The Custom of the Country
Quotes from the Book
The physicality of making things, the performance, temporarily displaced how stuck she felt, in this particular body, family, town, time.
Giselle wondered how important it was to have a complicated life in addition to making your art.
If you did not maintain the days, what proof would you have of your existence, time passing?
Giselle’s features solidified. Whether she was beautiful, hot, pretty, or none of the above changed according to who was doing the looking and to whom she was being compared. Beauty was relative, reflective; you learned early to rank and code, to tally appearance and desirability in seconds, a subconscious algorithm that input body parts, clothing, attitude, makeup.
Something about absolutes, the cultish nature of them, made her wary of unconditional loyalty to sports teams, politicians, alma maters, never mind nation.
Conscious and not-conscious. This would become her private superpower, the ability to escape herself, to circumvent expectations.
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About Lisa Ko
About the book
In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity.
By the time they are adults, their dreams are murkier. As a performance artist, Giselle must navigate an elite social world she never conceived of. As a coder thrilled by the internet’s early egalitarian promise, Jackie must contend with its more sinister shift toward monetization and surveillance. And as a community activist, Ellen confronts the increasing gentrification and policing overwhelming her New York City neighborhood. Over time their friendship matures and changes, their definitions of success become complicated, and their sense of what matters evolves.
Mo
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