Varieties of Disturbance
Quotes from the Book
Like a tropical storm, I, too, may one day become ‘better organized.
50
Nearly every morning, a certain woman in our community comes running out of her house with her face white and her overcoat flapping wildly. She cries out, "Emergency, emergency," and one of us runs to her and holds her until her fears are calmed. We know she is making it up; nothing is has really happened to her. But we understand, because there is hardly one of us who has no been moved at some time to do just what she has done, and every time, it has taken all our strength, and even the strength of our friends and families, too, to keep us quiet.
37
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
35
Art is not in some far-off place.
28
I can talk for a long time only when it's about something boring.
25
So the question really is, Why doesn't that pain make you say, I won't do it again? When the pain is so bad that you have to say that, but you don't.
21
The Outing An outburst of anger near the road, a refusal to speak on the path, a silence in the pine woods, a silence across the old railroad bridge, an attempt to be friendly in the water, a refusal to end the argument on the flat stones, a cry of anger on the steep bank of dirt, a weeping among the bushes.
21
This was why she could not sleep. She could not say the day was over. She had no sense that any day was ever over.
14
it occurs to me that I must not know altogether what I am, either, and that others know certain things about me better than I do, though I think I ought to know all there is to know and I proceed as if I do. Even once I see this, however, I have no choice but to continue to proceed as if I know altogether what I am, though I may also try to guess, from time to time, just what it is that others know that I do not know.
13
There is his right leg over my right leg, my left leg over his right leg, his left arm under my back, my right arm around his head, his right arm across my chest, my left arm across his right arm, and my right hand stroking his right temple. Now it becomes difficult to tell what part of what body is actually mine and what part his. I rub his head as it lies pressed against mine, and I hear the strands of his hair chafing against his skull as though it is my own hair chafing against my own skull, as though I now hear with his ears, and from inside his head.
11
The people in your happy memories have to be the same people who want to have you in their own happy memories.
8
I guess you get to a point where you look at that pain as if it were in front of you three feet away lying in a box, an open box, in a window somewhere. It's hard and cold, like a bar of metal. You just look at it there and say, Alright, I'll take it, I'll buy it. That's what it is.
8
His inconsistency. His inability to finish anything. His sudden terrifying feelings that nothing he did mattered. His realizations that what went on in the outside world had more substance than anything in his life.
7
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
7
But at the time I had that strange confidence, born of watching a good movie, that I could be something different from what I was...
6
At a certain point in her life, she realizes it is not so much that she wants to have a child as that she does not want not to have a child, or not to have had a child.
5
Maybe happy memories can't involve people who were only strangers or casual friends. You can't be left alone, in your old age and pain, with memories that include only people who have forgotten you. The people in your happy memories have to be the same people who want to have you in their own happy memories.
4
Not a man of habits, though he wished to be,
4
I attempt all day, at work, not to think about what lies ahead, but this costs me so much effort that there is nothing left for my work. I handle telephone calls so badly that after a while the switchboard operator refuses to connect me. So I had better say to myself, Go ahead and polish the silverware beautifully, then lay it out ready on the sideboard and be done with it. Because I polish it in my mind all day long—this is what torments me (and doesn't clean the silver).
4
I am happy doing the work I do, alone at a desk. That work is a great part of every day. But when I am old and alone all the time, will it be enough to think about the work I used to do?
3
Maybe for now I should try, each day, to be a little less than I usually am.
3
Maybe I had been alone in that apartment so much by then that I had retreated into some kind of inner, unsociable space that was hard to come out of. Maybe I felt I had disappeared and I was comfortable that way and did not want to be forced back into existence. I don't know.
3
The senses get tired. Sometimes, long before the end, they say, I'm quitting—I'm getting out of this now. And then the person is less prepared to meet the world, and stays at home more, without some of what he needs if he is to go on. If it all quits on him, he is really alone; in the dark, in the silence, numb hands, nothing in his mouth, nothing in his nostrils. He asks himself, Did I treat them wrong? Didn't I show them a good time?
3
The Fish She stands over a fish, thinking about certain irrevocable mistakes she has made today. Now the fish has been cooked, and she is alone with it. The fish is for her—there is no one else in the house. But she has had a troubling day. How can she eat this fish, cooling on a slab of marble? And yet the fish, too, motionless as it is, and dismantled from its bones, and fleeced of its silver skin, has never been so completely alone as it is now: violated in a final manner and regarded with a weary eye by this woman who has made the latest mistake of her day and done this to it.
3
She can't say to herself that it is really over, even though anyone else would say it was over, since he has moved to another city, hasn't been in touch with her in more than a year, and is married to another woman.
3
They Take Turns Using a Word They Like “It’s extraordinary,” says one woman.
3
She reads a book about Zen and she writes down on a piece of paper the eight parts of Buddha’s eightfold path and thinks she might follow it. She sees that it mainly involves doing everything right.
2
And then, there have always been days when my mind does not make connections very fast. There are always days when my mind is cloudy, or I forget things, or I feel as if I am in a different town or a different house—that something around me or about me is not normal.
2
In those days I did a lot of avoiding that I don’t do now — avoiding confrontations, avoiding difficult encounters. And I did a fair amount of lying that I also don’t do now.' 'What was strange was how awful this felt. I was treating a person like a thing. And I was betraying not just him but something larger, some social contract. When you knew a decent person was waiting downstairs, someone you had made an appointment with, you did not just not answer the buzzer. What was even more surprising to me was what I felt about myself in that instant. I was behaving as though I had no responsibility to anyone or anything, and that made me feel as though I existed outside society, some kind of criminal, or didn’t exist at all. I was annihilating myself even more than him. It was an awful violation.
2
I think I know what sort of person I am. But then I think, But this stranger will imagine me quite otherwise when he or she hears this or that to my credit, for instance that I have a position at the university: the fact that I have a position at the university will appear to mean that I must be the sort of person who has a position at the university.
2
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About Lydia Davis
More by Lydia Davis
About the book
Lydia Davis is one of our most original and influential writers. She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.
Book details
- First published
- 2009
- Author
- Lydia Davis
- Genre
- Fiction
- Goodreads rating
- 4.22 (7k ratings)
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