“Love is not simply the sum of sweet greetings and wrenching partings and kisses and embraces, but is made up more of the memory of what has happened and the imagining of what is to come.”
― Anita Shreve, quote from Fortune's Rocks
“Later, when she sees the photographs for the first time, she will be surprised at how calm her face looks - how steady her gaze, how erect her posture. In the picture her eyes will be slightly closed, and there will be a shadow on her neck. The shawl will be draped around her shoulders, and her hands will rest in her lap. In this deceptive photograph, she will look a young woman who is not at all disturbed or embarrassed, but instead appears to be rather serious. And she wonders if, in its ability to deceive, photography is not unlike the sea, which may offer a benign surface to the observe even as it conceals depths and current below.”
― Anita Shreve, quote from Fortune's Rocks
“In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire. ”
― Anita Shreve, quote from Fortune's Rocks
“Olympia thinks often about desire - desire that stops the breath, that causes a preoccupied pause in the midst of uttering a sentence - and how it may upend a life and threaten to dissolve the soul.”
― Anita Shreve, quote from Fortune's Rocks
“It is time that determines the intensity of love.”
― Anita Shreve, quote from Fortune's Rocks
“Altogether, Olympia thinks the sight of herself satisfactory, but not beautiful: a smile is missing, a certain light about the eyes. For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
“And this all causes her to wonder at the disparity between the silk dresses and the natural postures of the body, and to think: How far, HOW FAR, we are willing to go to pretend we are not of the body at all.”
― Anita Shreve, quote from Fortune's Rocks
“... she suddenly looks different to Olympia, physically different, as though a portrait has been alterred. And Olympia thinks that possibly such adjustments might have to be made for everyone she knows. Upon meeting a person, a sketch is formed, and for the life of the relationship, however intimate or not, a portrait is painted, with oils or pastels or with black ink or with watercolor, and only at a persons's death can the portraits be considered finished. Perhaps not even at the person's death.”
― Anita Shreve, quote from Fortune's Rocks
“And as she watches, she discovers that a dream creates a nonexistent intimacy, that one feels, all the next day after the dream, as though certain words have been said or actions taken which have not. So that the object of the dream feels familiar, when, in fact, no familiarity exists at all.”
― Anita Shreve, quote from Fortune's Rocks
“should be paid to the unlikelihood of”
― Anita Shreve, quote from Fortune's Rocks
“gave up her child without so much as a note or a dollar, and what excuse did she have? None. She was not poor. She was not the victim of brutality. And the child, whatever else his circumstances, had been conceived in love. That much was true. How could she have so easily given the child away? Olympia”
― Anita Shreve, quote from Fortune's Rocks
“Beauty, Olympia has come to understand, has incapacitated her mother and ruined her life, for it has made her dependent upon people who are desirous of seeing her and of serving her.”
― Anita Shreve, quote from Fortune's Rocks
“For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
Anita Shreve
Born place: in Dedham, Massachusetts
Born date October 7, 1946
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“Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality waiting to be shaped.”
― Terry Pratchett, quote from Good Omens
“Satan is not going to leave. The only way to get him out is to invite God in, and God is not welcome in my mother's house.”
― Delores Phillips, quote from The Darkest Child
“For love that is not requited in equal measure is not love at all; it is not sacred. And holding on to the ideal of such love can keep us from finding the one that is true.”
― Kathleen McGowan, quote from The Book of Love
“My only answer is, if my grave stood open on one side and you upon the other I'd go into my grave before I would take one step to meet you.”
― Louisa May Alcott, quote from A Long Fatal Love Chase
“The Blind Men and the Elephant9 It was six men of Indostan To learning much inclined, Who went to see the Elephant (Though all of them were blind), That each by observation Might satisfy his mind. The First approached the Elephant, And happening to fall Against his broad and sturdy side, At once began to bawl: “God bless me! but the Elephant Is very like a wall!” The Second, feeling of the tusk Cried, “Ho! what have we here, So very round and smooth and sharp? To me `tis mighty clear This wonder of an Elephant Is very like a spear!” The Third approached the animal, And happening to take The squirming trunk within his hands, Thus boldly up he spake: “I see,” quoth he, “the Elephant Is very like a snake!” The Fourth reached out an eager hand, And felt about the knee: “What most this wondrous beast is like Is mighty plain,” quoth he; “’Tis clear enough the Elephant Is very like a tree!” The Fifth, who chanced to touch the ear, Said: “E’en the blindest man Can tell what this resembles most; Deny the fact who can, This marvel of an Elephant Is very like a fan!” The Sixth no sooner had begun About the beast to grope, Than, seizing on the swinging tail That fell within his scope. “I see,” quoth he, “the Elephant Is very like a rope!” And so these men of Indostan Disputed loud and long, Each in his own opinion Exceeding stiff and strong, Though each was partly in the right, And all were in the wrong! Moral So oft in theologic wars, The disputants, I ween, Rail on in utter ignorance Of what each other mean, And prate about an Elephant Not one of them has seen!”
― Douglas N. Graham, quote from The 80/10/10 Diet: Balancing Your Health, Your Weight, and Your Life, One Luscious Bite at a Time
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