“I have found that-- just as in real life--imagination sometimes has to stand in for experience.”
― Steve Martin, quote from An Object of Beauty
“You want to know how I think art should be taught to children? Take them to a museum and say, 'This is art, and you can't do it.”
― Steve Martin, quote from An Object of Beauty
“When someone less capable is ahead of me, I am not pleased. It makes me insane.”
― Steve Martin, quote from An Object of Beauty
“Lacy was just as happy alone as with company. When she was alone, she was potential; with others she was realized.”
― Steve Martin, quote from An Object of Beauty
“…when the person beside you is making you alert and keen and the idea of being with anyone else is not imaginable…”
― Steve Martin, quote from An Object of Beauty
“both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.”
― Steve Martin, quote from An Object of Beauty
“The emotions of men, however, were of a different order. They were pesky annoyances, small dust devils at her feet. Her knack for causing heartbreak was innate, but her vitality often made people forgive her romantic misdeeds.”
― Steve Martin, quote from An Object of Beauty
“she is nearing forty and not so easily forgiven as when her skin bloomed like roses.”
― Steve Martin, quote from An Object of Beauty
“...a young man, Jamaican, perhaps, his head circled in a scarf with sunbleached dreadlocks on piled on top, looking like a plate of soft-shell crabs.”
― Steve Martin, quote from An Object of Beauty
“So, while fitting in, she was like a wicked detail standing out against a placid background.”
― Steve Martin, quote from An Object of Beauty
“The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.”
― Steve Martin, quote from An Object of Beauty
“So she viewed time spent in the land of the normal as an investigation into the world of marriage-worthy men, even if she was unsure about her own interest in marriage. There must be one solid citizen who also had a spark of life, a sense of humor and adventure.”
― Steve Martin, quote from An Object of Beauty
“She started converting objects of beauty into objects of value.”
― Steve Martin, quote from An Object of Beauty
“If you occasionally wonder how I know about some of the events I describe in this book, I don't. I have found that--just as in real life--imagination sometimes has to stand in for experience.”
― Steve Martin, quote from An Object of Beauty
“Lacey was just as happy alone as with company. When she was alone, she was potential; with others she was realized. Alone, she was self-contained, her tightly spinning magnetic energy oscillating around her. When in company, she had invisible tethers to anyone in the room: as they moved away, she pulled them in.”
― Steve Martin, quote from An Object of Beauty
“An artist who painted a face was now 'playing with the idea of portraiture,' or 'exploring push-pull aesthetics,' or toying with contradictions like 'menacing-slash-playful,' but he or she was never, ever, just painting a face.”
― Steve Martin, quote from An Object of Beauty
“People in coats and ties were milling around the Talley gallery, and on the wall were the minimally rendered still lifes by Giorgio Morandi, most of them no bigger than a tea tray. Their thin browns, ashy grays, and muted blues made people speak softly to one another, as if a shouted word might curdle one of the paintings and ruin it. Bottles, carafes, and ceramic whatnots sat in his paintings like small animals huddling for warmth, and these shy pictures could easily hang next to a Picasso or Matisse without feeling inferior.”
― Steve Martin, quote from An Object of Beauty
“I am tired, so very tired of thinking about Lacey Yeager, yet I worry that unless I write her story down, and see it bound and tidy on my bookshelf, I will be unable to ever write about anything else.”
― Steve Martin, quote from An Object of Beauty
“The auction houses seemed not as dull as their financial counterparts on Wall Street, where parents of daughters imagined glass celings and bottom patting.”
― Steve Martin, quote from An Object of Beauty
“And after his unparsable response, including a passage where he said he was 'blurring the boundaries between a thing and thought,' she said, 'Thank you, I get lost sometimes,' while laying two fingers on his folded arm.”
― Steve Martin, quote from An Object of Beauty
“a real scholar with a bright pen,”
― Steve Martin, quote from An Object of Beauty
“Marcus Akida was always a sight to behold whenever he entered a room. Though he had the typical ash blonde hair and clouded eyes, his skin shone with the same ebony brilliance that it had the day he was captured… in Tanzania. At a lean and muscular 6’4”, in the heavy red robe of the Seers, he was at once angel and demon; beautiful and terrifying.”
― Cerece Rennie Murphy, quote from Order of the Seers
“Running away has been futile. Wherever I went life would be the same. Resisting my chains only seem to tighten them. Yet all around me women found ways to slip those bonds, to discreetly flout the rules and then return to their so-called captivity before anyone noticed.”
― Sherry Jones, quote from The Jewel of Medina
“One sidelong glance at his dad and Ish walked back home. ‘Where the hell are you going now?’ Ish’s dad said. ‘Match. Why? You want to curse me some more?’ Ish said. ‘When you’ve wasted your entire life, what’s another day?’ Ish’s father said and the neighbours half-nodded their heads in sympathy. We missed the final five overs of the match. Luckily, India won and Ish didn’t get that upset. ‘Yes, yes, yes,’ Ishaan jumped. ‘Gopi on me tonight.’ I love idiots. Actually, Ishaan is not an idiot. At least not as much as Omi. It”
― Chetan Bhagat, quote from The 3 Mistakes of My Life
“You can't build a life on a backstage pass or free swag at Sundance.”
― Rob Lowe, quote from Stories I Only Tell My Friends
“The heart of software is its ability to solve domain-related problems for its user. All other features, vital though they may be, support this basic purpose. When the domain is complex, this is a difficult task, calling for the concentrated effort of talented and skilled people. Developers have to steep themselves in the domain to build up knowledge of the business. They must hone their modeling skills and master domain design. Yet these are not the priorities on most software projects. Most talented developers do not have much interest in learning about the specific domain in which they are working, much less making a major commitment to expand their domain-modeling skills. Technical people enjoy quantifiable problems that exercise their technical skills. Domain work is messy and demands a lot of complicated new knowledge that doesn’t seem to add to a computer scientist’s capabilities. Instead, the technical talent goes to work on elaborate frameworks, trying to solve domain problems with technology. Learning about and modeling the domain is left to others. Complexity in the heart of software has to be tackled head-on. To do otherwise is to risk irrelevance.”
― quote from Domain-Driven Design: Tackling Complexity in the Heart of Software
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2018, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.