“Love is not simply the sum of sweet greetings and wrenching partings and kisses and embraces, but is made up more of the memory of what has happened and the imagining of what is to come.”
― Anita Shreve, quote from Fortune's Rocks
“Later, when she sees the photographs for the first time, she will be surprised at how calm her face looks - how steady her gaze, how erect her posture. In the picture her eyes will be slightly closed, and there will be a shadow on her neck. The shawl will be draped around her shoulders, and her hands will rest in her lap. In this deceptive photograph, she will look a young woman who is not at all disturbed or embarrassed, but instead appears to be rather serious. And she wonders if, in its ability to deceive, photography is not unlike the sea, which may offer a benign surface to the observe even as it conceals depths and current below.”
― Anita Shreve, quote from Fortune's Rocks
“In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire. ”
― Anita Shreve, quote from Fortune's Rocks
“Olympia thinks often about desire - desire that stops the breath, that causes a preoccupied pause in the midst of uttering a sentence - and how it may upend a life and threaten to dissolve the soul.”
― Anita Shreve, quote from Fortune's Rocks
“It is time that determines the intensity of love.”
― Anita Shreve, quote from Fortune's Rocks
“Altogether, Olympia thinks the sight of herself satisfactory, but not beautiful: a smile is missing, a certain light about the eyes. For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
“And this all causes her to wonder at the disparity between the silk dresses and the natural postures of the body, and to think: How far, HOW FAR, we are willing to go to pretend we are not of the body at all.”
― Anita Shreve, quote from Fortune's Rocks
“... she suddenly looks different to Olympia, physically different, as though a portrait has been alterred. And Olympia thinks that possibly such adjustments might have to be made for everyone she knows. Upon meeting a person, a sketch is formed, and for the life of the relationship, however intimate or not, a portrait is painted, with oils or pastels or with black ink or with watercolor, and only at a persons's death can the portraits be considered finished. Perhaps not even at the person's death.”
― Anita Shreve, quote from Fortune's Rocks
“And as she watches, she discovers that a dream creates a nonexistent intimacy, that one feels, all the next day after the dream, as though certain words have been said or actions taken which have not. So that the object of the dream feels familiar, when, in fact, no familiarity exists at all.”
― Anita Shreve, quote from Fortune's Rocks
“should be paid to the unlikelihood of”
― Anita Shreve, quote from Fortune's Rocks
“gave up her child without so much as a note or a dollar, and what excuse did she have? None. She was not poor. She was not the victim of brutality. And the child, whatever else his circumstances, had been conceived in love. That much was true. How could she have so easily given the child away? Olympia”
― Anita Shreve, quote from Fortune's Rocks
“Beauty, Olympia has come to understand, has incapacitated her mother and ruined her life, for it has made her dependent upon people who are desirous of seeing her and of serving her.”
― Anita Shreve, quote from Fortune's Rocks
“For how very different a woman will look when she has happiness, Olympia knows, when her beauty emanates from a sense of well-being or from knowing herself to be greatly loved. Even a plain woman will attract the eye if she is happy, while the most elaborately coiffed and bejeweled woman in a room, if she cannot summon contentment, will seem to be merely decorative.”
― Anita Shreve, quote from Fortune's Rocks
Anita Shreve
Born place: in Dedham, Massachusetts
Born date October 7, 1946
See more on GoodReads
“Excuse me, Tex," the nurse said, hands on hips. 'Would you mind reining in the voice. There are babies being born in this hospital. We wouldn't want the first sound they hear to be your painful howling. There could be lawsuits.”
― Eoin Colfer, quote from Half-Moon Investigations
“For anyone who has never experienced or set any store by being close to an animal, it is perhaps difficult to understand that you can miss a dog so that it literally hurts. But the relationship with an animal is so much more physical than a relationship with another person. You don’t get to know a dog by asking how he’s feeling or what he’s thinking, but by observing him and getting to know his body language. And all the important things you want to say to him you have to show through actions, attitude, gestures and sounds.”
― Ninni Holmqvist, quote from The Unit
“If they wanted their shit stirred, then stirred their shit was jolly well going to be.”
― Stephen Clarke, quote from A Year in the Merde
“He was a tree stump of a man, limited in his outlook but rooted and unshakeable in his certainties.”
― Michael Crummey, quote from Galore
“this reaction. This was on college campuses, exactly the kind of environment where I had expected curiosity, lively debate, and, yes, the thrill and energy of like-minded activists. Instead almost every campus audience I encountered bristled with anger and protest. I was accustomed to radical Muslim students from my experience as an activist and a politician in Holland. Any time I made a public speech, they would swarm to it in order to shout at me and rant in broken Dutch, in sentences so fractured you wondered how they qualified as students at all. On college campuses in the United States and Canada, by contrast, young and highly articulate people from the Muslim student associations would simply take over the debate. They would send e-mails of protest to the organizers beforehand, such as one (sent by a divinity student at Harvard) that protested that I did not “address anything of substance that actually affects Muslim women’s lives” and that I merely wanted to “trash” Islam. They would stick up posters and hand out pamphlets at the auditorium. Before I’d even stopped speaking they’d be lining up for the microphone, elbowing away all non-Muslims. They spoke in perfect English; they were mostly very well-mannered; and they appeared far better assimilated than their European immigrant counterparts. There were far fewer bearded young men in robes short enough to show their ankles, aping the tradition that says the Prophet’s companions dressed this way out of humility, and fewer girls in hideous black veils. In the United States a radical Muslim student might have a little goatee; a girl may wear a light, attractive headscarf. Their whole demeanor was far less threatening, but they were omnipresent. Some of them would begin by saying how sorry they were for all my terrible suffering, but they would then add that these so-called traumas of mine were aberrant, a “cultural thing,” nothing to do with Islam. In blaming Islam for the oppression of women, they said, I was vilifying them personally, as Muslims. I had failed to understand that Islam is a religion of peace, that the Prophet treated women very well. Several times I was informed that attacking Islam only serves the purpose of something called “colonial feminism,” which in itself was allegedly a pretext for the war on terror and the evil designs of the U.S. government. I was invited to one college to speak as part of a series of”
― Ayaan Hirsi Ali, quote from Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations
The Last Battle of t...
Backroads to Far Tow...
The Piano Man's Daug...
Bend Sinister
The Killing Game
Autobiography of a F...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.
