“Love is not simply the sum of sweet greetings and wrenching partings and kisses and embraces, but is made up more of the memory of what has happened and the imagining of what is to come.”
― Anita Shreve, quote from Fortune's Rocks
“Later, when she sees the photographs for the first time, she will be surprised at how calm her face looks - how steady her gaze, how erect her posture. In the picture her eyes will be slightly closed, and there will be a shadow on her neck. The shawl will be draped around her shoulders, and her hands will rest in her lap. In this deceptive photograph, she will look a young woman who is not at all disturbed or embarrassed, but instead appears to be rather serious. And she wonders if, in its ability to deceive, photography is not unlike the sea, which may offer a benign surface to the observe even as it conceals depths and current below.”
― Anita Shreve, quote from Fortune's Rocks
“In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire. ”
― Anita Shreve, quote from Fortune's Rocks
“Olympia thinks often about desire - desire that stops the breath, that causes a preoccupied pause in the midst of uttering a sentence - and how it may upend a life and threaten to dissolve the soul.”
― Anita Shreve, quote from Fortune's Rocks
“It is time that determines the intensity of love.”
― Anita Shreve, quote from Fortune's Rocks
“Altogether, Olympia thinks the sight of herself satisfactory, but not beautiful: a smile is missing, a certain light about the eyes. For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
“And this all causes her to wonder at the disparity between the silk dresses and the natural postures of the body, and to think: How far, HOW FAR, we are willing to go to pretend we are not of the body at all.”
― Anita Shreve, quote from Fortune's Rocks
“... she suddenly looks different to Olympia, physically different, as though a portrait has been alterred. And Olympia thinks that possibly such adjustments might have to be made for everyone she knows. Upon meeting a person, a sketch is formed, and for the life of the relationship, however intimate or not, a portrait is painted, with oils or pastels or with black ink or with watercolor, and only at a persons's death can the portraits be considered finished. Perhaps not even at the person's death.”
― Anita Shreve, quote from Fortune's Rocks
“And as she watches, she discovers that a dream creates a nonexistent intimacy, that one feels, all the next day after the dream, as though certain words have been said or actions taken which have not. So that the object of the dream feels familiar, when, in fact, no familiarity exists at all.”
― Anita Shreve, quote from Fortune's Rocks
“should be paid to the unlikelihood of”
― Anita Shreve, quote from Fortune's Rocks
“gave up her child without so much as a note or a dollar, and what excuse did she have? None. She was not poor. She was not the victim of brutality. And the child, whatever else his circumstances, had been conceived in love. That much was true. How could she have so easily given the child away? Olympia”
― Anita Shreve, quote from Fortune's Rocks
“Beauty, Olympia has come to understand, has incapacitated her mother and ruined her life, for it has made her dependent upon people who are desirous of seeing her and of serving her.”
― Anita Shreve, quote from Fortune's Rocks
“For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
Anita Shreve
Born place: in Dedham, Massachusetts
Born date October 7, 1946
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“What are you doing?” Grace had asked him. “Gangsta poses. Yo, whatchya think?” “That I should get you seizure medication.”
― Harlan Coben, quote from Just One Look
“Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this.
No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it."
Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once.
"Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you."
"Jack—please."
Riley's voice was broken.
Everything Jack wanted to hear.
"Please?"
Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.”
― R.J. Scott, quote from The Heart of Texas
“Maybe that's what we look for in the people we love, the spark of unhappiness we think we know how to extinguish.”
― Tom Perrotta, quote from Election
“She had eyes like strange sins.”
― Raymond Chandler, quote from The High Window
“Ladies who were no better than they should be, whose dresses were too tight, too bright and too all the things Magnus liked most, lounged on velvet-covered benches along the walls.”
― Cassandra Clare, quote from The Midnight Heir
Medea
This Side of Paradis...
Son of the Shadows
Martin Eden
By the River Piedra...
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