got to know that fucker. And you go to bed with it. If there’s no babe around, you sleep with it. She’s just the right shape.”
“And then I think we realized, like any young guys, that blues are not learned in a monastery. You've got to go out there and get your heart broke and then come back and then you can sing the blues.”
“My life is full of broken halos.”
“Love has sold more songs than you've had hot dinners.”
“One of the great things about songwrighting; it's not an intellectual experience”
“[John] Belushi was an extreme experience even by my standards.”
“Rock and roll ain't nothing but jazz with a hard backbeat.”
“A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.”
“You're sitting with some guys, and you're playing and you go, "Ooh, yeah!" That feeling is worth more than anything. There's a certain moment when you realize that you've actually just left the planet for a bit and that nobody can touch you. You're elevated because you're with a bunch of guys that want to do the same thing as you. And when it works, baby, you've got wings. You know you've been somewhere most people will never get; you've been to a special place.”
“The big rules of knife fighting are (a) do not try it at home, and (b) the whole point is never, ever use the blade. It is there to distract your opponent. While he stares at the gleaming steel, you kick his balls to kingdom come--he's all yours. Just a tip!”
“Its called a playground, but its nearer to a battlefield. It can be brutal”
“The thing about being a songwriter is,even if you been fucked over, you can find consolation in writing about it, and pour it out. Everything has something to do with something; nothing is divorced. It becomes an experience,a feeling or a aconglomeration of experiences...”
“I can’t imagine what other people think cold turkey is like. It is fucking awful. On the scale of things, it’s better than having your leg blown off in the trenches. It’s better than starving to death. But you don’t want to go there. The whole body just sort of turns itself inside out and rejects itself for three days. You know in three days it’s going to calm down. It’s going to be the longest three days you’ve spent in your life, and you wonder why you’re doing this to yourself when you could be living a perfectly normal fucking rich rock star life. And there you are puking and climbing walls. Why do you do that to yourself? I don’t know. I still don’t know. Your skin crawling, your guts churning, you can’t stop your limbs from jerking and moving about, and you’re throwing up and shitting at the same time, and shit’s coming out your nose and your eyes, and the first time that happens for real, that’s when a reasonable man says, “I’m hooked.” But even that doesn’t stop a reasonable man from going back on it.”
“And you listen to some of that meticulous Mozart stuff and Vivaldi and you realize that they knew that too. They knew when to leave one note just hanging up there where it illegally belongs and let it dangle in the wind and turn a dead body into a living beauty.”
“I was husband for a week. Changed the baby's diapers. There's somebody in a suburb in Melbourne who doesn't even know i wiped his ass”
“I can sustain the impetus over the long tours we do is by feeding off the energy that we get back from an audience. That's my fuel. All i've got is this burning energy, especially when i've got a guitar in my hands”
“To write a song that is remembered and taken to heart," Richards notes, "is a connection, a touching of bases. A thread that runs through all of us. A stab to the heart." Keith Richards from his autobiography”
“La gente me pregunta "por qué no lo dejas?". El hecho es que no me puedo retirar hasta que no estire la pata. Creo que no acaban de entender lo que gano con todo esto. No lo hago sólo por el dinero ni por ti. Lo hago por mi.”
“That was the biggest fear. I'd rather clean up before I went on the road. It's bad enough cleaning up by yourself, but the idea of putting the whole tour on the line because I could'n make it was too much; even for me”
“A familiar Gusism was to greet a friend with 'Hello, don't be a cunt all your life.”
“Because I care about human beings, I want them to be free to do what is right for them. Isn't that more important than mere peace on earth? Isn't freedom, even dangerous freedom, preferable to the safest slavery, to peace bought with ignorance, cowardice, and submission?”
“I hope I'll never get ambitious enough to try anything. It's so much nicer to be damned sure I could do it better than other people - and I might not could if I tried...”
“"And suddenly they came out of the woodwork. I don't actually know what that expression means. What come out of the wood work? Cockroaches maybe. Mice? Are these rhetorical questions, like I just learned about on one of my rare visits to school? Was that a rhetorical question? Is it a paradox when you ask rhetorically if a rhetorical question is a rhetorical question? I think I'd better stop before I get a headache.”
“Plutarch gave her nine languages, including Hebrew and Troglodyte, an Ethiopian tongue that—if Herodotus can be believed—was “unlike that of any other people; it sounds like the screeching of bats.”
“Si no hay alivio en los frutos de nuestra investigación, hay al menos algún consuelo en la investigación misma. Los hombres no se contentan con consolarse mediante cuentos de dioses y gigantes, o limitando sus pensamientos a los asuntos cotidianos de la vida. También construyen telescopios, satélites y aceleradores, y se sientan en sus escritorios durante horas interminables tratando de discernir el significado de los datos que reúnen. El esfuerzo para comprender el Universo es una de las pocas cosas que eleva la vida humana por sobre el nivel de la farsa y le imprime algo de la elevación de la tragedia.”
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